?
Stick to the context
-Mr. Liu Yang, founder and artist of Yimeng School, was founded in 1986.
An honest or intelligent person.
In 2 1 century, all industries in China were replaced by many western scientific and technological cultures because of outdated knowledge and technology. From material products and standards, to production, market and use, to financial systems, life concepts and habits, they are almost replicas of foreign models. Thousands of years of human civilization history of the Chinese nation is being forced to change.
China's paintings and calligraphy works, because of their historical, cultural and technical value, have long been regarded as more practical commodities that can preserve and increase the value than gold (works of art are assets protected by law abroad), and only concentrated on the works of countless professionals who have contributed to China's paintings and calligraphy, such as Qi Baishi, Xu Beihong and Li Keran. This is because time and history, cultural connotation, professionalism and creativity are the standards and yardsticks to test the true core values of artists and works. At present, the so-called market circulation, regardless of the context of blind prices, unlimited excessive speculation, deviates from the laws of art, value and economy, and is more of an artificial price mark.
In the past 30 years, the art market, which is still in its infancy, is like a wind and a sieve in the desert. It not only raised countless dust, but also eliminated many so-called "masters of art" and "everyone" who used to be very popular. The cruel elimination cycle every three years, five years and ten years is not a huge sum of money that the market, collectors and buyers like and dislike, but can be artificially controlled. The authority and charm of the core value of the context law is the eternal survival core of truly creating plastic artists and works and standardizing the art market. Any artificial design and hype can't stand the test of artistic specialization, high standard and high value. Initiating everyone and their works is always a continuation of the context, from the standards, directions and scales of professional art teaching, creation, research and market. Those unprofessional behaviors that only imitate, copy and plagiarize the skills of nature and others, and lack independent thinking and creativity, are "adding bricks and tiles", accelerating the blocking of context, forming a real value market, just a foil for entertainment, and increasing the output of counterfeiting and even garbage. Among them, the existence and growth of real art, in addition to the pioneer's erudition, foresight, high-solid modeling skills, systematic thinking, skills and creativity, are indispensable: maintaining the firmness, strength and great willpower of the context.
Teacher Liu Yang is persistent. Although he has all kinds of knowledge, achievements and experience, he does not pursue short, flat and fast utilitarianism like many people. But down-to-earth, sober and clear procedures. He constantly adjusts, perfects and enriches his own artistic thought and skill system in different periods and environments, and strives for a unique and sustainable cultural and artistic context. Among them, the works with Yimeng, Jiangnan and Xiangxi landscapes, customs and scenery as the main carriers are constantly summarized and refined from the perspectives of modeling, deformation, water, ink, color, light, shadow and composition, and always maintain the clarity and purity of individuality and artworks, and always walk in the forefront of leading modern painting ideas, concepts and techniques. In Mr. Liu Yang's studio, he never hangs any of his own materials and works, never enjoys himself and is intoxicated with himself, and never creates the so-called empty artistic conception. There is only a simple and real life atmosphere, just like his people and works, which is low-key and without any publicity and frivolity. In the process of continuous self-cultivation, precipitation and promotion are realized.
Persistence is not a waste of time and energy. Mr Liu Yang and the persistence of his works;
During the period of 1 and several decades, based on a thorough understanding of the cultural system, Mr. Liu Yang has always maintained the customs, history and culture of different regions, forming the bottom line of the context, regardless of region, nationality, belief and values. Through the mirror of history and culture, through the complicated interference of modern material and human nature distortion, Mr. Wang can always find different geographical backgrounds and small corners. Through the seemingly point-like shapes of stones, trees, water, clouds, houses and figures, we can discover, refine and supplement the laws of objects and plots perceived by different people, rise to the humanistic height, and enhance and strengthen the connotation and extension of the context.
2. For decades, Mr. Liu Yang has created every series of calligraphy, flowers and birds, animals, figures and landscape works, such as Yimeng, Jiangnan and Xiangxi. The overall contextual features of their thoughts, spirits and connotations (romantic sensitivity, realistic philosophy, obscure symbols and deconstruction of waste water) are roughly similar. However, composition and situation are never the same, and the shape, pen and ink and light color of works in different periods have changed greatly. Always maintain a deep artistic professionalism and creativity.
3. Over the past decades, Mr. Liu Yang has donated thousands of works to public welfare, culture, education, religion and other undertakings, and has been invited to hold dozens of solo exhibitions. He always refuses all kinds of wandering and irregular pen meetings and business activities. Although he believes that some works can become commodities, they must be managed through a standardized market, rather than "hype" and "operation". The relationship between supply and demand of creation and collection should also be normal, objective, two-way and equal. Only with the same or similar cultural background and level, as well as appreciation and respect for the context, artistic ideas and values of different regions and artists and their works, can we truly realize the transformation of value investment and price, and thus rise to the height of assets.
Mr. Liu Yang's persistence in the context is his highly responsible attitude towards himself, his works and the market, which deserves respect. Just as Mr. Jia Youfu commented on him many years ago: Liu Yang devoted himself to arduous research and creative activities in the China art world, with high artistic achievements and amazing artistic talents.
Mr. Liu Yang always works with professionalism and standards, and he is a clear-cut person, which is the embodiment of his quality and connotation that distinguishes him from many people. He got rid of unprofessional, disorderly, tasteless, time-wasting and life-wasting entertainment, vanity show and nonsense, and also reserved time and space for himself to think independently, live quietly and create.
t，pub？ pU0？ six