Yuan Zhao Mengfu Shu Luo Shenfu Ming Yuan Zhao Mengfu Shu Luo Shenfu
Category China Calligraphy
Years and Yuan Dynasty
Cultural relics originally belonged to private collections.
The present situation of cultural relics is now in Tianjin Art Museum. It is said that in the Palace Museum in Beijing, Zhao Mengfu's "Ode to Luo Shen" in Princeton University Museum in the United States is said to be the original.
brief introduction
Paper, vertical: 29.5cm, horizontal: 192.6cm, paper, running script, vertical: 29cm, horizontal: 220.9cm.
The whole volume is ***80 lines, and the last paragraph is "Zi Ang". Li Ya, a member of the post-Paper Yuan, wrote an inscription for Gao Qi in Ming Dynasty and Wang Duo in Qing Dynasty. Wang Duo's "Before the Wei Zi in May" crossed the water.
Zhao Mengfu was a famous painter and calligrapher in Yuan Dynasty. Not only did he create a new style in painting, but calligraphy was also the first person in Yuan Dynasty. For example, Xian Yushu, a famous calligrapher in the Yuan Dynasty, commented: "Zi Ang's seal cutting, official position, frankness, walking and jumping grass are the first in the world." The calligraphy style created by Zhao was later called "Zhao Ti". Zhao Mengfu read widely. He first lived in Song Dynasty, studied under Huang Tingjian, and later returned to Zhong You and Erwang by Zhiyong. In his later years, he studied under Li Yong. He tried to imitate the ancient law and wrote very skillfully, especially for the two kings. Yuan Yuji pointed out in the "Ancient Records of Daoyuan Studies": "The dharma was awarded the title of Luo Shenfu; The running script entered its room with the preface to the holy teachings; As for the cursive script, it is full of seventeen posts and changes its shape. " Zhao Mengfu's achievements in calligraphy, especially in opening and running calligraphy, created a new charm, which had a great influence on Yuan people and later generations.
This book "Luo Shenfu" is Zhao's masterpiece. The combination and stippling in the middle of the lines have gained the legacy of the two kings, especially the charm of Wang Xianzhi's Luo Shenfu, that is, the charm of beauty and freedom. For example, the structure is correct and symmetrical, the posture is beautiful and natural, the brushwork is round and delicate, and the layout is dense. At the same time, it also presents its own pursuit. Full stippling, smart Lian Bi, restrained elegance and ups and downs in beauty all show his artistic characteristics of learning from others and being self-contained. So the post-writers commented on this volume like this. Li Ya said: "Da Ling is good at writing Luo Shenfu. There are several books in the world, but unfortunately he hasn't read them all. There is nothing illegal in this Song Xue book. Whoever gives Lanting a fat book will buy Wang Yang. " Gao: "Zhao Weigong cursive" Luo Shen Fu ". Although his calligraphy goes in and out of the room between Wang and his son, he enjoys himself, so he has a unique interest in nature. Therefore, his body really looks like seeing a dragon swimming in the smoke. "
This volume is printed with 37 pieces, which can be found in Bian Yongyu's Notes on Painting and Calligraphy in Style Ancient Hall and Baodi in Shiqu in Qing Dynasty.