Brief introduction of Qing Tie's works when it rains fast.

Book, paper, vertical: 23 cm, horizontal: 14.8 cm.

Explanation: Xi's first nod. It's sunny when it snows. I want to be better. It didn't work. Strength is different. Wang Xizhi nodded his head. Zhang Hou in the mountains. It's clear on the snow soon, which is another masterpiece of his running script after The First Running Script in the World and Preface to Lanting. Zhao Mengfu, Liu Geng, Hududar, Liu Chengxi, Wang, Wen Zhenheng, Liang and others all expressed their admiration and admiration. Gan Long loved calligraphy all his life, and deliberately collected the masterpieces of famous calligraphers in the past dynasties, and integrated them into one, chasing the two kings to take their essence. He cherishes "sunny hills in heavy snow" very much. In front of the post, he wrote eight small words "A Chinese Odyssey, all ancient and modern are fresh" and four big words "Fantastic". Then he said, "Yue Long is in heaven, and the tiger lies in the phoenix pavilion." This 28-word book is called Pear and Bamboo at the Age of 28. He put this post, Wang Xun's Yuan Bo Post and Wang Xianzhi's Mid-Autumn Post in the West Warm Pavilion of Yangxintang, and made a "Sanxi Hall" imperial book plaque, which was regarded as a rare treasure. In the 12th year of Qianlong reign, 134 original calligraphers, including Sanxi, were selected from the imperial palace and inscribed with inscriptions, named "Sanxitang Fa Tie". "Reading Gu Lou" was built in Beihai, Xiyuan. The stone carvings on it are embedded in the wall of the building, and rubbings are circulated to show the model of Linchi. Two original posts, Mid-Autumn Festival and Yuan Bo, in Three Joy Doors are still in the Palace Museum in Beijing, and this work is now in the National Palace Museum in Taipei.

According to many inscriptions, seals and related books on the attached pages of this post, it is found that "A Clear Post on the Snow" was inscribed by Song Xuanhe's inner government Zhao Mengfu, Song Mi Fei's "Bao Jin Zhai" and Yuan Dynasty's court. It was owned by Zhu Hewang in the Ming Dynasty and by Zhu Hewang in the Qing Dynasty. In the 18th year of Qing Emperor Kangxi (A.D. 1679), he entered the palace.