Poetry 1. On the night view of the Hui Chong River: the night view of the Hui Chong River.
Hui Chong Chunjiang Night Scene
Su Shi (Northern Song Dynasty)
Two or three peach blossoms outside the bamboo forest and ducks in the water first noticed the warm spring.
The beach is covered with wormwood, asparagus is beginning to sprout, and puffer fish are preparing to swim upstream from the sea back to the river.
Annotation translation
Hui Chong:
A famous monk in the Northern Song Dynasty was good at poetry and painting. He painted the evening scene of the riverside. There are two paintings, one is a duck show and the other is a flying goose. There are also two poems by Su Shi, this one is about duck play.
Artemisia selengensis: A perennial herb growing in lowlands, with pale yellow flowers and stems four or five feet high. It is tender, crisp and edible at birth. Dictionary explanation: perennial herbs with light yellow flowers can be used as medicine.
Reed bud: the young bud of reed, which is edible.
Puffer: a kind of fish, the scientific name is Qu. Its meat is delicious, but its ovaries and liver are highly toxic. Produced in coastal areas and some inland rivers of China. Go against the current every spring and lay eggs in fresh water.
Top: refers to fish swimming against the current.
Translation:
Two or three peach blossoms are blooming outside the bamboo forest, and ducks are swimming in the water. They first noticed the warming of the river in early spring. The beach has been covered with Artemisia selengensis and asparagus has begun to sprout. This is the season when puffer fish return from the sea and lay eggs in the river.
2. What is the philosophical poem of Hui Chong Chunjiang Evening Scene?
The prophet of warming ducks in the spring river is very philosophical: ducks are playing in the spring of a river; The information that the river is warming is first perceived by them. A duck knows warm water, which can't be reflected by painting alone. Poetry is expressed. Is it actually a duck prophet with warm water? Everything about the aquarium knows the warmth and coldness. The poet wrote this way to match the scenery in the painting, and actually expressed his joy and praise for the arrival of spring. There is a poem "Looking for Birds in Flowers" in the Tang Dynasty, which is similar to this sentence. This sentence is very philosophical. Now when we mention that a new situation or news is known in advance, we often quote this sentence. (Hui Chong Chunjiang Late Poet: Su Shi Dynasty: Peach Blossoms Outside Bamboo)
3. I am eager for Hui Chong's poems by Xiaojing in Chunjiang.
Su Shi —— The night view of the riverside in Hui Chong (I) Peach blossoms outside the bamboo, and the duck prophet on the riverside is warm.
The beach is covered with wormwood, asparagus is beginning to sprout, and puffer fish are preparing to swim upstream from the sea back to the river. This is a poem written for Hui Chong's "Night Scene on the Spring River". According to the pictures, the poem vividly depicts the spring scenery in the south of the Yangtze River, from bamboo peach blossoms to Artemisia selengensis buds, a scene of prosperity in early spring.
However, the poet is not limited to the artistic conception of the picture, but writes the breath of spring that he feels outside the vision, perceives the heating of the spring water from the ducks playing on the water, and connects it with the "puffer fish that wants to come up" in the warm current, making the picture lifelike. It is said that this poem is well written because Su Shi can vividly express the night view of the riverside painted by Hui Chong.
Two or three peach blossoms are blooming outside the bamboo forest, and ducks are swimming in the water. They first noticed the warming of the river in early spring. The beach has been covered with Artemisia selengensis and asparagus has begun to sprout. These are good seasonings for cooking puffer fish, and puffer fish will soon swim back into the river from the sea.
The puffer fish that will come back to swim can't be painted by the painter. The poet used his imagination to show how real the unique atmosphere of early spring in the south of the Yangtze River is! There is nothing special about this poem in describing spring scenery. However, the phrase "The Prophet of Warm Duck on the Spring River" vividly writes a very common objective truth: Because ducks like to swim for food, they can first experience the coming of spring and the rise of water temperature.
It tells us that only those who are in frequent contact with something and are most familiar with it can be most keenly aware of any subtle changes in it. A good poem on painting should not only be tied to the theme of painting, but also be limited to the content of the picture. It should not only be able to reproduce painting, but also be able to jump out of painting and create new things, so that painting does not lose its independent artistic life.
Su Shi's poems can be said to have done this. The first three sentences of the poem are chanting the scenery, and the last sentence is the association caused by the scenery.
The whole poem is like a poet's improvisation, and the image is wonderful and natural. In fact, the first three sentences are not exactly the same
In the second sentence, the words "water heating" (temperature) and "duck prophet" (perception) cannot be drawn directly. Poetry can be described as picturesque, but the physical properties of poetry are too picturesque.
This is because painting belongs to visual art, while poetry is a language art with absolute freedom of expression. The last sentence further develops the association, and on the basis of the objective description of the scenery in the first three sentences, it judges the seasonality of the scenery in the painting, thus adding a strong feeling of the beauty of the southern scenery, which is even more impossible for painting.
Regarding the seasonal flavor of puffer fish, Mei wrote a poem "Fan Raozhou eats puffer fish": "Spring buds are born in spring, and poplars fly to the spring shore. When puffer fish, it is not expensive to count fish and shrimp. "
Ouyang Xiu's Poem on June 1st said: "The puffer fish often swim in the water at dusk in spring, eating catkins and getting fat. Southerners often divide soup with buds, and the clouds are the most beautiful." Zhang Lei, a student of Su Shi, also recorded in Ming Dow magazine that the Yangtze natives eat puffer fish, "but cook it with Artemisia selengensis, bamboo shoots (that is, reed buds) and shepherd's purse", and think that these three kinds are the best match with puffer fish.
This shows that Su Shi's association is well-founded and natural. This is also the beauty of poetry.
At the beginning of the spring breeze, when spring is not strong, it is full of vitality and joy. Every sentence is full of the breath of spring, not thick ink, but meticulous brushwork, which sets off the essence of early spring, especially ethereal and lovely. )
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This is a poem written for Hui Chong's "Night Scene on the Spring River". According to the pictures, the poem vividly depicts the spring scenery in the south of the Yangtze River, from bamboo peach blossoms to Artemisia selengensis buds, a scene of prosperity in early spring. However, the poet is not limited to the artistic conception of the picture, but writes the breath of spring that he feels outside the vision, perceives the heating of the spring water from the ducks playing on the water, and connects it with the "puffer fish that wants to come up" in the warm current, making the picture lifelike.
It is said that this poem is well written because Su Shi can vividly express the night view of the riverside painted by Hui Chong. Two or three peach blossoms are blooming outside the bamboo forest, and ducks are swimming in the water. They first noticed the warming of the river in early spring.
The beach has been covered with Artemisia selengensis and asparagus has begun to sprout. These are good seasonings for cooking puffer fish, and puffer fish will soon swim back into the river from the sea. The puffer fish that will come back to swim can't be painted by the painter. The poet used his imagination to show how real the unique atmosphere of early spring in the south of the Yangtze River is! There is nothing special about this poem in describing spring scenery.
However, the phrase "The Prophet of Warm Duck on the Spring River" vividly writes a very common objective truth: Because ducks like to swim for food, they can first experience the coming of spring and the rise of water temperature. It tells us that only those who are in frequent contact with something and are most familiar with it can be most keenly aware of any subtle changes in it.
A good poem on painting should not only be tied to the theme of painting, but also be limited to the content of the picture. It should not only be able to reproduce painting, but also be able to jump out of painting and create new things, so that painting does not lose its independent artistic life. Su Shi's poems can be said to have done this.
The first three sentences of the poem are chanting the scenery, and the last sentence is the association caused by the scenery. The whole poem is like a poet's improvisation, and the image is wonderful and natural.
In fact, the first three sentences are not exactly the same In the second sentence, the words "water heating" (temperature) and "duck prophet" (perception) cannot be drawn directly.
Poetry can be described as picturesque, but the physical properties of poetry are too picturesque. This is because painting belongs to visual art, while poetry is a language art with absolute freedom of expression.
The last sentence further develops the association, and on the basis of the objective description of the scenery in the first three sentences, it judges the seasonality of the scenery in the painting, thus adding a strong feeling of the beauty of the southern scenery, which is even more impossible for painting. Regarding the seasonal flavor of puffer fish, Mei wrote a poem "Fan Raozhou eats puffer fish": "Spring buds are born in spring, and poplars fly to the spring shore.
At this time, puffer fish went on the market, and the price was very high, surpassing all fish and shrimp. Ouyang Xiu's "Poems on June 1" said: "Pufferfish often swim in the water at dusk in spring, eating catkins and getting fat. In the south, there are many soup with buds, and the clouds are the most beautiful."
Written by Zhang Lei, a student of Su Shi in Ming Dynasty.
4. The significance of Hui Chong's Chunjiang Evening Poems.
Two night scenes of Su Shi's "Huichong Riverside" in Song Dynasty: two or three peach blossoms outside the bamboo forest, and ducks swimming in the water first noticed the warming of the river in early spring.
The beach is covered with Artemisia selengensis and reeds are sprouting short buds. At this time, the puffer fish will swim from the sea to the upper reaches of the river. The geese flying from the north, like those who return to the north, are reluctant to go and are almost left behind.
Thousands of miles away, I already know that the desert in the north is snowy, so it is better to stay in the spring in the south of the Yangtze River for half a month. There are three or two peach blossoms outside the bamboo, and there are duck prophets in the spring water heating.
The beach is covered with wormwood, asparagus is beginning to sprout, and puffer fish are preparing to swim upstream from the sea back to the river. The geese fly north, like people who want to return to the north, but because of attachment, poor team.
Before flying to the north, I knew that it was snowy in the desert in the north, or the south that spent most of the Spring Festival in the south. Two Scenes of the Late River in Hui Chong is a set of poems written by Su Shi to Hui Chong on the Late River.
Enlarging data and appreciating the first poem "Duck Opera" reproduces the scenery of mid-spring in the south of the Yangtze River in the original painting, and blends with the poet's reasonable imagination, which complements the original painting. There are three or two peach blossoms outside the bamboo. Looking across the sparse bamboo, several peach blossoms are swaying.
Peach blossoms and bamboo are in contrast, red and green, and spring is particularly charming. Although this is just a simple sentence, it reveals a lot of information.
First of all, the bamboo forest is sparse. If it's sunny, you won't see peach blossoms. Secondly, show the season and point out the word "early".
Just after the cold spring, it is not the time for peach blossoms to bloom, but the infinite vitality and potential of spring have been revealed. "Spring River Plumbing Duck Prophet" has a vision from far to near, that is, from the river bank to the river surface.
Spring water is rippling on the river, and active ducks are playing on the river. The silhouette of "Duck Prophet" shows that the spring water is still slightly chilly, so other animals are not sensitive to the arrival of spring, which echoes the peach blossom "three or two branches" in the first sentence and indicates the early spring season.
"A duck knows how to warm water", which appeals to emotion and imagination, is difficult to convey in the picture, but the poet expresses this point in his poems by putting himself in others' shoes. Ducks swimming freely in the river are the first to feel the temperature rise of the spring water, and the tactile impression of "warmth" complements the visual impression of the spring water in the picture.
This poem not only reflects the poet's careful observation of nature, but also reflects the poet's philosophical thinking about life. Ducks know that the Chunjiang River is warm when they get into the water, which makes sense.
These two poems are still closely related to Early Spring. Artemisia selengensis and dwarf reed buds are yellow and green, gorgeous and charming, showing a scene of spring and prosperity. The puffer fish wants to go up, which makes use of the characteristic that puffer fish only go upstream when the spring river warms up, and further highlights the word "spring". This is something that is not in the picture, and it is difficult to reach with a brush, but the poet successfully "looks like the present" and injects the breath and vitality of spring into the whole picture.
Although the painting "It's time for the puffer fish to come up" does not describe the action of the puffer fish, the poet knows that "the puffer fish is coming up" from the crazy growth of Artemisia selengensis and the germination of reeds, thus drawing the image of dolphins going up the river when the spring river blooms, so as to make up for the deficiency. The second poem, entitled "Flying in a Wild Goose", shows people's feelings about flying in the north and shows the beauty of the south of the Yangtze River in spring.
The second poem in this group is generally unknown, but its creative level is also very high. "Two couples are going to break up, and Yiyi is still like going back to the north."
This sentence sums up Hui Chong's "Flying in a Wild Goose". The geese fly north, and some geese are reluctant to give up the beauty of this spring and almost leave the team. And using anthropomorphic techniques, the reluctant geese are compared to "returning to the north", which makes the content in the painting more vivid.
"I know from a distance that there are many snowstorms in the desert, and I am waiting for the spring in Jiangnan." It is also anthropomorphic, giving the geese in the north a human touch.
Goose is reluctant to leave because the south is warmer than the north, so the poet wrote, Goose thinks the north is very cold, and knows that the desert is windy and snowy from a distance; In the last sentence, the poet further wrote that the geese hope to stay in Jiangnan for a few more days. The application of this personification technique has changed Hui Chong's painting from "freeze-frame" to "video", which makes the scene of geese flying north full of human emotions and quite innovative.
Author's brief introduction Su Shi (1037-1kloc-0/01), a writer, painter and gourmet in the Northern Song Dynasty. Zi yue Zhan, no Dongpo lay man.
Han nationality, Sichuanese, was buried in Yingchang (now Jiaxian County, Pingdingshan City, Henan Province). I have a bumpy career, profound knowledge, extremely high talent, and excellent poetry, calligraphy and painting.
His writing style, Wang Yang, is unrestrained and fluent, and he is also called Ou Su with Ouyang Xiu, one of the "Eight Masters of Tang and Song Dynasties"; Poetry is fresh and vigorous, making good use of exaggeration and metaphor, and its artistic expression is unique. Together with Huang Tingjian, they are called Su Huang. The uninhibited school has a great influence on later generations, and it is called Su Xin with Xin Qiji. Calligraphy is good at running script and regular script, and it can be innovative. Writing with a pen is ups and downs, full of childlike interest. And Huang Tingjian, Mi Fei and Cai Xiang are also called Song Sijia. Painting is the same as literature. In painting, we advocate spirit likeness and "literati painting".
He is the author of The Complete Works of Su Dongpo and Dongpo Yuefu.