My friend left by boat, and the poet was reluctant to go, looking at the north and south banks of the Yangtze River. Spring is shining, spring is rippling, pink and green are alternating, and grass is growing. At this time, the poet felt infinite attachment and parting in his heart, just like boundless spring scenery in front of him. The poet suddenly had a whim: let the lovesickness in my heart run to you from Jiangnan Jiangbei like this ubiquitous spring, and follow you home? "Only lovesickness is like spring scenery, and the south and the north will send you home", what a beautiful imagination and deep feelings! It is very natural to compare the spring scenery in nature with the feelings in the soul, that is, the scenery contains feelings, and the feelings are in harmony with the scenery. A difficult scene to write, such as the present, is the poet's ability. Here, I use difficult scenery to express my intangible feelings, and of course my kung fu has deepened. Writing parting feelings is sad without hurting, full of images and bright colors, which are the characteristics of poetry in the prosperous Tang Dynasty. There are two sentences in Niu Xiji's "Raw Lattice": "Recalling the blue silk skirt, I pity the grass everywhere." It is a young woman's farewell exhortation to travelers: remember my green silk skirt! Wherever you go, the grass there shows the color of my skirt and condenses my love for you. You should pity it! -this is also very subtle, very euphemistic and very good. Compared with Wang Wei's poem "Just miss you like spring scenery, send you home in the north and south of the Yangtze River", it has the same technique and similar ideas, but its feelings are unrestrained and low, its style is graceful and graceful, and it has its own posture, but it also has moving artistic charm.
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