This is a long narrative poem called "The Eternal Farewell", which was written in December of the first year of Yuanhe in Tang Xianzong. Bai Juyi, 35, is a county commandant in Zhouzhi, Shaanxi. One day, he visited Xianyou Temple with local scholars Chen Hong and Wang Zhifu, and talked about the past of Tianbao more than 50 years ago. Tang Xuanzong and Yang Guifei's love tragedy and related legends made them feel deeply. They are afraid that this auspicious event will disappear with the times and be unknown to the world. Therefore, Wang Zhifu proposed that Bai Juyi, who is good at lyricism, write a song for it, and Chen Hong wrote the legendary novel Song of Eternal Sorrow for it. So poetry and biography are integrated and complement each other. Bai Juyi is also known as the "Lord of everlasting regret".
Sentence solution
The emperor of China, eager to shake the beauty of an empire, has been in office for many years, searching and never finding it.
The emperor of the Han Dynasty loved beauty and wanted a peerless beauty. He ruled the world as an emperor for many years, but he never found the most ideal beauty. The first two sentences seem ordinary, but in fact they are extremely rich. As the king of a country, what good results can you have if you don't "value morality and think about talents" but "value color and think about the country"? Only seven words reveal the tragic root of the story and determine the development direction of the whole poem. The word "fall in love with the country" originally refers to a beautiful woman who can make the whole country fall for it. According to the biography of Han Li Furen, when Li Yannian introduced Li Furen to Emperor Wu of Han Dynasty, he said, "There are beautiful women in the north, and they are peerless and independent. Take care of the city first, then the country. I'd rather not know the whole city and country, and it's hard to get another beauty. " But here, later generations read another meaning of it: "thinking about the country, the fruit is dumping the country!" "
"Emperor Han" refers to Liu Che, Emperor Wu of the Han Dynasty. The literary creation of the Tang people is usually called Tang in Chinese, referring to Li Longji, Xuanzong of the Tang Dynasty. This poem is about the love story between Tang Minghuang and Yang Guifei. Only the first sentence is about the Han Dynasty and the Tang Dynasty, and most of the other place names are true.
Until a child of the Yang family grew up in the inner room, almost before she grew up, and no one knew her.
The Yang family has a daughter who has just grown up and is pampered in the boudoir. No one is lucky enough to know each other. "Yang's family" refers to the family of manager Yang Xuanyan. The Yang family has a daughter, whose name is Yuhuan and Yongle (now Ruicheng, Shaanxi Province), who was raised by his uncle and uncle since childhood. In the 23rd year of Kaiyuan (735), Yang Yuhuan was seventeen years old and was conferred the title of Princess of Li Mao, the son of Xuanzong. At the age of 22, Xuanzong wanted to be a princess, but he was afraid of the birthright of his in-laws and daughters-in-law. He regards her as a female Taoist, living in Taizhen Palace, and her Taoist name is too true. At the age of twenty-seven, Xuanzong canonized her as the imperial concubine.
Bai Juyi wrote that Yang Yuhuan entered the harem as a "virgin", which some people think is "taboo for nobles". Actually, it is not. Bai Juyi did not simply criticize the love between Li and Yang. He hopes that their love will be based on purity and sincerity, so as to realize the helplessness and sadness that love destroys love.
However, due to the gift of heaven and no concealment, it was finally elected royal one day.
Natural beauty, after all, cannot be buried; When the time came, she was elected king. This is the meaning of "Fei Ming's charm is the most graceful, and the pepper room should have four stars" in Bai Juyi's Zhao Jun's resentment.
If she just turned her head and smiled, there were a hundred spells, and the powder and paint of six palaces disappeared without a trace.
Looking back and smiling, she gave birth to all kinds of charm and shyness; In contrast, all the beautiful women in the sixth house are eclipsed. Here "one" and "hundred" form a foil, in contrast to "six palaces". Just "smile" can make you "charming", and you can see Yang Fei's unparalleled beauty and myriad customs. From "One" to "Hundred" and then to "Six Houses", the rising figures show Yang Fei's irresistible charm, paving the way for later writing about her being favored by people. "Dai Dai", originally a cosmetic product for women, refers to women in the sixth house here.
It was early spring. They let her bathe in a pure pool to warm and smooth her creamy skin.
In the cold early spring, the emperor bathed her in Huaqing Pool, and the silky hot spring water soaked her jade-like skin. "Slippery" is the characteristic of Huaqing Palace water and Yang Fei's skin. At the same time, it vividly presents the situation that glittering and translucent water drops and smooth skin reflect each other. "coagulate fat" comes from "The Book of Songs Feng Wei Shuo Ren". The feeling it conveys is white and delicate, smooth and moist, cool and pleasant. Yang Fei is "fleshy and thin" and "delicate in texture". She was still young when she was bathed, so it is very appropriate to describe her as "coagulated fat". Huaqingchi is located at the foot of Lishan Mountain in the south of Lintong County, Shaanxi Province. Tangquan Palace was built in the 18th year of Zhenguan in Tang Dynasty (644), renamed Wenquan Palace in the 2nd year of Xianheng (67 1), and renamed Huaqing Palace after being expanded in the 6th year of Tianbao (747). Xuanzong came here every winter and early spring.
Because she was tired, a maid lifted her up, when the emperor noticed her for the first time and chose her as his bride.
The maid-in-waiting helped the imperial concubine, and she looked delicate and weak; This is when she just got the emperor's favor. "Enze" has two meanings: one refers to the luck of the emperor, and the other refers to sex. It's great to write a sex party without pornography, but with subtle and beautiful words.
On the night of spring, the warm hibiscus curtains covered her fluttering hair, petals on her cheeks and golden ripples on her head.
She has a cloud of sideburns and a flowery face, and her head is decorated with gently swinging golden steps. In the warm hibiscus tent, she and the emperor celebrated the spring night. "Cloud temples" describe the lightness and elegance of female temples. "Jinbuyao" is a kind of jewelry of ancient aristocratic women. The "mountain" (mountain-shaped base) made of gold is bent into the shape of a flower branch with gold and silver wires, decorated with flowers, birds and animals made of gold, silver and jade, and decorated with pearl jade, which is inserted in the head and swayed with the footsteps, so it is called "walking and shaking". "Lotus account" is a luxurious account embroidered with lotus flowers. "Hibiscus" is the lotus. After reading Bai Juyi's poems such as Liu Yemei with a Painted Face, Shang Yang's White Haired Man, Face as Lotus, Chest as Jade, Love Mirror, Autumn Water Without Lotus and Bamboo Slips, we can see that the lotus in the narrative is not only written here, but also reflected by the comparison between the lotus in the narrative and the lotus in the narrative. "Enthusiasm" not only refers to "lotus-like enthusiasm", but also implies the lingering love between Li and Yang Aihuan. On the one hand, the word "spring" in Spring Night takes care of the sentence "cold in spring" in the last article, on the other hand, it speaks highly of the value of a good night.
But the night in spring is short and the sun rises too fast. Since then, the emperor has given up his early hearing.
The spring night is so beautiful, but it is too short, and I only feel the sun shining high. From then on, the king no longer listened to the state affairs. Spring Night is the most important in rhetoric, and it also opens the following chapter. The value of Spring Night lies in its brevity, while Li and Yang are in love, especially the brevity of Spring Night. These two sentences not only describe Li He's strong feelings, but also contain the meaning of being greedy for love and neglecting politics. Because the wise monarch bowed to politics, he was afraid of losing his job day and night, never sleeping, "not in the morning." A monarch who indulges in personal lust, whether his lust is reasonable or not, is not a "sacred thing."
He wastes all his time on parties and revelry. He is the lover of spring and the tyrant of night.
She enjoyed the king's favor, served the king's feast and had no leisure. Enjoy sightseeing with the king in spring and sleep with him at night. According to "Biography of Yang Guifei in the New Tang Dynasty", "... I am so lucky that I can sing and dance well and know the melody. And be wise and alert and satisfy the meaning. The emperor was so happy that he specially set up a banquet. ""Night only "means that Yang Fei has the exclusive opportunity to wait on the bed every night. These two sentences, together with the other sentences above, sum up the lingering feelings of Li and Yang, and combine deep joy with neglect of state affairs. Today's beauty is the internal cause of future "long hatred"
There are other ladies in his court, 3,000 of whom are stunning beauties, but his love for 3,000 is concentrated on one person.
There are more than 3,000 beautiful women in the harem, but the love of 3,000 people is concentrated on her. In a word, two numbers of different sizes form opposite trends, which increases the expressive force of the poem. In front of the couplet "Looking Back", the exaggeration of rising is used, while the exaggeration of falling is used here, which fully shows that Yang Fei is favored and deeply favored.
The golden house is dressed up to serve the night. When the table in the jade tower is cleaned, she will wander around and drink wine slowly.
She combed her evening makeup in the gorgeous room, which made her look more charming and moving, and prepared to serve the king for one night. After the banquet, the Jade House was filled with Chun Qing's drunkenness. The first half of Song of Eternal Sorrow uses a lot of "spring", which of course does not mean that a series of activities of Li and Yang only took place in spring, but that the poet used the prototype image of "spring". Spring is the season when everything is budding and people's passion is blooming. If we carefully taste the first half of Song of Eternal Sorrow, we will find that the love between Li and Yang is more passionate and romantic against the background of "spring". "Golden House" refers to a gorgeous room specially built for women. According to the story of Hanwu, when Emperor Wu was young, he said that if he could marry his cousin Gillian, he would build her a golden house to live in. This refers to Yang Guifei's residence. "Jade Pagoda", a luxurious pavilion, Ten Kingdoms: "Twelve Jade Pagodas in Kunlun." This refers to the luxurious palace.
Sisters and brothers are in the soil, because she illuminates and glorifies her family so much.
With the imperial concubine, Yang's brothers and sisters all worshipped the official and received the fief. It's really enviable. Every portal is glory. In the fourth year of Tianbao, after Emperor Xuanzong of the Tang Dynasty was canonized as a imperial concubine, he posthumously awarded his father Yang Xuanyan as Qiu and Qi Guogong. Uncle Yang Xuansheng Ren Guanglu Qing; Eldest brother Yang Cheng, a great scholar; Yang Kun is an imperial adviser; Yang Zhao is the right prime minister, giving him the name of national loyalty; Mother sealed Mrs. Guo Liang; The elder sister, the third sister and the eighth sister are the wives of Han, Guo and Qin respectively. It can be said that "one person gets the word, and chickens and dogs ascend to heaven." Yang's door, in and out of the court, is in charge of state affairs, and the fire is burning. "Column soil", that is, split soil, sealed with title and food city (enclosure). "Poor", lovely and enviable.
When a girl is born instead of a boy, she brings happiness to every father and mother in the empire.
As a result, parents all over the world have changed their wishes, not paying attention to having boys, but just wanting to have a daughter. Yang Fei's favor actually changed the deep-rooted preference for sons over daughters. The purpose of Bai Juyi's writing is clear, and it is still to show Li Longji's love for Yang Fei and its social influence. Chen Hong's Song of Eternal Sorrow is very popular. At that time, the folk song said, "Don't be sad and sour when you have a daughter, and don't like when you have a boy." "Men don't be concubines, but they look at girls as a threshold." "lintel" is the crossbar on the portal. Ancient aristocratic families were called aristocratic families because of their tall doorways. The meaning of this sentence is that the Yang family is famous for having daughters.
... high rose plum palace, into the blue clouds, and the wide breeze carries magical notes.
Mount Li Huaqing Palace towering into the sky; Beautiful music, floating in the wind, can be heard everywhere. What is written here is music, as well as Li Longji and Yang Guifei. Because everyone knows and loves music, the beauty and persistence of music implies a strong and lingering love between Li and Yang. Behind this happiness, the king has forgotten the "world" and "Li Palace". The palace on Mount Li is Huaqing Palace.
Soft songs and slow dances, strings and bamboo music, the emperor's eyes will never stare at her.
Accompanied by orchestral music, she sang and danced lightly. The emperor was so intoxicated that he couldn't eat enough all day and all night. According to "Biography of Yang Guifei in Old Tang Dynasty", "Taizhen is plump, good at singing and dancing, and fluent in melody." "Silk" refers to stringed instruments and "bamboo" refers to wind instruments.
Singing and dancing, singing and dancing, singing and dancing, singing and dancing, singing and dancing, singing and dancing, singing and dancing, singing and dancing, bamboo is becoming more and more stable, and Li Yang's long-term love life will end in this world.
Until the sound of drums came from Yuyang, which shook the earth and broke the tune of rainbow skirts and feather clothes.
Suddenly, the drums of Yuyang Uprising were earth-shattering, which surprised the colorful feather performance in the palace. At this point, the rhythm and style of the whole poem suddenly changed from lingering and tactfully to vigorous and fast. This sentence "Yu Yang's wrong bone" refers to November (755) in Tianbao, the fourteenth year of An Lushan's rebellion. "Yuyang", the county name, governed Pinggu District of Beijing and Jixian County of Hebei Province, and was then under the jurisdiction of Anshi Rebellion, Pinglu, Fanyang and Hedong. "Daigu", a small drum used by ancient cavalry, generally refers to the drums on the battlefield here. "Break", there is "break" in ancient dance music, which means destruction here. Colorful Feather is a large-scale dance music in the Tang Dynasty. According to "Book of Rites and Music in the New Tang Dynasty", during the Kaiyuan period, "I made Yang Jingzhong in Hexi and presented colorful feathers for twelve times" was written by Xuanzong of the Tang Dynasty. Music deliberately expresses the illusory fairyland and fairy image, and the tune is lost after Tianbao.
The Forbidden City, a nine-story palace, is hidden in the dust and travels southwest from thousands of chariots and horses.
Smoke filled the capital, and thousands of chariots and horses escorted the emperor to the southwest. "Jiuchongcheng Que", the capital of Jiuchongmen, refers to Chang 'an. "Smoke and dust" refers to the occurrence of war. "Southwestern travel" means fleeing to Sichuan. In June of the 15th year of Tianbao (756), An Lushan broke Tongguan and approached Chang 'an. Xuanzong led Yang Guifei and others. I went out from Yanqi Gate early in the morning. Only the Prime Ministers Yang, Wei, Chen, Gao Lishi and the Prince were accompanying him. Most of the princes and concubines, as well as emperors and grandchildren, are far behind. It can be seen that this escape is extremely hasty. There are only one thousand followers of the Sixth Army. The situation was originally embarrassing, but writing in poetry is different from history. The poem uses "a thousand riders", which means "respect is taboo". "Fu Jialei Book" commented: "Writing that the emperor fled has its own emperor's spirit."
The imperial flag opened the way, suddenly moving and stopping, 30 miles from the capital and passing the west gate.
The emperor's ceremonial carriage staggered to a halt. I escaped from the west gate of Beijing, and only walked 100 miles in two days, and came to Maweipo. The Anshi Rebellion is about to be killed, and the team that fled to Sichuan should be running like hell. Why are they moving so slowly? This is because "Maxima" is unwilling to follow Li and Yang. These two sentences reflect the instability of the military and the distraction of the people, implicitly contrast the atmosphere when the invading troops are about to happen, and indicate that the climax of the tragedy is about to appear. "Cui Hua", named after the canopy set on the emperor's guard of honor, is decorated with kingfisher feathers. "Hundred Li" means that Ma Wei is more than one hundred Li away from Chang 'an.
People in the army stop, and no one will move until they are under their hooves. They may trample on those moths.
What can we do if the Sixth Army refuses to advance? In sadness and lingering, the peerless beauty Yang Guifei died tragically in front of the horse. The "Six Armies", the Zhou Dynasty system and the Emperor's Six Armies each had12,500 people, and were later called the Emperor's Guards. Wan Zhuan, which is still unfolding, describes a beautiful woman's sad and moving appearance before she dies. "moth eyebrow" originally refers to the eyebrows of beautiful women, and later refers to beautiful women, here refers to Yang Guifei. According to Zi Tongzhi Jian, after arriving at Ma Yi, the soldiers were hungry and tired, and many people were very angry. Chen laid hands on Yang in an attempt to kill him. It happened that more than twenty Tibetan messengers stopped Yang and complained that he was hungry and had no food. Before Yang could answer, the sergeant shouted, "Yang, rebel!" In the escape, Yang was killed by the sergeant. Tang Xuanzong heard the noise, went out to check the reason, comforted the sergeant and ordered the sergeant to close the team, but the sergeant refused to respond. Tang Xuanzong sent Gao Lishi to ask what was going on. Chen replied, "Loyalty, righteousness and rebellion are not suitable for the imperial concubine to sacrifice. May your majesty forgive me. " Emperor Xuanzong of the Tang Dynasty said, "The imperial concubine lives in a boudoir, knowing the loyalty of the country, and seeking it?" Gao Lishi replied: "The imperial concubine is innocent, but the soldiers killed the loyal people of the country. How can the imperial concubine be safe around your majesty?" May your majesty think about it. If the soldiers are safe, your majesty will be safe. "Xuanzong had to order Gao Lishi to take the imperial concubine to the Buddhist temple and strangle her.
The "Sixth Army refused to send" and demanded the execution of Yang Guifei, which was an anger against Tang Xuanzong's infatuation and ruined the country and people. This poem cleverly attacked Xuanzong of the Tang Dynasty with the death of a scapegoat.
The gorgeous hairpin fell to the ground, and no one picked it up, a green and white Hosta and a golden hairy bird.
The flower buds on the head fell to the ground one by one, and no one picked them up; Among them are precious green wings, goldfinches, and jade scraps. "Flower flower" is a flower-shaped jewelry made of gold and jade jewelry. "Cui Qiao" is a kind of headdress plated with emerald color, which looks like a bird with a long tail. "Plantagenet" refers to the sparrow-shaped golden hairpin. "Jade scratch head" refers to a hair clasp made of jade. These are the specific types of "flower buds". The poet counted them one by one and wrote the tragic situation of Xiangyu, as if it were just in front of him. Although the above sentence "Yunbin" lists static nouns, the "Yao" at the end of the sentence makes the sentence somewhat dynamic, in contrast to Li Yang's passionate love. The sentence "Cui Qiao" also lists static nouns, and the whole sentence has no vitality, which is just right for Yang Feizhi's tragic death and echoes "no one receives it".
The emperor couldn't save her, so he had to cover his face. Later, when he turned to look, there was blood and tears.
A generation of kings, in the face of this situation, can only hide their faces and cry, but they can't be redeemed; Looking back, I can't help but exchange blood and tears. "I can't save" means I don't want to save, but I can't save it. I am very helpless. Isn't it contradictory to say "hide your face" and "turn around"? In fact, "hide your face" means that you can't bear to see him die, and "turn around" means that you can't bear to leave mercilessly. Here, a "blood" and a "tear" set off a miserable, painful and helpless situation.
Hidden in the yellow dust blown by the cold wind, they crossed a cloud line at the crack in the path of the dagger tower.
The autumn wind is rustling, rolling up the yellow dust all over the sky, and the ministers have gone through all the hardships to reach Jiange through the winding plank road. "Jiange", also known as Jianmenguan, is located between Dajianshan and Xiaojianshan in the northeast of Jiange County, Sichuan Province, and is the main road from Qin to Shu. The mountain here is like a sword, the cliff here is broken, and the two mountains are like doors. Zhuge Liang, when he was in Shu phase, ordered people to chisel stones and drive the volley plank road through. According to historical records, Xuanzong's running script did not pass the sword gate. Bai Juyi is so fictional that he intends to render a car-scrapping atmosphere with the help of the rigor of Jianmenguan. In addition, I entered Shu in June and arrived in Beijing in July, so the real situation along the way will not be "hidden in the yellow dust blown by a cold wind". Autumn is the season when everything withers, vitality withers and life is tragic. From spring to autumn, the love between Li and Yang also went to tragedy. Bai Juyi's imaginary steep road and desolate land were nothing more than to match the troubled times at that time and Xuanzong's gloomy mood.
Under Emei Mountain. The last few came, and the flags and banners lost their colors in the fading sun.
There are few pedestrians under Emei Mountain, the sun is dim, and the standard has lost its color. "Emei Mountain", now Emei Mountain in Sichuan. Ming Chengzu escaped from Shu without going through it, which is also a general allusion. "Plain" and "thin" are intertextual, and the atmosphere is rendered to set off the emotions of the characters.
But the water in Shu is always green and the mountains are always blue, so your majesty's love is constant and deeper than the sky.
The Shu River is green, and the Shu Mountain is lush, touching you day and night. The first sentence is about clear water and green hills, and the second sentence is about Li Longji's inner world. With beautiful natural scenery, the soul-stirring acacia is set off. "Morning and Evening" sets off Li Longji's inner loneliness and depression with the cyclic dynamic changes.
He stared at the desolate moon from his temporary palace, and he heard the rain at dusk, cutting his chest.
Looking at the moon in the palace is sad; Empty mountains and rainy nights, listening to the bell, is a heartbreaking sound. These two poems do not directly say that Emperor Tang Ming was heartbroken, but set off the pain and sadness of the characters with a sad scene. The music is wonderful. "Palace" is the temporary residence of the emperor when he goes out. "Ring the bell in the rain at night", the plank road is dangerous, you have to pull the iron rope to get through, and you have to tie the bell so that pedestrians can take care of it after hearing the sound. Ming Di Miscellaneous Notes by Zheng Chujiao in Tang Dynasty: "Ming Di is lucky in Shu and travels southwest. When I first entered the inclined valley, it rained for more than ten days (even rainy), and I heard the bell corresponding to the mountain in the rain on the plank road. Shang (Ming Di) mourned the imperial concubine and chose her voice as the song "Yulinling" to show her hatred. "
The sky turned his back on Yulong, and the emperor clung to it and refused to leave.
After the war was settled, the situation improved. The king drove back to Beijing and passed by Ma Yupo, where Yang Guifei died. He was reluctant to leave. "The sky turns to the sun" means that in September 757 AD, Guo Ziyi army recaptured Chang 'an, and in1February, Emperor Xuanzong of the Tang Dynasty returned to Chang 'an. Go in the same car, come back like a yellow crane, and then pass by Mawei. How can I not feel hurt! "Yu Long", the emperor's carriage.
The memory and pain are buried in the soil of Maweipo. Where is her white face? .
Under the ponytail slope where Yang Fei was buried, it was desolate soil, and she could never see her beautiful face again. According to historical records, Emperor Xuanzong of the Tang Dynasty returned to Chang 'an from Shu, buried Yang Fei via Maweipo, and sent people to put coffins for reburial. Digging up the mound, the body has rotted, but the sachet is preserved. The word "empty" contains the sad and painful memories and endless thoughts of Xuanzong in Tang Dynasty. "Maweipo" is located in the west of Xingping City, Shaanxi Province, which is referred to as "only 30 miles away from Beijing and outside the West Gate".
Rulers and lords, when their eyes met, cried on their coats. They rode horses, loosened the reins and slowly returned to the capital.
You look at me, I look at you, and my clothes are wet with sad tears. Look east at Chang 'an, relax the horse rope and let go. Maweipo is more than 0/00 Li away from Chang 'an/Kloc-and can't be seen from the east. Here, it just means that Chang 'an feels close psychologically. Back in the recovered capital, I should rush over and whip my horse. However, Xuanzong was disappointed and had no interest. Because beauty has disappeared, everything else seems insignificant. As the saying goes, "don't love mountains and rivers, love beauty." Doumen, the gate of the capital, refers to Chang 'an here.
Pond, garden, palace, everything is the same as before, Taiye Lake hibiscus, Weiyang Palace willow. But the petals are like her face, and the willow leaves are like her eyebrows. Whenever he looks at them, what can he do but cry? .
Back to the palace, the pool courtyard remains the same; The lotus in Taiye Pool and the willow in Weiyang Palace are still so charming. Lotus is like the beauty of a noble lady, and willow leaves are like her eyebrows. Facing this scene, how can people not cry? "Grandfather" and "Weiyang" are concrete expressions about "Chi Yuan". "Great grandfather", that is, Great grandfather pool, is in Daming Palace. "Weiyang", Han has Weiyang Palace. This refers to the Chang 'an Palace in Tang Dynasty.
Spring breeze blows on your face, peaches and plums bloom at night, and autumn leaves fall all over the ground after autumn rain.
I survived the night when the spring breeze was blowing and the peaches and plums were in full bloom, but the autumn wind and autumn rain were hard to blow the plane leaves. The previous sentence echoes the previous one, such as "his mistress in spring, his tyrant at night", which shows that Li and Yang used to be together. The next sentence begins with "The West Palace and the South Palace are covered with evening grass" and the following other sentences, pointing out the inseparable status quo of Li Longji. The poet compares the characters' thoughts and feelings with time and scenery, and carefully observes and compares autumn and spring, which makes the ups and downs of Li and Yang more vivid and gives readers a stronger spiritual shock.
The palaces in the west and south are scattered with evening grass, and the steps are piled with red leaves that are not swept.
Xigong and Nannei are full of yellow autumn grass; The steps were covered with red leaves and no one cleaned them. With a bleak atmosphere and environment, these two sentences set off the desolation of Li Longji's residence and the pain, loneliness and boredom of his later life. The prominent image of rotten grass corresponds to the mood of the characters and implies isolation. "The West Palace is in the south", and the palace where the emperor lives is called "ouchi", also referred to as "nei". In the Tang Dynasty, there were Taiji Palace in the west, Daming Palace in the east and Xingqing Palace in the south. After Tang Xuanzong returned to Beijing, he first lived in Nanjing. In the first year of Shangyuan in Tang Suzong (760), eunuch Li provoked the father-son relationship between Xuanzong and Su Zong, and moved Xuanzong to the Ganlu Hall in the west, which was actually a kind of confinement.
Bai Fuxin, a disciple of Li Yuan, and eunuchs winked at her pepper garden.
At that time, the disciples of Liyuan had new white hair, and the ladies-in-waiting eunuchs in Jiao Fang began to age. Disciple of Li Yuan and A Jian are the testimony of Li and Yang's peacetime life, and they are all old now. The passage of time, the flow of people, and the generosity of ancient and modern changes are beyond words. "Liyuan" is an institution that teaches and studies music in the imperial palace of Xuanzong in Tang Dynasty. In the second year of Kaiyuan, 300 children of geisha in the left were selected, and Tang Xuanzong personally taught music and was named "disciple of the emperor"; Because the institute is close to the forbidden garden pear garden, it is also called "disciple of pear garden". The "Pepper House" is the residence of queens. They paint the walls with pepper and mud to keep warm, drive away evil and make them fragrant. Later, as the title of empresses, it was also called "pepper room". A "supervisor" is a female official or eunuch near the palace. "Green moths", a young maid-in-waiting.
Fireflies were flying on the throne, and he was meditating in the twilight. , he will extend the wick to its end and still never fall asleep. ..
In the palace at night, fireflies flew around, and Xuanzong was depressed and speechless, homesick silently. Accompanied by a solitary lamp, I picked out all the lights and grass, and I was still sleepy. "Dusk" is a time image. At dusk, people are most likely to miss and feel sad. "Temple" is a spatial image, and its emptiness easily causes people's loneliness. "Firefly" refers to fireflies. The ancients believed that fireflies were formed by rotten grass, mostly in deserted places. The faint light of fireflies is in sharp contrast with the boundless twilight, which makes the already empty hall look darker. In this darkness, there are only two kinds of light, one is a solitary lamp and the other is a firefly, which sets off a bleak scene. In addition to expressing quantitative significance, Lonely Lamp also has a layer of emotional color, which actually refers to Xuanzong alone, inseparable. In ancient times, lights were lit with lamp grass. After a while, the rush was picked and let it continue to burn. "Picking up" means that it's getting late and the lamp grass is about to be picked up. It indicates a result, but also implies a process, that is, it has been picking up.
Bells and drums will slowly ring the long night, and before dawn, the Milky Way in the sky will become clear.
I always feel that the nights are long and the bells and drums ring slowly. Seeing that the night recedes a little, the sky gradually reveals the dawn. The previous sentence refers to the "Xi Dian" sentence above, and the next sentence refers to the "solitary lamp" sentence. Early in the morning and one night, it shows that Xuanzong misses Yang Fei all the time. "Bell and drum", a tool for telling time, is also called morning bell and dusk drum. "Procrastination" means that time is slow, dragging on for a long time, which is the self-feeling of sleepless people. "First night" means that the long night has just begun. "Bitter" means bright. The Milky Way, the Milky Way. At dawn, the milky way is getting brighter, which is what sleepless people see.
And the porcelain mandarin ducks on the roof are thick with morning cream, and the jade is cold. Who is with * * *?
There is a thick layer of frost on the cold Yuanyang tile; Cold jade embroidered quilt, with whom? These two sentences describe the loneliness, sadness and sadness of Xuanzong after losing his imperial concubine. "Yuanyang tile", the tile on the roof is inclined downward and upward, forming a pair, such as Yuanyang amphibious, hence the name. "Jade carpet", embroidered with jade bird quilt. Birds fly in pairs, which is a symbol of love. In the second half of his works, Bai Juyi often compares the situation before and after Li and Yang. When Li and Yang fall in love, "the Spring Festival Evening Lotus is covered with warm curtains"; After lovelorn, "jade is broken and cold, who is with * * *". A "warm" and a "cold" are the results of natural and personnel changes.