Feel China's Regular Script Calligraphy and Yan Zhenqing's Works

In terms of brushwork, Yan Zhenqing changed the characteristics of Wang calligraphers in the early Tang Dynasty, which were mainly finger movements, light and beautiful style, and winning by thin and hard. Instead, it increased the use of wrist strength and highlighted the word "Jin", which Fan Zhongyan called "Yan Jin". In this way, the word Yan has achieved the effect of "penetrating the back of the paper" and demonstrated the beauty of "strength" in calligraphy art. Su Dongpo made a more appropriate explanation: "Reform and innovation are as thin as an autumn eagle." Yan Zhenqing absorbed the characteristics of seal script and official script, and compiled them into regular script. Moreover, the brushwork of "folding fork stocks", "leaking marks", "Yin Yinni" and "painting sand with a cone" are all reflected in his calligraphy works, while Yan Kai, who writes a unique "swallow-tailed silkworm head", is plump, dignified and dignified, and "fits the meaning of seal brushwork", with meticulous description, letting go without flowing, but catching people. [3] In addition, Yan Jie's pen is horizontal and light, vertical and heavy, with different emphasis and extraordinary bearing, which makes Yan Zi have an artistic effect of artificial relief, which is quite distinctive.