Later, according to Xiang's comments on the pictures, The Riverside Scene at Qingming Festival was collected by Xiang Jia from the end of Chongning to the beginning of Daguan.
1 127 years, after the change of Jingkang, all the famous calligraphy and paintings collected by the imperial palace in the Song Dynasty were transported to the north by Jin people and hidden in the imperial palace in the Jin Dynasty, and Wang Tingjun, a writer and painter in the Jin Dynasty, and Zhang Rufang, a minister, were invited to taste the same. The Riverside Scene at Qingming Festival was plundered by the Jin people to the northern Jin people after the death of Huaiyang clan and others.
127 1 year The Riverside Scene at Qingming Festival was included in the Mongolian Secret House, but it was actually a fake. According to historical records, when the Riverside Scene at Qingming Festival was mounted, it was replaced by a fake by an official craftsman, and the real thing was sold to court officials. Officials who got the original picture of Riverside Scene at Qingming Festival made a decision in Ren Zhen, and this picture was later taken to Zhengding Prefecture in Hebei Province. However, during his tenure, the person in charge of keeping the painting for him secretly sold it to the later Hangzhou painter Chen Yanlian, so The Riverside Scene at Qingming Festival spread to Hangzhou.
135 1 year, Yang Zhun came to Hangzhou. He saw this scene in The Riverside Scene at Qingming Festival, and immediately bought it at a huge sum of money, and brought it to Xichang, Jiangxi Province as 1352.
1365 The Riverside Scene at Qingming Festival is collected in Zhoujia, Jingshan.
The Riverside Scene at Qingming Festival in the early Ming Dynasty was collected by Zhu Hepo, a monk of Dali Temple, and Xu Pu, a great scholar.
145 1 year. On his deathbed, Xu Pu presented The Riverside Scene at Qingming Festival to Li Dongyang, a calligrapher of Ming Dynasty.
1460, collected by Lan and Wu. Now you can see the bell seal of the third gang in the second row on the left of Zhang Zhu's inscription, that is, "Wu's family collection", and the fourth seal in the fourth row on the left should be "Lang Zhen".
149 1 year, it flowed into the capital and re-entered Zhu Wenzheng's home.
In the middle and late Ming Dynasty, Chou Ying, a famous painter in the Ming Dynasty, re-created a brand-new "Chou Ying-like" scroll with a different style from that in the Song Dynasty, with reference to its composition structure and Suzhou City in the Ming Dynasty as the background.
This copy is also the originator of later generations. According to the Ming History, at that time, various imitations, mainly "Chou Ying imitation", emerged one after another, becoming high-grade gifts for the rich and powerful. Later, "Chou Ying Imitation" was collected by the Palace Museum.
1524 was collected by Lu Wan, the minister of war. After Lu's death, his son was in urgent need of money, so he sold The Riverside Scene at Qingming Festival to Gu's home in Kunshan, and was forced by Yan Song and his son.
During the Qin Long period of the Ming Dynasty, Yan Song and his son were impeached by Zou Yinglong and their property was confiscated. The Riverside Scene at Qingming Festival 1565 entered the Ming Palace.
The Riverside Scene at Qingming Festival began at 1578, and was transferred from Neifu to Feng Bao, the ceremonial supervisor of Ming Dynasty, until 1582. Four years after the inscription, that is, Zhang died in 1582, the religion of God grew. Soon, Feng Bao lost power and influence, his property was confiscated, and The Riverside Scene at Qingming Festival was circulated again.
From 65438 to 0644, The Riverside Scene at Qingming Festival after Qing Dynasty was collected by Xiangxiang people and Qianlong Jinshi Land in Anhui Province.
1773 The Riverside Scene at Qingming Festival is the original edition of Siku Quanshu compiled and edited by Lufei.
1790 to 1794 The Riverside Scene at Qingming Festival was acquired by Bi Yuan, Governor of Huguang.
1799, the fourth year after Bi Yuan's death, his property was confiscated, and the Riverside Scene at Qingming Festival entered the palace for the fourth time.
Since then, The Riverside Scene at Qingming Festival has been treasured in the Qing Palace until the end of the Qing Dynasty. Later, the riverside scene on Qingming Festival was robbed again. Puyi, who left the throne of the emperor, used the imperial power to "reward" his younger brother Aisingiorro 73 from 165438 in 0922 to 16 in October and then to 1923+28 in October. In the name of Pu Jie, 65,438 scrolls of calligraphy and painting and 68 picture books were moved out of the palace. Among them, Zhang Zeduan painted The Riverside Scene at Qingming Festival.
Since then, The Riverside Scene at Qingming Festival has been stored in Bird, Tianjin Concession for more than seven years. Later, it was taken to Changchun, treated as a fake, stored in the Northeast Museum, and spent as long as 13 four months in the "Jixi Building" warehouse.
Since then, The Riverside Scene at Qingming Festival has been identified from the counterfeit goods in the warehouse and then transferred to the collection of the Palace Museum in Beijing.