Li Shifu received 14 posts from Jin Xian. If Emperor Wu of the Han Dynasty and Wang are good at seal script, then Xie Ange is right. It's really appropriate to post the last post.
The History of Mi Tai in Song Dynasty is a calligraphy work created by Mi Fei in Song Dynasty, which belongs to the category of China's calligraphy. It is now in the National Museum in Tokyo, Japan.
Introduction of works
The agreement was concluded in the second year of Yuan You (1087). Mi Fei's "Three Posts Volume" includes Hui Shu's post, Li Taishi's post and Zhang Jiming's post, all of which are paper books and running scripts. Three Posts, a volume, is a masterpiece in Mi Fei's running script. Xiang thinks that Mi Fei's writing style of this article is similar to Wang Xizhi's. Mi Fei's calligraphy is indeed the most effective of the two kings.
But unlike the calligraphy of the two kings and their sons, Wang Xizhi's statutes closely contain ancient essence; Wang Xianzhi's pen is full of charm, elegance and charm. Mi Fei's talent and personality are similar to those of Wang Xianzhi, so Wang Xianzhi's personality can be seen in Mi Fei's works.
Brief introduction of the author
Mi Fei (1051-kloc-0/107), the seal of a person, with the number Xiangyang Man Shi, a history of the sea and the moon. Originally from Shanxi, he moved to Xiangyang and was called "Mi Xiangyang". Historically speaking, he is eccentric, likes to wear Tang suit, and is neat. He is called "elder brother" when he meets stones, so he worships him, so he is called "Mi Dian".
At the age of six, I learned hundreds of poems, studied books at the age of seven, wrote tablets at the age of ten, and entered the officialdom at the age of twenty-one. He is really a precocious eccentric. In calligraphy, he is one of the "four calligraphers of Song Dynasty" (Su, Mi, Huang and Cai), which is second to none. His writing style is bold and unconstrained, and his statutes are rigorous. Su Dongpo praised him as "true, diffuse, official and seal, as calm and happy as a horse";
On the other hand, he also created the method of "Mijia Yunshan" in landscape painting, made good use of "fuzzy" pen and ink to create the misty scenery in the south of the Yangtze River, and reproduced layers of mountains with scattered thick ink, Jiao Mo, horizontal dots and dots, which is called "Midian" in the world. It is admired by many painters in later generations and imitated by others.
His son Mi Youren left many works in the world, which enabled this painting style to continue and led to a new level of "literati painting", which was praised by the history of painting. Historians have different emphases on whether Mi Fei values books or paintings.