2. Pick up the pen and daub it a few times, and a flying dragon will pop up on the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said).
3. The fonts are staggered, big and small, open and closed, and the line thickness changes obviously and fluctuates. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt". He writes quickly, with a strong pen and great effort.
4. Gu Mo lightly grinds a few perfumes, and the new bath in the inkstone pool is full of light, either strong or tactfully, or graceful and beautiful, or vigorous and brave, or like the spring breeze, or like the deep and cold when the north wind enters the customs.
5, the brushwork is bold, the posture is horizontal, and out of carelessness, his palm is forgotten, which has the characteristics of the most angry perfusion.
6, its color, its shape, its yin and dryness, its breaking and turning, the thickness of hidden dew is endless, and the weather is myriad.
7. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.
8, dragon and snake race, wear iron inkstone.
9. The teacher's words are as fragrant as petals.
10, in one fell swoop, the runaway horse flew away and left; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
1 1, arrogant, not bound at all, even the whole line is like the escape of a fairy, coming and going without a trace.
12, the teacher's handwriting is a symbol of the years, and the strokes are powerful.
13, unpretentious.
14, pen moves dragon snake, iron hits silver hook.
15, the husband's letter is human nature, and you can't make it if you are sick. X: We can't let it get sick. -Cai Yong's "Stone Chamber"
16, the ancients said: first, we must be noble in character, and second, we must learn from the ancients. This is the law of books. Scholars know, so when you are familiar with your hands, you must cultivate virtue before you can be familiar with your body. Virtue is familiar to the body and the book is in hand, so it is a book. -"Three Flavors of Calligraphy"