The answer is as follows:
First, multiple-choice questions (20 points, 65438+ 0 points for each question)
1.C 2。 C 3。 C 4 explosive C 5。 B 6。 A seven. B 8。 C 9。 D 10。 B 1 1。 B 12。 C 13。 C 14。 D 15。 A 16。 C 17。 B 18。 C 19。 D 20。 A
II. Fill in the blanks (20 points, 65438+ 0 point per grid)
2 1. Enjoy and appreciate 22. Linchuan Peony Pavilion 23. Du Fu Liu Zongyuan 24. Seven sons of Jian 'an Jian 'an style 25. Xiangshan laymen's songs and poems are combined into 26 things. Zheng Guangzu Baipu 27. The Analects of Mencius 28. Brother 29. Tree mark 30. Ren Laizhou magistrate 3 1. Presided over and in charge of 32. Nineteen ancient poems.
Three, reading comprehension questions (30 points)
(1) (8 points) 33. (2 points) Seagulls (or flocks of seagulls) rejoice at their arrival. 34.( 1 min) comparison. 35.(2 points) Arrive and entertain guests. 36.(3 points) The language of the whole poem is fluent, except for "food" and "taste". In addition, the poem is expressed in the first person, which is concise, fluent, natural and cordial, and very harmonious with the content, forming a cheerful and elegant artistic conception. Different from Du Fu's other rhythmic poems, it is no wonder that Liu Kezhuang said that it is "a white body with dramatic effect". (meaning close)
(2) (14) 37.(3) Fadaomo 38. (4) (1) grinding (2) crossing (3) dark hate 39. (2) Do you want to suffocate me? Why do you wrap your hair around the barbecue? 40.(2 points) 4 1. (3 points) The irony of Zaichen is that he proved everywhere that the hair on the barbecue was entangled by others after the meat was cooked, and he was not guilty.
③(8 points) 42. (2 points) (1) Sincere (2) Distressed 43. (2 points) Require to be an official in the school 44. (2 points) Just in the government, it is difficult to get teachers and friends. 45.(2 points) The author feels that he is too busy to learn to make friends for trivial matters; The author longs for a free life. (meaning close)
Four, appreciation evaluation questions (30 points)
46.( 15) Hint: Similarities and differences can be compared in content or form; Answer questions from the same and different aspects, and the comparison angle should be clear, combined with the original text; If you can answer four of the following eight points, you won't be deducted.
Similarities:
First, both words express the deep sadness of wandering away from home and missing relatives in my hometown. "I can't bear to climb that mountain and see my hometown. It's hard to accept. Sighing where these years have gone, why do you have to stay in a strange land for a long time? I want to see the beauty building, miss it several times, and God knows how to get back to the boat "is the deep sorrow revealed by Klang Ganzhou;" This is consistent with the "sadness" in "Dead Hua Lian", "The wind in the dangerous building is thin, the spring scenery is very sad, and the sky is dark".
Second, borrowing scenery to express feelings and blending scenes are the same expressions of these two words. The first scene described in Klang Ganzhou is that the river is crystal clear after the rain. It was getting late at that time, and it began to rain at dusk, all over the country, thousands of miles away. In addition, the frosty wind is bleak and tight, the river is sparse, the residual light is a building, and the red declines, which makes people feel that the cool wind suddenly rises and its gas is sad, which makes the clothes list irresistible. How sad this picture is, isn't it just wandering outside and missing the loneliness and sadness of relatives in my hometown? This is consistent with the technique of "the dangerous building is all right" and "the grass is in the sunset" in Dead Hua Lian.
Third, * * * has the same graceful and restrained style.
Fourth, describe the scenery first, and then express your feelings directly: both of them start from going upstairs and overlooking, and end with a straight book.
Difference:
First, the former focuses on feeling sorry for others, thinking about love and not returning, wasting youth: "Prosperity is exhausted, prosperity is exhausted", "A few mistakes, the end of the world knows the boat." The latter, on the other hand, has no regrets, but worries and yearning: "The clothes are getting wider and wider, and there will be no regrets, which makes the good people languish for Iraq."
Second, the lyrical ways are different: the author of "Eight Tones in Ganzhou" first let the homesickness be temporarily released and alleviated in the crisp autumn, among which the words "rain", "sprinkling" and "washing" are loud, which makes the autumn crisp; But then the word "gradually" led to the sad autumn of the whole universe, pushing sadness to the extreme layer by layer. As soon as "Die Lian Hua" came up, it pointed out the sadness: "Dangerous buildings are sparsely windy, looking forward to spring sorrow, and the sky is dark." However, the following film wrote that the Lord went into the crowd to solve his worries and decided to drink a song: "I plan to get drunk." Although I forced a smile, I still felt "chicken ribs" in the end. However, the brushwork is turbulent, quite turbulent. At the end of the poem, I wrote down my tenderness with the words "I swear to be lenient", vowing to be thin and haggard for missing Iraqis, showing the hero's perseverance and persistent attitude, and the poetic scene was thus sublimated.
Third, the emotional tone is different: "Klang Ganzhou" is sad and deep, and finally it is lingering and deep sorrow; "Dead Hua Lian" is clear and firm from low to high.
Fourth, the combination of reality and fiction in Eight Sounds of Ganzhou: first, it truly describes the sorrow when climbing the stairs; second, it is the assumption that "a beautiful woman looks up the stairs, misses several times, and God knows how to return to the boat", which expands the time and space of the poem and makes people think; The Dead Hua Lian is a figurative work, in which the hero goes upstairs from a distance, worried, and then gets drunk until he gets as drunk as a fiddler. Later, he was firm and unrepentant, and his appearance and expression were vivid, just like the present, vividly portrayed and touching.
47.( 15) Tip: You can enjoy it from any of the following angles.
General idea of the article: Although Huangzhou was a backwater relegated by Song officials, it is bordered by the surging Yangtze River in the south and rolling mountains in the west. From here, people can enjoy the endless rivers, and the scenic spots in Chibi, China are crowded with tourists. The author, on the other hand, ignored the landscape and did not think about ancient love. On the contrary, he focused on ordinary bamboo and made a deep excavation of the description object of bamboo architecture. Why is this? Because bamboo is not an ordinary plant for the Chinese nation, it is often regarded as a symbol of personality strength and ideal. Su Shi said, "You can't live without meat and bamboo. No meat makes people thin, no bamboo makes people vulgar. People are thin and fat, but ordinary people are incurable. " Zheng Banqiao said: "Gaizhu's body is thin, strong and lonely, and its branches are proud of snow, like a gentleman's heroic lingyun, neither humble nor overbearing." (Addendum to the Collection of Zheng Banqiao) Since ancient times, literati have been happy to write poems, compositions and paintings on bamboo to show their individuality and seclusion. Wang Yucheng was demoted to Huangzhou, where there were many bamboos, which naturally enabled him to express his life experiences through bamboo. The author did not describe and praise bamboo, but described the bamboo building built with bamboo, which is actually his "spiritual home".
Writing Ideas: This article spares no effort to write out the unusual features of bamboo architecture: 1 The natural section briefly writes out the benefits of building houses with bamboo in Huanggang, paving the way for the detailed description of bamboo architecture below. In the second paragraph, I wrote "Looking at the balcony from a distance" and "Six clothes in the building", and wrote in detail that in the building, you can enjoy all kinds of rhyme and elegance that you can't enjoy elsewhere. The third paragraph describes the "victory in exile" caused by the landlord. The fourth paragraph compares the four famous buildings in history with the bamboo building, showing the beauty of the bamboo building. The last paragraph describes the author's bumpy experience of running around every year, his thoughts and attachment to the bamboo building, and explains the writing time.
Writing appreciation: 1. Symbolism. Compared with the splendor of the four famous buildings, the bamboo building is really shabby, but Gao Hua's splendor hides evil people and practices, and there are endless flashy vulgarity, which is "I don't take it"; The small bamboo building has a dry elegance and a variety of customs. Symbolism is used here, and Gao Hua on the fourth floor symbolizes the corruption of the imperial court; But the bamboo building is a portrayal of its present situation: although its status is as humble as that of the bamboo building, it has the nobility, humility, towering self-confidence and natural peace of mind of bamboo. 2. Write the whole story about Huangzhou Bamboo House and pour out your emotions everywhere. In the paragraph describing the survival time of Zhulou, I first quoted the words of bamboo workers, and then used a word "alas" to express my sigh for life, and described my frequent migration experience: "I am not even old enough to be a Taoist, and I have been a Chu merchant since Hanlin ... I am afraid that Zhulou is perishable!" The narrative here constitutes a pair of emotional contradictions: the whole article mentions loving bamboo houses, but here it says, "Are you afraid of perishable bamboo houses?" In fact, this is the language of anger. I've been running around for four years. I don't know where I will be next year. Where do I need to worry that the small bamboo building is easy to destroy and collapse? It shows the sadness of the world. But after all, the bamboo house was built by the author himself, and it also entrusted the author's ideals and sentiments. So, in the end, he said, "Fortunately, people after us and my comrades will inherit and repair it, and ordinary buildings will be immortal." This has placed high hopes on the author. On the surface, he hopes that people who go their own way will continue to repair the bamboo building and make it immortal. In fact, it is "comrades" who want to understand their own minds, that is, their unshakable beliefs in adversity. Official fame and fortune can be immortal, but only will can. 3. The application of contrast and contrast is also necessary.
V. Creative topic (10)
The answer is short.
Answer: 2008- 12-0 1 20:06
The questioner's evaluation of the answer:
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chivalrous swordsman
[Novice] 1. Multiple choice questions (20 points, 65438+ 0 points for each question)
1.C 2。 C 3。 C 4 explosive C 5。 B 6。 A seven. B 8。 C 9。 D 10。 B 1 1。 B 12。 C 13。 C 14。 D 15。 A 16。 C 17。 B 18。 C 19。 D 20。 A
II. Fill in the blanks (20 points, 65438+ 0 point per grid)
2 1. Enjoy and appreciate 22. Linchuan Peony Pavilion 23. Du Fu Liu Zongyuan 24. Seven sons of Jian 'an Jian 'an style 25. Xiangshan laymen's songs and poems are combined into 26 things. Zheng Guangzu Baipu 27. The Analects of Mencius 28. Brother 29. Tree mark 30. Ren Laizhou magistrate 3 1. Presided over and in charge of 32. Nineteen ancient poems.
Three, reading comprehension questions (30 points)
(1) (8 points) 33. (2 points) Seagulls (or flocks of seagulls) rejoice at their arrival. 34.( 1 min) comparison. 35.(2 points) Arrive and entertain guests. 36.(3 points) The language of the whole poem is fluent, except for "food" and "taste". In addition, the poem is expressed in the first person, which is concise, fluent, natural and cordial, and very harmonious with the content, forming a cheerful and elegant artistic conception. Different from Du Fu's other rhythmic poems, it is no wonder that Liu Kezhuang said that it is "a white body with dramatic effect". (meaning close)
(2) (14) 37.(3) Fadaomo 38. (4) (1) grinding (2) crossing (3) dark hate 39. (2) Do you want to suffocate me? Why do you wrap your hair around the barbecue? 40.(2 points) 4 1. (3 points) The irony of Zaichen is that he proved everywhere that the hair on the barbecue was entangled by others after the meat was cooked, and he was not guilty.
③(8 points) 42. (2 points) (1) Sincere (2) Distressed 43. (2 points) Require to be an official in the school 44. (2 points) Just in the government, it is difficult to get teachers and friends. 45.(2 points) The author feels that he is too busy to learn to make friends for trivial matters; The author longs for a free life. (meaning close)
Four, appreciation evaluation questions (30 points)
46.( 15) Hint: Similarities and differences can be compared in content or form; Answer questions from the same and different aspects, and the comparison angle should be clear, combined with the original text; If you can answer four of the following eight points, you won't be deducted.
Similarities:
First, both words express the deep sadness of wandering away from home and missing relatives in my hometown. "I can't bear to climb that mountain and see my hometown. It's hard to accept. Sighing where these years have gone, why do you have to stay in a strange land for a long time? I want to see the beauty building, miss it several times, and God knows how to get back to the boat "is the deep sorrow revealed by Klang Ganzhou;" This is consistent with the "sadness" in "Dead Hua Lian", "The wind in the dangerous building is thin, the spring scenery is very sad, and the sky is dark".
Second, borrowing scenery to express feelings and blending scenes are the same expressions of these two words. The first scene described in Klang Ganzhou is that the river is crystal clear after the rain. It was getting late at that time, and it began to rain at dusk, all over the country, thousands of miles away. In addition, the frosty wind is bleak and tight, the river is sparse, the residual light is a building, and the red declines, which makes people feel that the cool wind suddenly rises and its gas is sad, which makes the clothes list irresistible. How sad this picture is, isn't it just wandering outside and missing the loneliness and sadness of relatives in my hometown? This is consistent with the technique of "the dangerous building is all right" and "the grass is in the sunset" in Dead Hua Lian.
Third, * * * has the same graceful and restrained style.
Fourth, describe the scenery first, and then express your feelings directly: both of them start from going upstairs and overlooking, and end with a straight book.
Difference:
First, the former focuses on feeling sorry for others, thinking about love and not returning, wasting youth: "Prosperity is exhausted, prosperity is exhausted", "A few mistakes, the end of the world knows the boat." The latter, on the other hand, has no regrets, but worries and yearning: "The clothes are getting wider and wider, and there will be no regrets, which makes the good people languish for Iraq."
Second, the lyrical ways are different: the author of "Eight Tones in Ganzhou" first let the homesickness be temporarily released and alleviated in the crisp autumn, among which the words "rain", "sprinkling" and "washing" are loud, which makes the autumn crisp; But then the word "gradually" led to the sad autumn of the whole universe, pushing sadness to the extreme layer by layer. As soon as "Die Lian Hua" came up, it pointed out the sadness: "Dangerous buildings are sparsely windy, looking forward to spring sorrow, and the sky is dark." However, the following film wrote that the Lord went into the crowd to solve his worries and decided to drink a song: "I plan to get drunk." Although I forced a smile, I still felt "chicken ribs" in the end. However, the brushwork is turbulent, quite turbulent. At the end of the poem, I wrote down my tenderness with the words "I swear to be lenient", vowing to be thin and haggard for missing Iraqis, showing the hero's perseverance and persistent attitude, and the poetic environment was sublimated.
Third, the emotional tone is different: "Klang Ganzhou" is sad and deep, and finally it is lingering and deep sorrow; "Dead Hua Lian" is clear and firm from low to high.
Fourth, the combination of reality and fiction in Eight Sounds of Ganzhou: first, it truly describes the sorrow when climbing the stairs; second, it is the assumption that "a beautiful woman looks up the stairs, misses several times, and God knows how to return to the boat", which expands the time and space of the poem and makes people think; The Dead Hua Lian is a figurative work, in which the hero goes upstairs from a distance, worried, and then gets drunk until he gets as drunk as a fiddler. Later, he was firm and unrepentant, and his appearance and expression were vivid, just like the present, vividly portrayed and touching.
47.( 15) Tip: You can enjoy it from any of the following angles.
General idea of the article: Although Huangzhou was a backwater relegated by Song officials, it is bordered by the surging Yangtze River in the south and rolling mountains in the west. From here, people can enjoy the endless rivers, and the scenic spots in Chibi, China are crowded with tourists. The author, on the other hand, ignored the landscape and did not think about ancient love. On the contrary, he focused on ordinary bamboo and made a deep excavation of the description object of bamboo architecture. Why is this? Because bamboo is not an ordinary plant for the Chinese nation, it is often regarded as a symbol of personality strength and ideal. Su Shi said, "You can't live without meat and bamboo. No meat makes people thin, no bamboo makes people vulgar. People are thin and fat, but ordinary people are incurable. " Zheng Banqiao said: "Gaizhu's body is thin, strong and lonely, and its branches are proud of snow, like a gentleman's heroic lingyun, neither humble nor overbearing." (Addendum to the Collection of Zheng Banqiao) Since ancient times, literati have been happy to write poems, compositions and paintings on bamboo to show their individuality and seclusion. Wang Yucheng was demoted to Huangzhou, where there were many bamboos, which naturally enabled him to express his life experiences through bamboo. The author did not describe and praise bamboo, but described the bamboo building built with bamboo, which is actually his "spiritual home".
Writing Ideas: This article spares no effort to write out the unusual features of bamboo architecture: 1 The natural section briefly writes out the benefits of building houses with bamboo in Huanggang, paving the way for the detailed description of bamboo architecture below. In the second paragraph, I wrote "Looking at the balcony from a distance" and "Six clothes in the building", and wrote in detail that in the building, you can enjoy all kinds of rhyme and elegance that you can't enjoy elsewhere. The third paragraph describes the "victory in exile" caused by the landlord. The fourth paragraph compares the four famous buildings in history with the bamboo building, showing the beauty of the bamboo building. The last paragraph describes the author's bumpy experience of running around every year, his thoughts and attachment to the bamboo building, and explains the writing time.
Writing appreciation: 1. Symbolism. Compared with the splendor of the four famous buildings, the bamboo building is really shabby, but Gao Hua's splendor hides evil people and practices, and there are endless flashy vulgarity, which is "I don't take it"; The small bamboo building has a dry elegance and a variety of customs. Symbolism is used here, and Gao Hua on the fourth floor symbolizes the corruption of the imperial court; But the bamboo building is a portrayal of its present situation: although its status is as humble as that of the bamboo building, it has the nobility, humility, towering self-confidence and natural peace of mind of bamboo. 2. Write the whole story about Huangzhou Bamboo House and pour out your emotions everywhere. In the paragraph describing the survival time of Zhulou, I first quoted the words of bamboo workers, and then used a word "alas" to express my sigh for life, and described my frequent migration experience: "I am not even old enough to be a Taoist, and I have been a Chu merchant since Hanlin ... I am afraid that Zhulou is perishable!" The narrative here constitutes a pair of emotional contradictions: the whole article mentions loving bamboo houses, but here it says, "Are you afraid of perishable bamboo houses?" In fact, this is the language of anger. I've been running around for four years. I don't know where I will be next year. Where do I need to worry that the small bamboo building is easy to destroy and collapse? It shows the sadness of the world. But after all, the bamboo house was built by the author himself, and it also entrusted the author's ideals and sentiments. So, in the end, he said, "Fortunately, people after us and my comrades will inherit and repair it, and ordinary buildings will be immortal." This has placed high hopes on the author. On the surface, he hopes that people who go their own way will continue to repair the bamboo building and make it immortal. In fact, it is "comrades" who want to understand their own minds, that is, their unshakable beliefs in adversity. Official fame and fortune can be immortal, but only will can. 3. The application of contrast and contrast is also necessary.
Answer: 2008- 12-02 13:08
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allied nations
[Novice] 1. Multiple choice questions (20 points, 65438+ 0 points for each question)
1.C 2。 C 3。 C 4 explosive C 5。 B 6。 A seven. B 8。 C 9。 D 10。 B 1 1。 B 12。 C 13。 C 14。 D 15。 A 16。 C 17。 B 18。 C 19。 D 20。 A
II. Fill in the blanks (20 points, 65438+ 0 point per grid)
2 1. Enjoy and appreciate 22. Linchuan Peony Pavilion 23. Du Fu Liu Zongyuan 24. Seven sons of Jian 'an Jian 'an style 25. Xiangshan laymen's songs and poems are combined into 26 things. Zheng Guangzu Baipu 27. The Analects of Mencius 28. Brother 29. Tree mark 30. Ren Laizhou magistrate 3 1. Presided over and in charge of 32. Nineteen ancient poems.
Three, reading comprehension questions (30 points)
(1) (8 points) 33. (2 points) Seagulls (or flocks of seagulls) rejoice at their arrival. 34.( 1 min) comparison. 35.(2 points) Arrive and entertain guests. 36.(3 points) The language of the whole poem is fluent, except for "food" and "taste". In addition, the poem is expressed in the first person, which is concise, fluent, natural and cordial, and very harmonious with the content, forming a cheerful and elegant artistic conception. Different from Du Fu's other rhythmic poems, it is no wonder that Liu Kezhuang said that it is "a white body with dramatic effect". (meaning close)
(2) (14) 37.(3) Fadaomo 38. (4) (1) grinding (2) crossing (3) dark hate 39. (2) Do you want to suffocate me? Why do you wrap your hair around the barbecue? 40.(2 points) 4 1. (3 points) The irony of Zaichen is that he proved everywhere that the hair on the barbecue was entangled by others after the meat was cooked, and he was not guilty.
③(8 points) 42. (2 points) (1) Sincere (2) Distressed 43. (2 points) Require to be an official in the school 44. (2 points) Just in the government, it is difficult to get teachers and friends. 45.(2 points) The author feels that he is too busy to learn to make friends for trivial matters; The author longs for a free life. (meaning close)
Four, appreciation evaluation questions (30 points)
46.( 15) Hint: Similarities and differences can be compared in content or form; Answer questions from the same and different aspects, and the comparison angle should be clear, combined with the original text; If you can answer four of the following eight points, you won't be deducted.
Similarities:
First, both words express the deep sadness of wandering away from home and missing relatives in my hometown. "I can't bear to climb that mountain and see my hometown. It's hard to accept. Sighing where these years have gone, why do you have to stay in a strange land for a long time? I want to see the beauty building, miss it several times, and God knows how to get back to the boat "is the deep sorrow revealed by Klang Ganzhou;" This is consistent with the "sadness" in "Dead Hua Lian", "The wind in the dangerous building is thin, the spring scenery is very sad, and the sky is dark".
Second, borrowing scenery to express feelings and blending scenes are the same expressions of these two words. The first scene described in Klang Ganzhou is that the river is crystal clear after the rain. It was getting late at that time, and it began to rain at dusk, all over the country, thousands of miles away. In addition, the frosty wind is bleak and tight, the river is sparse, the residual light is a building, and the red declines, which makes people feel that the cool wind suddenly rises and its gas is sad, which makes the clothes list irresistible. How sad this picture is, isn't it just wandering outside and missing the loneliness and sadness of relatives in my hometown? This is consistent with the technique of "the dangerous building is all right" and "the grass is in the sunset" in Dead Hua Lian.
Third, * * * has the same graceful and restrained style.
Fourth, describe the scenery first, and then express your feelings directly: both of them start from going upstairs and overlooking, and end with a straight book.
Difference:
First, the former focuses on feeling sorry for others, thinking about love and not returning, wasting youth: "Prosperity is exhausted, prosperity is exhausted", "A few mistakes, the end of the world knows the boat." The latter, on the other hand, has no regrets, but worries and yearning: "The clothes are getting wider and wider, and there will be no regrets, which makes the good people languish for Iraq."
Second, the lyrical ways are different: the author of "Eight Tones in Ganzhou" first let the homesickness be temporarily released and alleviated in the crisp autumn, among which the words "rain", "sprinkling" and "washing" are loud, which makes the autumn crisp; But then the word "gradually" led to the sad autumn of the whole universe, pushing sadness to the extreme layer by layer. As soon as "Die Lian Hua" came up, it pointed out the sadness: "Dangerous buildings are sparsely windy, looking forward to spring sorrow, and the sky is dark." However, the following film wrote that the Lord went into the crowd to solve his worries and decided to drink a song: "I plan to get drunk." Although I forced a smile, I still felt "chicken ribs" in the end. However, the brushwork is turbulent, quite turbulent. At the end of the poem, I wrote down my tenderness with the words "I swear to be lenient", vowing to be thin and haggard for missing Iraqis, showing the hero's perseverance and persistent attitude, and the poetic scene was thus sublimated.
Third, the emotional tone is different: "Klang Ganzhou" is sad and deep, and finally it is lingering and deep sorrow; "Dead Hua Lian" is clear and firm from low to high.
Fourth, the combination of reality and fiction in Eight Sounds of Ganzhou: first, it truly describes the sorrow when climbing the stairs; second, it is the assumption that "a beautiful woman looks up the stairs, misses several times, and God knows how to return to the boat", which expands the time and space of the poem and makes people think; The Dead Hua Lian is a figurative work, in which the hero goes upstairs from a distance, worried, and then gets drunk until he gets as drunk as a fiddler. Later, he was firm and unrepentant, and his appearance and expression were vivid, just like the present, vividly portrayed and touching.
47.( 15) Tip: You can enjoy it from any of the following angles.
General idea of the article: Although Huangzhou was a backwater relegated by Song officials, it is bordered by the surging Yangtze River in the south and rolling mountains in the west. From here, people can enjoy the endless rivers, and the scenic spots in Chibi, China are crowded with tourists. The author, on the other hand, ignored the landscape and did not think about ancient love. On the contrary, he focused on ordinary bamboo and made a deep excavation of the description object of bamboo architecture. Why is this? Because bamboo is not an ordinary plant for the Chinese nation, it is often regarded as a symbol of personality strength and ideal. Su Shi said, "You can't live without meat and bamboo. No meat makes people thin, no bamboo makes people vulgar. People are thin and fat, but ordinary people are incurable. " Zheng Banqiao said: "Gaizhu's body is thin, strong and lonely, and its branches are proud of snow, like a gentleman's heroic lingyun, neither humble nor overbearing." (Addendum to the Collection of Zheng Banqiao) Since ancient times, literati have been happy to write poems, compositions and paintings on bamboo to show their individuality and seclusion. Wang Yucheng was demoted to Huangzhou, where there were many bamboos, which naturally enabled him to express his life experiences through bamboo. The author did not describe and praise bamboo, but described the bamboo building built with bamboo, which is actually his "spiritual home".
Writing Ideas: This article spares no effort to write out the unusual features of bamboo architecture: 1 The natural section briefly writes out the benefits of building houses with bamboo in Huanggang, paving the way for the detailed description of bamboo architecture below. In the second paragraph, I wrote "Looking at the balcony from a distance" and "Six clothes in the building", and wrote in detail that in the building, you can enjoy all kinds of rhyme and elegance that you can't enjoy elsewhere. The third paragraph describes the "victory in exile" caused by the landlord. The fourth paragraph compares the four famous buildings in history with the bamboo building, showing the beauty of the bamboo building. The last paragraph describes the author's bumpy experience of running around every year, his thoughts and attachment to the bamboo building, and explains the writing time.
Writing appreciation: 1. Symbolism. Compared with the splendor of the four famous buildings, the bamboo building is really shabby, but Gao Hua's splendor hides evil people and practices, and there are endless flashy vulgarity, which is "I don't take it"; The small bamboo building has a dry elegance and a variety of customs. Symbolism is used here, and Gao Hua on the fourth floor symbolizes the corruption of the imperial court; But the bamboo building is a portrayal of its present situation: although its status is as humble as that of the bamboo building, it has the nobility, humility, towering self-confidence and natural peace of mind of bamboo. 2. Write the whole story about Huangzhou Bamboo House and pour out your emotions everywhere. In the paragraph describing the survival time of Zhulou, I first quoted the words of bamboo workers, and then used a word "alas" to express my sigh for life, and described my frequent migration experience: "I am not even old enough to be a Taoist, and I have been a Chu merchant since Hanlin ... I am afraid that Zhulou is perishable!" The narrative here constitutes a pair of emotional contradictions: the whole article mentions loving bamboo houses, but here it says, "Are you afraid of perishable bamboo houses?" In fact, this is the language of anger. I've been running around for four years. I don't know where I will be next year. Where do I need to worry that the small bamboo building is easy to destroy and collapse? It shows the sadness of the world. But after all, the bamboo house was built by the author himself, and it also entrusted the author's ideals and sentiments. So, in the end, he said, "Fortunately, people after us and my comrades will inherit and repair it, and ordinary buildings will be immortal." This has placed high hopes on the author. On the surface, he hopes that people who go their own way will continue to repair the bamboo building and make it immortal. In fact, it is "comrades" who want to understand their own minds, that is, their unshakable beliefs in adversity. Official fame and fortune can be immortal, but only will can. 3. The application of contrast and contrast is also necessary.
I hope it works for you! ! !