1, peaches and plums are full of rain, and willow lines are more smoky. -Wang Wei's "Idle"
The red peach blossoms still contain fresh rain all night, and the green wicker even carries a touch of spring smoke.
2. Spring grass is lush, autumn is green, and Xia Han is long pine. -Wang Wei's "Pastoral IV"
The lush spring grass still presents a vibrant green color in autumn. Tall pine trees have shade in summer.
The songs in the kitchen smoke are faint, and the moonlight on the ferry is heavy. -Yu "Send the children across the Han River"
There is a faint song of lovesickness in this smoke. Can you hear me, too? At this time, the thick moonlight has risen on the river, just like my gloomy mood at this time.
4. Swallows come to Xinhua News Agency, Qingming in pear flower falls. -Yan Shu's Spring Scenes
Swallows flew just in time for the social sacrifice, and pear flowers danced behind Tomb-Sweeping Day.
5. Birds are far and near, and people follow the water. . -Liu Changqing's "See you after seeing Liang Geng in Tunxi"
Birds are flying in the fields, getting closer and farther away, and idle people are listening to the stream floating in the boat.
6. There is an isolated village under the mountain, and the plateau is alone in the horizon. -Wang Wei's Fifth Pastoral
In the distance, a quiet small village is located on a hillside, scattered eaves and corners are tilted under the shade of green trees, and a wisp of kitchen smoke is rising from the kitchen.
7, the old vine is faint crow, the bridge is flowing, and the ancient road is thin. -Ma Zhiyuan's "Tianjingsha Qiu Si"
At dusk, a group of crows landed on an old tree with withered vines and made a piercing cry. Under the small bridge, the running water jingles, and the farmhouse next to the small bridge raises smoke. On the ancient road, a thin horse struggled against the west wind.
8. The people on the shore are in the mirror, and the lights in the lonely village are hung on the stars. -Cen Can's "Country House"
There are a few families scattered on both sides of the river. The lights are on in the lonely village and the stars are hanging in the sky.
9. Wind Lin Xue Trail, Jingshui Tingshan Village. -Zhu's "Lead Mountain beginning of spring"
Walking on the wind, frost, rain and snow forest path, next to it is still a small mountain village built on the mountain.
10, the lonely village at the foot of the mountain, the plateau on the horizon. -Wang Wei's "Dwelling House"
In the distance, a quiet small village is located on a hillside, scattered eaves and corners are tilted under the shade of green trees, and a wisp of kitchen smoke is rising from the kitchen.
1 and "six-character poems" are called six-character poems, and the whole poem is one of the genres of ancient Chinese poetry, belonging to the old-style poetry.
2. The origin of six-character rhyme has the following three most profound influences:
(1) originated from The Book of Songs. This statement was first put forward in the Eastern Jin Dynasty. He said, "Six-character speaker,' I take my money? Genus also. Yuefu is also used. Liu Xie's Wen Xin Diao Long Ming Shi explores the origin of six-character poems, and inherits Zhiyu's view that "three or six miscellaneous words come from articles". Obviously, Liu Xie's theory on the origin of six-character rhythmic poetry can also be traced back to the Book of Songs. Zhao Yi, a A Qing, talked about the origin of the Six-character Rhyme, and also attacked the theory of suffering. He said, "According to Shi Mao, I said I moved to the king's capital, and I said I had no family. ". "
(2) originated from Gu Yong's theory in the Western Han Dynasty. This statement was first put forward by the South Korean side. He said in "The Origin of Articles": "The six-character poem was written by the great Confucian Yong in the Han Dynasty." When it comes to six-character poems, Cang Hua in Song Dynasty accepted the new viewpoint. He said: "Five words began in Liling and Su Wu, seven words began in Hanwu Bailiang, four words began in Hanwangfu, six words began in Guyong and Hansi farmers, three words began in Xiahou Zhan, and nine words began in your hometown."
(3) It started in Dong Fangshuo. In the Tang Dynasty, Shan Li annotated Zuo Si's Ode to Historical Poems in Selected Works, believing that this six-character poem originated in Dong Fangshuo in the Western Han Dynasty. Dong Fangshuo's six-character metrical poems can only be found in Shan Li's notes and quotations in Selected Works, and there are only two sentences. One sentence is that Zuo Si's poems in the twenty-first volume of Selected Works quote Dong Fangshuo's six-character poems, "give up and not accept"; The other sentence is "Selected Works", Volume IV, Zuo Si, Shu Du Fu, and quoted "combining respect to entertain".