The lines, dynamics, three-dimensional sense and rhythm of calligraphy determine the masculine and feminine sense of calligraphy. Good calligraphy combines masculine and feminine feelings, and the written words penetrate the back of the paper without losing aesthetic feeling.
Line is the basis of calligraphy, the most direct embodiment of calligraphy, and one of the important media for calligraphers to express their feelings. Han Li is an important milestone in calligraphy, and Han Li can better liberate lines when writing, which has made an important contribution to the study of line beauty.
When writing calligraphy, we should also pay attention to the sense of quantity, that is, the control of the strength of palms, fingers, wrists and arms when writing calligraphy. Combine the power of fingers with the author's aesthetics, and the calligraphy written will have a style. If the brushwork is weak when writing calligraphy, the beauty of calligraphy will not be better played.