Memory of oral sex on Phoenix platform
The fragrance is cold and golden. When it turns red, get up and comb your hair.
Ren Bao is full of dust, curtain hook.
I am afraid that I will leave my arms, but I don't want to say anything.
New arrivals are thin, not dry wine, not sad autumn.
Hugh. If you go back, you can't stay after going to Yangguan for thousands of times.
Read Wu Lingren, smoke locks Qin Lou.
Only the running water in front of the building should remember me and stare at me all day.
Looking at the place, I have added new worries since then.
This word expresses deep feelings and unforgettable memories of parting. The first part, I couldn't bear to watch my husband leave, and deliberately portrayed the lazy modality. In the next movie, I focused on nostalgia and infatuation. The brushwork is exquisite and vivid, and the lyric is extremely sad. In the first five sentences of the last film, only one word was written "carelessly". The incense is cold, so there is no need to light it with a new one. Don't fold the quilt, let it spread on the bed at will, the ground will be very untidy; After getting up, I don't even want to comb my hair, let alone put on makeup. The dressing box is covered with dust, too lazy to wipe, too lazy to move, and too careless; Only when the curtains are closed in the morning can people get up. Why are poets so lazy and in no mood? It turned out to be "afraid to leave my arms." This sentence is the eye of the whole word, in the middle of the film, including up and down. It shows the bored, complicated and contradictory psychology and lost mood of the husband and wife before they leave; "How much do you want to say?" . It reflects the inner kindness of the hero and his love for her husband. Commenting on this sentence, Yang Shen said "Take a break if you want to talk" and agreed with "Take a break if you are afraid of hurting Lang" (Yang Shen approved the fourth volume of Poems of Caotang). Can be said to be popular. Because telling my husband can only add trouble to my husband, I would rather bury my pain in my heart. What kind of affection is this! Three sentences of rest is a warning strategy for the first movie. Originally, I was thin because I was afraid of leaving, but the author didn't say it directly. "I am thin when I first arrived, not dry wine, not sad autumn." What's that for? The answer is self-evident, but the sentiment is enough. The next movie envisions a different scene. Hugh is an order of magnitude leap, omitting the process of saying goodbye, and directly writing the scene after saying goodbye. "Read Wu Lingren far, smoke lock Qin Lou. The following three sentences are almost idiots. Running water is a heartless thing. How can you "read"? But it is precisely because of this writing that the poet's loneliness and infatuation are highlighted. One is to stare at the distance in front of the building all day, or look forward to the return of letters or hopes. Secondly, the running water in front of the building can reflect her eyes, and only the running water can prove that she has experienced her infatuation, and her lyricism is profound. Summarize three sentences and deepen the meaning of words again with the greatest sincerity. What does "new sorrow" mean? Implicit and clear, the same as the last movie. Deep and deep, flying to comment on the cloud: "The wind and the bright moon suddenly turned into a witch rain in Chu Yun, and the Aré bridal chamber became a villa away from the pavilion" ("Poetry in the Cottage", Volume III). The psychological description of the whole word is very delicate, which is really valuable in feudal female literature.
Zuihuayin
The mist is thick and the clouds are thick, and the days are sad. Kapoor is among the birds in the incense burner. The festival is also a double ninth festival, and the jade pillow gauze kitchen is half cold at night. Dongli drinks until dusk, and faint chrysanthemum fragrance overflows his sleeves. Don't say clear autumn is not a person, the west wind rolls the flag and beads curtain, and the person in the curtain is thinner than that Huang Ju.
According to legend, there is a story in Li Qingzhao's "Chongyang Drunken Flower Yin": "Yi 'an shows sincerity with Chongyang Drunken Flower Yin. I really admire you, and I'm ashamed to catch you. I want to win. I thank all the guests. Those who didn't eat or sleep for three days and nights got 50 yuan, which is the symbol of my friend Lu Defu. Dave played it over and over again and said, "There are only three wonderful sentences". Ming Cheng scoffed and replied,' Don't let go of the soul, the curtain rolls west wind, and people are thinner than yellow flowers. Peace is easy "(see Yuan Yishen's Tianku). This story is not necessarily true, but the most wonderful thing about this word is the last three sentences.
Now let's look at the whole song. The beginning of this word describes a series of beautiful scenery and beautiful environment. "Mist and thick clouds" is a metaphor for cigarettes coming out of incense burners. However, the ethereal fragrance makes people worry and feel that the day is so long. Someone here pointed out that although she was in a comfortable environment, she still had sadness in her heart. The sentence "Double Ninth Festival" points out that time is a cool autumn night. The "gauze kitchen" is an exquisite indoor device, with blue gauze or paintings pasted on the hollow wooden partition. In the first two sentences of the next film, Chongyang enjoys wine and chrysanthemums. "Dongli" uses the poem of Tao Yuanming's "Picking chrysanthemums under the Dongli". "People are thinner than yellow flowers" refers to chrysanthemums. "Book of Rites" monthly order: "There are yellow flowers in the house". "With scented sleeves" also refers to chrysanthemums. From the beginning to this, it was written that the environment was good and the times were good: there were golden beasts burning incense, a "jade pillow gauze kitchen" and a bouquet of wine and flowers. This is a good environment for the couple to celebrate the Double Ninth Festival. However, now that husband and wife are separated, the beauty of this festival has caused people's sadness. Don't hate it. The first poem is only about the melancholy mood in a beautiful environment, highlighting the description of these beautiful scenery, with the aim of strengthening the description of her sadness.
The last three sentences "people are thinner than yellow flowers" are epigrams. The word "thin" is also an eye word. The eyes of words are still human eyes, which is the place where the spirit of the whole word is concentrated.
In poetry, as an epigram, it is generally not easy to take it out. The sentence "people are thinner than yellow flowers" can leave a deep impression on people because it uses metaphors to describe vivid characters and the sentences are arranged properly, which is also one of the reasons. Before this sentence, she first used the phrase "don't die" to lower her voice, and then added a dynamic sentence "the window curtain rolls west wind". Then she took out the epigram that "people are thinner than yellow flowers". The characters didn't appear until the end. This epigram is not isolated, the three sentences are linked together, and the first two sentences revolve around the last sentence, playing the role of green leaves and red flowers. After careful arrangement by the author, it is very vivid, just like a close-up in a movie. There is a word "thin" at the end of this word, which comes down to the affection of the whole word. All kinds of scenery descriptions above are to express this spirit, so it can really be called "the eye of the word". In terms of refining characters, Li Qingzhao has another phrase "green and fat, red and thin" in Dream, which is widely read. Here, she said that "people are thinner than yellow flowers", which has never been said before, has its outstanding creativity.
well
Last night, it rained suddenly and the wind blew, so I slept soundly and didn't consume wine. Ask the shutter man, Haitang is still there. Do you know that?/You know what? Do you know that?/You know what? It should be green, fat, red and thin.
Although Li Qingzhao is not a prolific writer, there are only 40 or 50 poems that have been circulated so far, but they are all "useless" and "numerous poets". This poem "Like a Dream" is an immortal masterpiece that is "called by the world". After waking up from the dark, Xiaoyu asked about the description of flowers, which euphemistically expressed the poet's feelings of loving flowers and hurting spring. The language is fresh and meaningful, which makes people think deeply.
How to understand the first two sentences is controversial. Gaitui used logical reasoning: since it is "a deep sleep does not consume residual wine", how do you know that "the rain cleared last night and the wind blew suddenly"? Isn't this a contradiction? In fact, these two words cannot be understood by simple things in life, because the poet's original intention is not here, but through these two words to express his infinite love for flowers. Poems that cherish flowers talk more about wind and rain. Bai Juyi's poem "Two Precious Peony Poems" reads: "Those who are bright should spend all their flowers, while those who are at night should cherish the red and watch the fire." Feng Yansi's "Sauvignon Blanc" words: "Red branches are full of branches, green branches are full of branches, and you get up late when you are tired." Zhou Bangyan's "Youth Tour" words: "One night east wind, Haitang bloom, look at the blinds upstairs." The meaning of flowers scattered in the wind and rain is easy to understand. However, it is not easy to understand that "a deep sleep does not consume residual wine" is also about cherishing flowers. However, as long as you read more poems about flowers written by predecessors, it is not difficult to understand. Du fu's poem "three quatrains": "I would rather be drunk and the wind blows away, but I can endure the rain when I wake up." Wei Zhuang's You recorded Bao's poem Xi Hua Yin: "Flowers on branches, flowers on people, and poor colors are all youth. Yesterday, I saw flowers burning, but today I saw flowers falling. Drinking this flower is better than waiting for the spring breeze to blow. " These verses can be used as footnotes for "A sound sleep does not consume wine". Yi An said in the poem "Jade House Spring" praising Hongmei: "Red Crisp is willing to let Qiongbao break and explore the southern branches all over the place. ..... If you want a drink, you can't rest. " It is also a self-annotation of the sentence "sleeping". Although the wording of this word only means that I drank too much last night and haven't stopped since the next morning, there is another meaning behind this wording, that is, I was drunk last night because I cherish flowers. The poetess couldn't bear to see the flowering of Haitang in the Ming Dynasty. She drank too much wine under Haitang last night and is still drunk. There are many words about drinking in Shuyu Ci, which shows that Yi 'an lay man likes drinking. Drinking well will still lead to deep sleep. After deep sleep, the alcohol power has not completely disappeared, which is not a general overdose. As long as you think about why the poet wrote the word "deep sleep without residual wine", the answer can only be "cherish flowers" As far as the meaning of this word is concerned, it is the same as the poems quoted by Du Fu and Bao Wenji. However, the height of Yi 'an is to find a new way. Once you understand the meaning of "cherish flowers" hidden behind "deep sleep without consuming residual wine", then the understanding of the following sentence is "logical"
The next three or four sentences are an inevitable reflection of the psychology of loving flowers. Although he was drunk all night, the first thing Xiao Qing cared about after waking up was the begonia in the garden. Knowing that Haitang couldn't stand the abrasion caused by sudden wind and rain overnight, the window must be a red mess, full of fallen flowers, but I couldn't bear to see it myself, so I tried to ask the maid who was rolling the curtains. The word "try" expresses the poet's ambivalence that he cares about flowers but is afraid to hear the news of flowers falling, and he can't bear to see them with his own eyes but wants to know what is going on. On the other hand, Zhou Bangyan's "Youth Tour": "One night the east wind, Haitang bloom, look at the shutters upstairs." It's vulgar and tasteless. What is the result of "asking"? -"But Haitang is still there." The maid's answer surprised the poet. Originally, I thought that after a night of wind and rain, the begonia flower must have withered and deformed, but the maid rolled up the curtain and looked out, but casually replied: the begonia flower is still the same. The word "que" not only indicates that the maid is unaware of the hostess's doubts, but also indicates that the poet is puzzled after hearing the answer. Yes, after the "sudden storm", how can "Haitang" remain the same? This naturally leads to the last two sentences.
"You know what? Do you know that?/You know what? It should be green, fat and thin. " This is not only a rebuttal to the maid, but also a soliloquy: this careless girl, do you know that the begonia in the garden should be lush with green leaves and few red flowers! "Should" indicates that the poet's speculation and judgment on the scenery outside the window is extremely appropriate. Because she has not witnessed it with her own eyes, she should leave room for her speech. At the same time, the word also implies the meaning of "must" and "have to". Although Haitang is heartless, it can't bloom forever. In short, there is endless helpless love for flowers, but the predicate is shallow and profound. And this layer's affection for flowers is naturally invisible to the "roller blinds" and does not need more attention. After all, she can't be as delicate as the hostess and have a deeper understanding of nature and life. This may be the reason why she gave the above answer. The last sentence "green and fat and red and thin" is the perfect pen of the whole word, which has been praised by the world. "Green" instead of leaves and "red" instead of flowers are the contrast of the two colors; "Fat" describes that the leaves after rain are lush and fat because of sufficient water, and "thin" describes that the flowers after rain are withered and scarce because of unbearable rain. This is the contrast between the two States. Four common words are so vivid and vivid through the collocation and combination of poets, which is really a creation in the use of language. Associated with these four words, doesn't "red and thin" indicate the gradual disappearance of spring, while "green manure" symbolizes the arrival of summer with green leaves? This very common language is really amazing. Hu Zai's "Tiaoxi Fishing Hidden from Conghua" said: "This language is very new." Comment on A Bie Lu of Caotang Poetry: "The end of the sentence is especially delicate." Looks like it's not a hollow reputation.
This little word is only six sentences and thirty-three words, but it is written in a tortuous and euphemistic way, which is very hierarchical. The poet drinks heavily because he loves flowers, but he "questions" because he knows the gratitude of flowers, and asks questions because he doesn't believe the answer of "confinement". So he turned around step by step and expressed his love for flowers in a swaying way. "Selected Poems of Starting a prairie fire" says: "Short poems have numerous twists and turns, and nature is more sacred than words." It can be described as rave reviews.