What are the main artistic features of Li Sao?

1. Romantic and lyrical colors. In the artistic world he created, the gods in fairy tales were further humanized: for example, he created the sun god (He), Wang Shu (Moon God), Fei Lian () and Red Dragon (), and even phoenix birds, dragons, gone with the wind and let him drive freely; Pu Xian, Fusang, Keng, Xianchi, Tianjin and Zhuozhou are all places he has been. His imagination is bold, his conception is strange, and his fantasy is rich, which is rare in ancient and modern times. The use here is not an allusion, but a vivid image of participating in fairy activities through gods and sacred objects.

2. Use of symbolic meaning. With the implication of fragrant flowers and beautiful grass, it embodies the love between men and women and symbolizes the poet's exposure to reality. People yearn for the beauty of herbs, such as Qiu Lan, Mulan, Li Jiang and Guo Zhi. Beauty is like a good emperor: "The purity of the past and the future, all the fragrance is there …" shows a colorful and sad human world. Poets wear incense, drink dew and eat English. Knock on the door and beg the girl. In reposing my feelings, I feel that time flies and life is impermanent: "The sun and the moon suddenly don't flood, and spring and autumn have their order. But the grass is scattered, and I am afraid that the beauty will be late. "

Realism: For example, the character Nv Ai is a bit like a loving mother and some like a big sister. She gently exhorted the poet, panting with eagerness, saying, "I'm going to die, but I'm going to die in the wild." ..... "But regardless of the poet, he made a statement to Zhong Hua, listing the inaction of Xia Houdun and Hou Yi. To lead the rise and fall of Xia, Shang and Zhou dynasties. It shows a patriotic feeling: I take a long breath to cover up my tears and mourn the suffering of the people.

3. Unique language art .. This is a rhetorical device of metaphor. Qu Yuan's technique of comparing xing goes far beyond the meaning of comparing xing. Bixing in The Book of Songs is a simple metaphor and association, while Li Sao by Qu Yuan is a great symbol, which is a fusion of opposites and scenes.

4. Chu local style. Chu believes in ghosts and gods. The harem, spiritual atmosphere and Wu Xianjing in Li Sao are all mysterious figures. The whole poem is magnificent, like the long history of Hunan water in Yuan Dynasty and the mystery of Guluo water: the poet doesn't know where to go, so why should he follow Peng Xian to the place where he lives and die for his ideal?