Du Liniang, the daughter of Du Bao, the magistrate of Nan 'an, went out to visit the garden privately, and was moved by the scenery. After being sleepy, she dreamed of a tryst with Liu Mengmei, a Lingnan scholar. From then on, I couldn't afford to get sick and died in love. Yagyu went to Beijing and tried to spend the night in the temple.
He picked up the self-portrait of Du Liniang's martyrdom in the garden and finally had a tryst with the ghost of the person in the painting. Yagyu fell in love with Li Niang and risked his life to dig a grave and open a coffin. Du Liniang came back from the dead, and the two of them got on well with Qin Jin and went to Lin 'an together. Du Bao was promoted to prime minister and refused to recognize this marriage. It was finally solved when the golden palace happened. Du Liniang and Liu Mengmei are lovers, and everything will be fine.
Extended data:
The creative background of Peony Pavilion;
In the 28th year of Wanli (1598), Tang Xianzu resigned and returned to his hometown Linchuan County, Jiangxi Province. He is 49 years old. He heard and recorded the love experiences of some young men and women in his life, which inspired his creative feelings. Soon after returning to his hometown, he began to write Peony Pavilion. ?
At the beginning of the Ming Dynasty, due to the differences in languages, customs and traditional music, legendary dramas can be said to be a competition of various operas, including a large number of local operas with different styles. By the mid-Ming Dynasty, the four most popular southern dialects were Haiyan, Yu Yaoqiang, Yiyang and Kunshan.
Wei Liangfu as the representative, Jiajing, Qin Long Nianwen and other opera artists have successfully and comprehensively improved Kunshan Opera. Kunshan dialect has been re-planned in singing, accompaniment, charm and the use of flat tune, creating a fresh and elegant accent, which is called "water mill tune" and "cold plate tune". ?
Peony Pavilion is based on Yihuang Opera, which originated from Haiyan Opera. ? The Peony Pavilion is adapted from the novel The Muse Revival in Du Liniang.
Brief introduction of the author of Peony Pavilion;
Tang Xianzu (1550- 16 16), a native of Linchuan, Jiangxi Province, is an Amin dramatist, whose real name is Hai Ruo, also known as Ruoshi, and a Taoist priest in Qingyuan. He became famous very early. Juren at the age of 2l and Jinshi at the age of 34. He has been the doctor of Taichang Temple, the master book of Zhan, and the monk of Bi Li Temple. He made a historical canon in xuwen county, Guangdong Province, because he strongly criticized the failure of state affairs by playing On Auxiliary Ministers and Ministers.
Two years later, he was transferred to Suichang County, Zhejiang Province, where he contained the strongmen, cared about people's livelihood and did a lot of good governance. At the age of 49, he abandoned his official position and returned to his hometown to devote himself to opera creation. Tang Xianzu was deeply influenced by "Left-wing Wang Xue", who opposed Zhu Cheng's Neo-Confucianism, criticized retro literature and pursued individual liberation.
His creative achievements are mainly in operas, such as The Peony Pavilion, The Story of Purple Hairpin, The Story of Conan and The Story of Handan, which are collectively called "Four Dreams of Tang Yuming" (also called "Four Dreams of Linchuan"), and his poems include The Complete Works of Tang Yuming.
Baidu Encyclopedia-The Story of Peony Pavilion (a drama created by Tang Xianzu in Ming Dynasty)