The journey is beyond the green hills, sailing in front of the Qinghe River.
The tide is high, and the water between the two banks is wide, so sail before the wind just hangs the sail high.
The night hasn't faded, and the rising sun has already risen on the river surface of Ran Ran, and the Jiangnan in the old year has the breath of spring.
I don't know when the letter from home will arrive. I hope the geese returning from the north will take it to Luoyang.
Original text:
A berth at the foot of Beibao Mountain.
Tang wangwan
Under the blue mountain, my boat and I meandered along the green water.
Until the river bank widens at low tide, and no wind blows my lonely sail.
... night gives way to the ocean of the sun, and the old year melts in freshness.
Finally, I can send my messenger, Wild Goose, back to Luoyang.
Extended data:
In the poem, the poet uses the scenery to express his feelings, describes in detail the open and beautiful early spring scenery in the lower reaches of the Yangtze River, expresses the poet's love for the mountains and rivers of the motherland, reveals his sincere homesickness, and also expresses his thoughts and feelings of missing his relatives in his hometown.
Writing characteristics:
Love is in the realm, and reason is in the realm.
This is a poem with five rhymes, which was praised by Hu Yinglin in the Ming Dynasty as "describing the scenery, which is unique throughout the ages". The time sequence alternates in a hurry. How can this not make the poet in the "guest road" homesick? In poetry, personification is used to "live" and "enter". What makes sense is the characters. But it contains the rational interest in describing the scenery.
The sea was born in the dead of night to drive away the darkness, and the scenery on the river shows the "spring" to drive away the old winter, which contains the natural law of time series change and the alternation of the old and the new, shows the universal philosophy of life and gives people optimistic and positive power.