Yan Zhenqing's ci in Tang Dynasty is full of backbone, while Liu Gongquan's ci is full of backbone, so it is called "Yan Liu Jin Gu". Song Fan Zhongyan: "The pen of prolonging life, Yan Gu."
The pen is broken and the meaning is connected.
When writing Chinese calligraphy or Chinese calligraphy, although the strokes are broken, the strokes are continuous, which is called "the meaning of the strokes is broken" or "the meaning of the strokes is not reached" Emperor Taizong praised Wang Xizhi's words: "Look at his slow work, beautiful cutting and dripping smoke, and this is broken."
Wanhao Qi Li
"Marriott Qi Li" refers to the joint efforts of PEN. Wang Sengqian's "Praise for the Writing Style": "Brush paper is easy to ink, with straight heart and thick pulp, and there are thousands of Qi Li.
(of calligraphy) vigorous and powerful.
Describe the vigorous calligraphy, and the brush strokes almost penetrate the back of the paper. It also describes poetry as profound in conception and concise in words.
Tang Yan Zhen-qing's Notes on Zhang Changshi's Twelve-meaning brushwork: "When using the front, I often want to make it pass through the back of the paper, which is very successful."
The brush is flowing like a dragon and snake-(the strokes of calligraphy) vigorous and graceful.
Describe calligraphy as vivid and imposing.
Tang Li Bai cursive song: "Always seeing dragons and snakes, the left side is shocked."
The energy is sparse and airtight.
"It's easy to ride a horse, but it's airtight" was originally used in calligraphy theory. Deng, a calligrapher in the Qing Dynasty, said: "Calligraphy and painting are sparse, easy to move, and dense, so they are airtight." It means that sparse places can make horses gallop, and dense places can't even breathe the wind. Generally speaking, it refers to the characters in calligraphy, and the structure, layout, blank space, organization and echo between words are so dense and distinct.
Exquisite calligraphy
Describe exquisite calligraphy. From The Biography of Wang Xizhi in the Book of Jin: "Commentators call it a pen gesture, thinking it is like a floating cloud and agile."
Powerful/powerful and fascinating strokes/patterns (in calligraphy)
Describe the softness of calligraphy. Tang Ou Yangxun's On the Use of Pen: "Wandering and pitching, graceful and romantic, just iron painting, charming as a silver hook."
perspicacious
According to legend, Wang Xizhi wrote on the board, and when carving, he found that the handwriting penetrated into the board for three minutes. Describe that calligraphy is very powerful. Nowadays, the problem of metaphor analysis is very profound. Zhang Tang broke Wang Xizhi with his book: "Wang Xizhi's book is a blessing version, and the work is chiseled into the wood."
Free and vigorous calligraphy style
Describing calligraphy as chic and elegant, it later refers to the separation of husband and wife or the frustration of literati. Tang Hanyu's poem "Ga Shan" said: "Koudou fist covers upside down, phoenix flies, tiger flies."