1, "Jueju" Tang Du Fu: Two orioles sing green willows, and a row of egrets go up to the sky. My window framed the snow-covered western hills. My door often says "goodbye" to ships sailing eastward.
2, "Sitting alone in Jingting Mountain" Tang Libai: The birds are high and the lonely clouds walk alone. Never tire of seeing it, only Jingting Mountain.
3, "Bird Song Jian" Wei: People are idle osmanthus, and the night is quiet and empty. When the moon comes out, the birds are startled, and the sound enters the spring stream.
On the one hand, the combination of dynamic and static means emphasizing the close combination of dynamic and static skills in practice. To practice dynamic skills, we should master "quietness in motion", while to practice static skills, we should experience "quietness in motion".
Exercise refers to the movement of "breath" (feeling) inside and outside the body. The former can be regarded as "external movement" and the latter as "internal movement". Quiet refers to physical and mental peace. The former can be regarded as "external quietness" and the latter as "internal quietness".
On the other hand, it refers to the embodiment of artistic conception in literary works. The technique of "combination of motion and static" is a kind of scenery writing technique, which often depicts motion and static in an artistic conception and forms a harmonious and unified image in the artistic conception.
In ancient Chinese poetry, in order to create an ethereal artistic conception, poets pay special attention to dynamic description, and the combination of dynamic and static is a commonly used method of scenery description.
In the use of this technique, it is unique, with "every word is the best" and "the realm is the best". As a combination of dynamic and static scenery, it is often described as a kind of artistic conception, and it is often based on static, with dynamic lining static (the "dynamic" here includes dynamic harmony:
For example, "the bamboo language washs the clothes, and the lotus leaves are collected before the fishing boat", "noisy" is sound, "moving" is moving, and "returning" is moving), forming a harmonious unity of artistic conception, image and action. Therefore, the combination of dynamic and static scenery writing techniques can not be separated from contrast and personification.
Writing articles about scenery, writing dynamic or static in isolation is often not impressive. If we can combine dynamic description with static description, we can create vivid literary scenes by writing static and reacting static to dynamic.