He has been selected for the third national calligraphy seal cutting exhibition, contemporary China calligraphy exhibition, the first Chinese and foreign cursive calligraphy exhibition, Japanese famous pen exhibition and other high-level exhibitions at home and abroad. Since 1984, he has won more than 60 awards in large-scale calligraphy exhibitions (competitions) at home and abroad, and published hundreds of printed works of poetry, calligraphy and painting in the media. Draw flowers and birds, especially in ink and blue bamboo. It is inseparable from two major factors: personal love for art and the culture of the times. He Hanqing's road to painting and calligraphy began with learning books, and then painting and calligraphy went hand in hand, nourishing each other and bringing out the best in each other, permeating his long-term concentration and efforts. He began to learn posts from "boys' homework" and thought it was a day shift. The study and practice of calligraphy ran through his childhood, and he dabbled in extracurricular kung fu including literature and music. Although he has never been a full-time painter, due to his comprehensive cultural accomplishment focusing on painting and calligraphy, his heart naturally formed a strong and solid cultural sentiment, so his life path has always been supported by culture. No matter what position he works in, on the one hand, he is simple, serious and conscientious; On the one hand, I insist on writing, and I don't want Wenda to focus on accumulation. In my spare time, I sank into the happy and self-sufficient world of calligraphy and painting creation, and my sincere interest in pen and ink flowed out of my heart, and finally I reached a good attitude and skills, with today's harvest.
He Hanqing's calligraphy master and Han Bei, in the pursuit of regular script and inscription style, formed an aesthetic pursuit of attaching importance to vigorous stock price in structure and simple internal force in lines. He once became famous as an official script. He appreciated the overall style of official script from classic works such as Zhang Qian, Cao Quan, Chen Shi and Fang Heng, and pursued the fluency and fluency of breath. On this basis, he turned to cursive script, combining the simplicity of tablet rhyme with the fluency of cursive script. It can be said that the organic unity of "quality" and "beauty" is the distinctive quality of his cursive style and the uniqueness of his cursive style. He is simple in character, psychologically inclined to the "quality" of calligraphy, but his enthusiasm for creation is enduring. Many times, because he can't work full-time for books, he has accumulated a strong desire to create, so once he starts writing, he has a strong sensibility and naturally shows unrestrained interest. Throughout his cursive works, no matter the large-scale length or the essays, we can see the vigorous brushwork with Fiona Fang, especially at the turning point of the line. In the overall mood, we can see the full breath running through the whole picture, full of vivid charm and charm.