What are Wang Xizhi's sons? What's your personality like?

Wang Xianzhi (344-386), born in Huiji (now Shaoxing, Zhejiang) and the seventh son of Wang Xizhi, was born in Han nationality. In order to distinguish it from later calligrapher Wang Min, people called it Wang Daling. He and his father are also called "two kings". Wang Xianzhi had two wives in his life. One is his cousin Xi, who is hypocritical; One is the daughter of Jian Wendi in the Eastern Jin Dynasty and Princess Sima Daoqian in Xin 'an. Wang Shen Ai, the daughter of Princess Xin 'an, is the queen of Sima Dezong, a famous dementia emperor in China history. Besides, the story of Wang Xianzhi and his concubine Ye Tao has always been a hot topic in folklore. It is said that he once wrote "Peach Leaf Song" to send beauty. [Edit this paragraph] Second, the achievements of calligraphy Wang Xianzhi practiced calligraphy with his father since childhood, with great ambitions. Later, he took Zhang Zhi and didn't become one. He is famous for his running script and cursive script, but he also has a deep foundation in regular script and official script, because Tang Taizong didn't appreciate his works very much, and his works were not as many as his father's. The masterpiece "Thirteen Lines of Luo Shen Fu" handed down from ancient times is also called "Thirteen Lines of Jade Edition". Wang Xianzhi's calligraphy art mainly inherited the family style, but did not stick to the rules and made a breakthrough. In his calligraphy works handed down from generation to generation, it is not difficult to see his inheritance of family studies and traces of his own new way. The predecessors commented on Wang Xianzhi's calligraphy "Dancing in the snow, Yue Long in the clear spring". Precise and ingenious, unexpected. "His pen, from" extension "to" extension ". His cursive script is even more valuable. Yu Zhuo once said: "The cursive script was handed down from Zhang Zhi in the Han Dynasty, just a wonderful person and a slave. "His cursive script Mo Bao handed down from generation to generation includes Duck Head Pill Post and Mid-Autumn Post, all of which are imitations of the Tang Dynasty. His "Duck Head Pill Tie" is a cursive script with the word * * * 15 in silk. In the Qing Dynasty, Wu Qizhen praised this post in the Book of Calligraphy and Painting, saying: "(This post) calligraphy is elegant, beautiful, natural and interesting, and it is the supreme product. "His Mid-Autumn Post is a cursive script with 22 Chinese characters. It looks new and rare in the world. Emperor Qianlong of the Qing Dynasty listed it as a "national treasure". He also created a "book", which turned his father's unconnected grass from top to bottom into connected grass, often a coherent number. Because of its magnificent calligraphy, it is valued by the world. Like his father, Wang Xianzhi's study of books is not limited to the whole subject, but poor. Therefore, we can create our own unique style on the basis of "gathering the strengths of many families and the beauty of many bodies". Finally, he achieved an artistic position alongside Wang Xizhi. Book traces include Mid-Autumn Post written by Mi Fei in the Song Dynasty. In the century and a half from the end of Jin Dynasty to Liang Dynasty, Liu Gongquan's postscript to Wang Xianzhi's Send Pear Branches even surpassed his father Wang Xizhi's influence. Until the Tang Dynasty, Emperor Taizong highly praised Wang Xizhi and belittled Wang Xianzhi. Some calligraphy critics began to think that Wang Xianzhi's calligraphy was inferior to his father Wang Xizhi. But Mi Fei, a calligrapher in Song Dynasty, mainly learned from Wang Xianzhi. Hu Xiaoshi, a famous modern scholar and calligrapher, thinks that Weeds by Zhang Xu and Huai Su was developed from Wang Xianzhi cursive script. Wang Xianzhi was a giant among calligraphers in Wei and Jin Dynasties. The careful teaching and guidance of his father Wang Xizhi laid a solid foundation for his brushwork. As one of the masters in the late Wei and Jin Dynasties, he objectively provided him with the opportunity to learn from others and to be eclectic, and won the artistic status and prestige that kept pace with Wang Xizhi. Wang Xianzhi's ink remains are rarely preserved, and the quantity is far less than that of Wang Xizhi. Because Taizong condescended to offer his books, Wang Xianzhi's books "only exist" in the imperial palace. Calligraphy in the early Song Dynasty emphasized "two kings". Song Taizong and Zhao Guangyi attached great importance to calligraphy, bought Mo Bao, a famous ancient emperor, and ordered Wang Shuzhu to copy ten volumes. This is the famous "Spring Flower Pavilion Post". " Every minister who goes to the second palace will get a gift. "Half of the posts are works of Two Kings. There are 73 pieces of Wang Xianzhi's calligraphy works, and more than 20 pieces have been verified by later generations as fakes or written by others. During the reign of Xuanhe in the Northern Song Dynasty, Song Huizong was good at Wang Xianzhi's calligraphy, and the collection of Wang Xianzhi's calligraphy in Xuanhe Pu Shu increased to more than 80 pieces. However, most of these ink books have not been preserved, and the remaining ink books are no more than seven, and they are all replicas. Fortunately, there are still some original prints of past dynasties, which have left valuable information for us to learn and understand Wang Xianzhi's calligraphy.