The poems that cannot be together are as follows:
1. If we miss each other but do not love each other, who will be the spring of heaven. Nalan Xingde's "Hua Tang Chun·A pair of people from generation to generation"
2. The homeland is three thousand miles away, and it has been in the palace for twenty years. With a cry of He Manzi, tears fell in front of you. Zhang Hu's "Gong Ci"
3. Before you were born, I was already old. You hate that I was born late, and I hate that you were born early. "Poems on Tongguan Kiln Porcelain"
4. From afar, I heard the rain in front of the lamp alone, and then recalled watching the snow-capped mountains together. Nalan Xingde's "Good in Zhong·Handshake the West Wind and Tears"
5. The cold rain came to Wu at night, and I saw off the guests in Chu Shangu in the morning. Wang Changling's "Farewell to Xin Jian in the Furong Tower"
6. The human face does not know where to go, but the peach blossoms still smile in the spring breeze. Cui Hu's "Inscription on Nanzhuang of the Capital City"
7. The snow disappears outside the door and the mountains are green, and the flowers bloom by the river and it is sunny in February. Ouyang Xiu's "A Song of Thanks to Fa Cao at the West Lake in Spring"
8. Leaving the palace is vast, the body is destroyed, the aspirations are submerged, and there is no way to show off. Wang Zhaojun's "Words of Resentment"
9. The green maples rustle in the rain, and the autumn colors are far away and the scenery is like a dream. Li Panlong's "Farewell to Mingqing in Jiangxi"
10. Joys and sorrows are always ruthless, and every step of the term is dripping until dawn. Jiang Jie's "Poppy Listening to the Rain"
11. The willows on the small red bridge are half-draped, and the skirts are covered with golden clothes. Nalan Xingde's "Shanhuazi·Xiaoli Red Bridge Willow Half Drooping"
12. I sincerely know that everyone has this hatred, and poor and lowly couples are sad for everything. Yuan Zhen's "Two of Three Poems on Sorrow and Feelings"
13. Spring languor is just like spring pond water, full of sorrow. Fan Chengda's "Meeting Eyes·Sounding Sun, Feet Purple Smoke Floating"
14. Picking up all the cold branches and refusing to live on them, the lonely sandbank is cold. Su Shi's "Bu Suanzi·Residence at Dinghui Yuan in Huangzhou"
15. Fragrant grass sentences, blue cloud words, low leisurely thinking. Tong Shinan's "Ruan Langgui·Apricot blossoms are sparse and the rain sprinkles the fragrance on the embankment"
16. The apes cry in Wuxia Gorge with several lines of tears, and the geese return to Hengyang with a few letters. Gao Shi's "Send off Li Shaofu to be demoted to the gorge and Wang Shaofu to be demoted to Changsha"
17. The blue sky above is poor and the yellow spring is below, and both places are nowhere to be seen. Bai Juyi's "Song of Everlasting Sorrow"
18. The darkness of lonely time. But it's late, and the sound of the village is Du Yu. Liu Yong's "Xipingle·Xiaoshi Diao"
The poem, pronounced as: shī jù, is the sentence that makes up the poem. Poems usually follow the format of poetry and limit the number of words in each sentence. The earliest poems in China have a rhymed verse structure with strict metrical requirements. For example, poems from the Pre-Qin period generally have four words per sentence.
Found in "The Book of Songs". Later it developed into five-character or seven-character rhymed poetry, which is found in Tang poetry. After the economic and cultural development of the Song and Yuan Dynasties, the content of the poems was gradually expanded and interpreted. In the late period of the New Democratic Revolution, the poems evolved into free-style poetry without the limit of word count.