What qualities does Huang have?

Huang (1865- 1955) is a modern painter and scholar. Originally from Shexian County, Anhui Province, and originally from Jinhua, Zhejiang Province. At first it was called Maozhi, and later it was renamed Maozhi, a simple word. In middle age, it was called Hong Bin, and it was given to other departments. In the following years, it was given to Hongzuo and Huangshan middleman. In his early years, he was keen on current affairs and participated in the League, Nanshe and Sinology Preservation Society. Later, he devoted himself to academics, studying the history and theory of painting. The in-depth study of tradition is inseparable from the attention to sketch. Influenced by the "Xin 'an Painting School" in his early years, he was known as "Bai Hongbin" because of his dry pen and light ink. After the age of 80, it is characterized by black density and brightness in the dark, which is called "black Hong Bin". His painting style is elegant and colorful, and his artistic conception is profound. Occasionally, flowers, birds, grass and insects are also strange. Besides painting, he is also engaged in the research and teaching of painting history and seal cutting. He has worked in quintessence of China magazine, China Times and Commercial Press. , and edited by China Guoguang Society, China Grand View. He used to be a professor at Hangzhou National Art Institute. Professor of Xinhua Art College and Beiping Art College of East China Branch of Central Academy of Fine Arts, member of China People's Political Consultative Conference. He is a great master in the history of modern art in China, with profound knowledge, rich writings and excellent poetry, calligraphy, printing and appreciation.

With nearly a hundred years' life experience and more than 80 years' artistic practice, with the spirit of martyrs and on the basis of inheriting the tradition, Huang made great efforts to innovate and become a new milestone in the history of China's landscape painting, worthy of being a master.

Huang's landscape painting creation has gone through three stages: learning from the past, learning from nature and integrating the past. Before the age of 60, he was mainly a teacher of the ancients; 60-70 years old, mainly teachers; After 70 years old, Huang's landscape paintings show the characteristics of self-reliance, maturity, rich style and gloomy mood.

From the perspective of pen and ink, it belongs to the traditional "black, dense, thick and heavy", that is, the accumulation of pen and ink is dozens of weights and dozens of depths, which is the most remarkable feature of his landscape painting. From the color point of view, there are faint ink prints, vibrant ink landscapes, colorful turquoise, and even more Jiao Mo thirsty pen with strong ink and pure lines. From the perspective of inheritance and innovation, we can find the shadow of an ancient brushwork, but it is not the ancients at all. His flower-and-bird paintings are unique and elegant. Calligraphy was studied in Zhong Dingwen and Jin and Wei Dynasties. Wang Xianzhi and Yan Zhenqing are used in cursive script, and Zheng Wengong tablet, Shimen inscription and Chu Suiliang are used in regular script. Learn from others' strengths, show your will, and be honest, fair and elegant. The profound knowledge and rich practice of painting and calligraphy make Huang's research on the history of painting theory have profound and unique insights.

Huang's painting and calligraphy art not only retains the essence of China's traditional art, but also benefits from the connotation of traditional national cultural accomplishment. At the same time, it conforms to the trend of modern art and draws lessons from the achievements of absorbing the spirit of modern aesthetic art. This absorption of modern forms is used by tradition, and it also endows traditional painting with strong characteristics of the times, which is the essential feature of Huang's aesthetic form.

Huang began to learn painting in the "Xin 'an Painting School" and "Huangshan Painting School" in his hometown, that is, he took the painting styles of Jianjiang, Cha Shibiao, ancient pottery and Mei Qing as the Sect, with a very high starting point. However, Huang Zhi started from Xin 'an and Huangshan Painting School, except that his pen and ink skills, thoughts and sentiments and aesthetic views were more in line with his personality, and more importantly, he was rooted in national consciousness and early anti-Qing revolutionary thoughts. Most of the people in Xin 'an and Huangshan painting schools are adherents of the late Ming Dynasty. They stuck to their ambitions, avoided the world and never compromised with the rulers of the Qing Dynasty. Coupled with their painting style, it was original at once, sweeping away the increasingly sweet and vulgar atmosphere of the official "Four Kings" painting school in Qing Dynasty. Moreover, the painting styles of Xin 'an and Huangshan painting schools are simple, simple and simple, which accords with Huang's personality and aesthetic taste.