In fact, the collection of cultural relics at that time was a white wolf even if it was empty-handed. In the 1980s, when Master Ma lived, people paid little attention to artifacts and did not study them deeply. This loophole was exploited by Master Ma at that time, and his vision and efforts made him really make some tricks on this artifact. As long as you have a forward-looking vision and work hard on artifacts, you can walk out of your own collection road.
Ma Ye did not come from a noble family or a scholarly family, and his ancestors had nothing to do with culture. The reason why he embarked on the road of collection was also caused by his personal vision. As we all know, calligraphy and painting has always been a collection that has never declined. Even in wartime, many people never stopped chasing celebrity calligraphy and painting, but collecting calligraphy and painting requires strong financial resources on the one hand. If you are not a person with small capital, it is impossible to collect some famous calligraphy and painting. Especially those famous calligraphy and painting have always been expensive, difficult to preserve and rarely handed down. How many works a painter has created in his life is also recorded in writing, which is generally scarce, which further contributes to the firm price.
Another point is that he specializes in art and does not fight uncertain wars. Antiques are real things, and all times have their shapes, styles, materials and workmanship. Therefore, as long as you study these points well, you are not afraid of receiving fakes. Secondly, calligraphy and painting are more difficult to preserve than antiques. Calligraphy and painting, which has been circulating for hundreds of years and thousands of years, is approaching the end of the life of rice paper, so the paper becomes fragile, afraid of light, tide and insects. Without corresponding protection tools and measures, it is difficult to effectively protect them.