Appreciation of Huang Tingjian's Song Fengge Poems

? Huang Tingjian (1August 9, 045-1May 24, 05), whose real name is Lu Zhi, is a rich man in Fenning, Hongzhou (now xiushui county, Jiujiang City, Jiangxi Province), a famous writer and calligrapher in the Northern Song Dynasty, and the founder of Jiangxi Poetry School, with the same fame as Du Fu and Chen Shidao. Together with, Chao and Qin Guan, they all studied under Su Shi, collectively known as the "four bachelor's degrees under the door". He was as famous as Su Shi before his death and was called "Su Huang" by the world.

He is the author of Valley Ci, and Huang Tingjian's calligraphy is unique and is one of the "Song Sijia". Professor Peking University and pioneer Li Zhimin commented: "Huang Tingjian attracts cranes into the grass, strong and easy to swing, with a new realm."

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Huang Tingjian's cursive script is Zhou Yue's. Su Shi regarded Zhou as "dangerous and inferior" and Mi Fei regarded Zhou as "vigorous and fierce". Later, Huang Tingjian expressed his views on Zhou Yue's calligraphy after his calligraphy and calligraphy thoughts matured in Shu Tan: "Wang's Lanting, Le Yi Lun, Bu Yong's Zen master and Wednesday's Qian Wen are all wonderful, and at the same time they are good at using pens. Thousands of books in the chest, not following the crowd, the book is not sick, wins Li Xitai, wins Lin Hejing. Wang Zhu, Gai Meiren, is sick; Strong people are sick, Zhou Yue-all the crimes of squatting, and non-scholars are ineffective. "

Partial map of Huang Tingjian's Song Fengge Poems

? The maturity of Huang Tingjian's cursive script also benefited from his understanding of foreign art. In addition to what he mentioned above, "Watching the oars on the boat for many years and rowing with the current is the result of feeling less progress and happiness, and you need to use a pen", he also has a passage to explain the reason: "I live in Kaiyuan Temple in Sitang, Yi Xi, and sit down and watch the country. Every time you work here, you seem to get help from mountains and rivers. However, the long history and crazy monks all depend on each other, and entered the wonder. I don't drink. Suddenly, 50 years later, although I want to do something good, I'm not good at it. Writing is always stumbling, and I can't start writing again when I'm drunk. " Zhang Xu and Huai Su grass are ecstatic when they are drunk and irrational, and they are often unpredictable and superb. Huang Tingjian doesn't drink, and the grass is all in his head, so that he can use a pen. But his meditation and wonderful enlightenment, though rational, can also be opened and closed, gathered and closed, and entered the realm of writing. And its pen, by contrast, is more calm and elegant, although ups and downs, but also can stay everywhere, stay everywhere. Huang Tingjian's "All Seated Posts" and other Buddhist cursive scripts are really wonderful. Thus, Huang Tingjian created a new realm of China's cursive script.

Huang Tingjian's Poems of Song Fengge

(See the high-definition big picture on Tibet Research Online)