1. Which poem does "world of difference" refer to?
It comes from Chapter 36 of "The Heroes of Sons and Daughters": "If you don't follow the path of the Imperial Academy, you will be in the same department. There is a world of difference. ”
The world of difference means the difference between heaven and earth. The difference is huge.
In "Baopuzi·Neipian·Lunxian", there is also: "The desires of the ears and eyes are different. They have the feeling of heaven and earth (comparison), and the obedience of ice and charcoal" "According to the physiological functions of ordinary people, although there is a difference between being smart and not smart, it does not exist~.
"The Legend of Heroes of Sons and Daughters" was written by Wen Kang, a Manchu writer in the Qing Dynasty. It is also known as "Jin Yu Yuan" and "The New Book of Japan". It is the earliest novel in the history of Chinese novels that combines chivalry and romance. It is a social novel with 40 chapters. It tells the official life of An Xuehai and his son, and depicts the corruption and darkness of the entire society, especially the officialdom. Ma Congshan's "Preface to the Biography of Heroes of Sons and Daughters" says that the author's family was prosperous when he was young, but in his later years, his sons were dishonest and his family was in decline. He lived in the same room and "wrote this book to relieve himself."
Lu Xun said: "The splendor has fallen, but I feel sad and leave a message. The situation is quite similar to that of Cao Xueqin. But he is realistic and self-narrative; this is ideal and narrates others."
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(Part 27 of "A Brief History of Chinese Novel") Although the author of the novel is in a similar situation to Cao Xueqin, he does not have Cao's profound humanistic care and extraordinary aesthetic sentiments. He is just a convert to feudal moral ethics. Standard worldly people. Writing this book is really to fulfill a dream of mending the sky in spiritual fantasy.
So what Cao Xueqin wrote was the history of the decline of a sinful family; while what he wrote was the history of the rise of a good family. Therefore, the strong feudal moral preaching, the outdated concept of Gangchang Mingjiao, and the golden horse and husband in Yutang The vulgar life ideal of honoring a wife has become the main ideological flaw of the novel. However, "The Heroes of Sons and Daughters" is a work that is deeply rooted in life experience, and its artistic techniques are sophisticated and sophisticated. It combines chivalry, public cases, and romance novels. It can still be regarded as a work that is both elegant and popular.
The book successfully creates the image of the heroic and chivalrous Thirteenth Sister. Sun Kaidi researched that the image of Thirteen Sisters originated from "Cheng Yuan Jade Shop Pays Money for Eleven Niang Yungang Zong Tan Xia" by Ling Shuchu of the Ming Dynasty (Volume 4 of "Chu Ke Pai Case Surprise") and "The Female Xia" by Wang Shizhen of the Qing Dynasty " (Volume 26 of "Chibei Ou Tan"), however, the characters in these two chapters are still relatively pale and mysterious.
It can be said that it was not until Wen Kang's writing that a full-blooded image of a chivalrous woman in the world was completed. The author breaks through the shackles of feudal religion to a certain extent and gives Thirteen Sisters a folk chivalrous color.
This woman, who was born in an eunuch family, possesses unique skills and lives in the mountains. She despises powerful ministers and has no regard for the king's laws. Her anger has turned into a game of samadhi. The novel focuses on portraying her heroic spirit that saves people from despair.
From searching for the truth in the Yuelai Inn to annihilating the vicious monks in Nengren Temple, giving money to marry, and using the bow to fight off the bandits, she vividly demonstrated her upright and courageous heroic spirit. The Thirteenth Sister in Wenkang's works is arrogant, bold and innocent, sharp and witty, with a distinctive personality and vivid charm.
Her chivalrous behavior in eradicating injustice in the world embodies the people's aesthetic ideals. She eventually became the virtuous daughter-in-law of the An family, abiding by the three obediences and four virtues, passionate about glory and wealth, and her appearance was completely different.
The writer is determined to subdue the "thirteenth sister, this evil dragon", "rectify the golden cage of Guan Yufeng" (Chapter 16), and send her into a warm family life as her final destination, with Other chivalrous koan novels that send chivalrous people to the hands of upright officials show the same ideological trend. The establishment of the "son and daughter hero" model has fueled the convergence of chivalrous and romantic novels.
[2] "The Heroes of Sons and Daughters" has the advantage of being close to the world and human feelings. It is said to "describe the world and express human feelings." The writer uses delicate brushstrokes to outline a picture of Chinese social customs in the 19th century.
For example, the ghosts and ghosts in the officialdom, the weird and bizarre scenes of the lower class, the hustle and bustle of the Yuelai old shop and the Tianqi Temple Fair, as well as the various laws and customs of the time, are all written in detail and true to form. The first chapter describes the scene of An Xuehai, an old man in his fifties who went to the Dengchangwu, taking the exam and waiting for the exam. There are tears in his laughter, which is not inferior to the writing in "The Scholars".
The twenty-eighth chapter about Xu An and He's marriage is full of colorful words, and the ceremonial notes for the wedding of the Manchu nobles are clearly revealed. The character descriptions are also quite skillful. An Xuehai is loyal and kind but pedantic, Zhang Jinfeng is strong inside but soft on the outside but thoughtful at heart, Deng Jiugong is bold and straightforward, and Mr. Zhang and his wife are timid and earthy, each with their own style.
"The Heroes of Sons and Daughters" adopts the form of commentary that is popular among the people in the market. It is like talking to the readers face to face. From time to time, they take time to interject from the side to highlight the points, or make jokes, which is full of wit and humor. He is deeply involved in the art of commentary. The renovation of the structure of the novel is surprising and unprecedented.
Su Manshu praised the first half of the book for its "excellent" structure.
The writer makes good use of foreshadowing and skillfully sets up suspense. In several episodes of Yuelai Store and Nengren Temple, the actions of the protagonist Thirteenth Sister are hidden in the clouds. She does such an earth-shattering thing, but it is like "a dragon breaks through the wall and takes off into the air." There is nowhere to be found in the clouds" (Chapter 10). It was not until the 19th chapter that her real name was revealed, completely breaking the straight-to-the-point, straightforward narrative.
What this book is particularly good at is its proficient and fluent Beijing spoken English. Hu Shi praised and said: "His special strength lies in the vivid, beautiful, playful, humorous and interesting words."
("Preface to the Biography of Heroes of Sons and Daughters") "The Biography of Heroes of Sons and Daughters" created an authentic Beijing flavor, Both the narrative language and the character language are vividly written, with humor in the vulgar language, and charm in the playfulness. The success of the language in "The Heroes of Sons and Daughters" profoundly influenced the creation of subsequent novels and became the origin of Beijing-style novels.
The pseudo-commentary form and the mellow Beijing accent and Beijing rhyme of "The Heroes of Sons and Daughters" form a unique aesthetic style. 2. Which poem does "a world of difference" refer to?
It comes from the 36th chapter of "The Heroes of Sons and Daughters": "If you don't take the path of the Imperial Academy, there will be a world of difference in the same academic department. ”
The difference between heaven and earth means the difference between the sky and the earth. The difference is huge. In "Baopuzi·Neipian·Lunxian" there is also: "The desires of the ears and eyes are different. They have the feeling (comparison) of heaven and earth, and they are as obedient as ice and coal." According to the physiological functions of ordinary people In other words, although there is a difference between being smart and being unsmart, it does not exist~.
"The Legend of Heroes of Sons and Daughters" was written by Wen Kang, a Manchu writer in the Qing Dynasty. It is also known as "Jin Yu Yuan" and "The New Book of Japan". It is the earliest novel in the history of Chinese novels that combines chivalry and romance. It is a social novel with 40 chapters. It tells the official life of An Xuehai and his son, and depicts the corruption and darkness of the entire society, especially the officialdom.
Ma Congshan's "Preface to the Biography of Heroes of Sons and Daughters" says that the author's family was prosperous when he was young, but in his later years, his sons were dishonest and his family was in decline. He lived in a room and "wrote this book to entertain himself."
Lu Xun said: "The splendor has fallen, and he is filled with sadness and leaving words. His situation is quite similar to that of Cao Xueqin. But he is realistic and self-narrative; this is ideal and narrates others." (" "A Brief History of Chinese Novel" Chapter 27) Although the author of the novel is in a similar situation to Cao Xueqin, he does not have Cao's profound humanistic care and extraordinary aesthetic sentiments. He is just a secular person who converts to feudal moral and ethical norms. Writing this book is really to fulfill a dream of mending the sky in spiritual fantasy. Therefore, what Cao Xueqin wrote was the history of the decline of a sinful family; while what he wrote was the history of the rise of a good family. Therefore, he wrote about the strong feudal moral preaching, the outdated concept of moral education, and the vulgar life ideals of the golden horse in the palace, the honor of the husband, and the honor of the wife. Becomes the main ideological flaw of the novel.
However, "The Heroes of Sons and Daughters" is a work that is deeply rooted in life experience, and its artistic techniques are sophisticated and sophisticated. It combines chivalry, public cases, and romance novels, so it can still be regarded as an elegant and popular novel. work. The book successfully creates the image of the heroic and chivalrous Thirteenth Sister. Sun Kaidi researched that the image of the Thirteenth Sister originated from "Cheng Yuan Jade Shop Pays Money for Eleven Niang Yungang Zong Tan Xia" by Ling Shuchu of the Ming Dynasty (Volume 4 of "Chu Ke Pai Case Surprise") and "The Female Xia" by Wang Shizhen of the Qing Dynasty " (Volume 26 of "Chibei Ou Tan"), however, the characters in these two chapters are still relatively pale and mysterious. It can be said that it was not until Wen Kang's writing that a flesh-and-blood chivalrous image was completed. The author breaks through the shackles of feudal religion to a certain extent and gives Thirteen Sisters a folk chivalrous color. This woman, who was born in an eunuch family, possesses unique skills and lives in the mountains. She despises powerful ministers and has no regard for the king's laws. Her anger has turned into a game-playing character. The novel focuses on portraying her heroic spirit that saves people from despair. From searching for the truth in the Yuelai Inn to annihilating the vicious monks in Nengren Temple, giving money to marry, and using the bow to fight off the bandits, she vividly demonstrated her upright and courageous heroic spirit. The Thirteenth Sister in Wenkang's works is arrogant, bold and innocent, sharp and witty, with a distinctive personality and vivid charm. Her chivalrous behavior in eradicating injustice in the world embodies the people's aesthetic ideals. She eventually became the virtuous daughter-in-law of the An family, abiding by the three obediences and four virtues, passionate about glory and wealth, and her appearance was completely different. The writer is determined to subdue the "thirteenth sister, the evil dragon", "rectify the golden cage of Guan Yufeng" (Chapter 16), and send her into a warm family life as her final destination. The sending of scholars to the hands of upright officials shows the same ideological trend. The establishment of the "son and daughter hero" model has fueled the convergence of chivalry and romance novels. [2]
"The Heroes of Sons and Daughters" has the advantage of being close to the world and human feelings. It is said to "describe the world and express human feelings." The writer uses delicate brushstrokes to outline a picture of Chinese social customs in the 19th century. For example, the ghosts and ghosts in the officialdom, the eccentricities of the lower class, the hustle and bustle of the Yuelai old shop and the Tianqi Temple Fair, as well as the various laws and customs of the time, are all described in detail and true to form. The first chapter describes the scene of An Xuehai, an old man in his fifties who went to the Dengchangwu, taking the exam and waiting for the exam. There are tears in his laughter, which is not inferior to the writing in "The Scholars". The twenty-eighth chapter of Chapter 28 about Xu An and He's marriage is full of colorful words, and the ceremonial notes for the wedding of the Manchu nobles are clearly revealed. The character descriptions are also quite skillful. An Xuehai is loyal and kind but pedantic, Zhang Jinfeng is strong inside but soft on the outside but thoughtful at heart, Deng Jiugong is bold and straightforward, and Mr. Zhang and his wife are timid and earthy, each with their own style.
"The Heroes of Sons and Daughters" adopts the form of commentary that is popular among the people in the market. It is like talking to the readers face to face. From time to time, they take time to interject from the side to highlight the points, or make jokes, which is full of wit and humor. He is deeply involved in the art of commentary. The renovation of the structure of the novel is surprising and unprecedented. Su Manshu praised the first half of the book for its "excellent" structure. The writer makes good use of foreshadowing and skillfully sets up suspense. In several episodes of Yuelai Store and Nengren Temple, the actions of the protagonist Thirteenth Sister are hidden in the clouds. She does such an earth-shattering thing, but it is like "a dragon breaks through the wall and takes off into the air." There is nowhere to be found in the clouds" (Chapter 10). It was not until the 19th chapter that her real name was revealed, completely breaking the straight-to-the-point, straightforward narrative. What this book is particularly good at is its proficient and fluent Beijing spoken English.
Hu Shi praised and said: "His special strength lies in the vividness, beauty, playful, humorous and interesting words." No matter the narrative language or the characters' language, they are all written vividly, with humor in the vulgar language, and charm in the playfulness. The success of the language in "The Heroes of Sons and Daughters" profoundly influenced the creation of subsequent novels and became the origin of Beijing-style novels. The pseudo-commentary form and the mellow Beijing accent and Beijing rhyme of "The Heroes of Sons and Daughters" form a unique aesthetic style. 3. A proverb about the difference between heaven and earth
Sourced from "Baopuzi·Neipian·Lunxian" written by Ge Hong of Jin Dynasty: "If you follow what you admire, your ears and eyes will notice that it is different, and you will have the awareness of the difference between heaven and earth." (Comparison), "Bingtan is so good" is also called "the difference between Tianyuan".
Usage is more formal; used as an object; refers to things that are very different
Example 1. Chapter 36 of Wenkang's "Heroes of Sons and Daughters" of the Qing Dynasty: "If you don't follow the path of the Imperial Academy, you can study in the same subject A, that’s it.” 2. Yin Qian (Collected Essays of Yin Qian, 1996 edition): “There are real artists and fake artists in the world, there are big artists and small artists. Small artists pursue their own interests, and big artists pursue their own interests. The interests of the public; small artists only see trivial gains and losses in front of them, but great artists know how to plan for the future of the nation and mankind. Compared with the narrow-minded "little" artists, the minds of great artists are as broad as the vast plains; Compared with fake artists who are like counterfeit banknotes, real artists are pure gold. This is really a world of difference and cannot be compared at all.
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