The sentence describing the scenery is: every tree in Hanyang becomes clear in the water, and Nautilus Island is a nest of sweet grass.
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"Every tree in Hanyang becomes clear in the water, and Nautilus Island is a nest of sweet grass." These two sentences describe beautiful longing and emotional memories, which are very human: the sun is shining high and the blue sky is like washing. In a trance, the tree on the north bank of Hanshui River became a long-lost dear person and stood in front of us. The warm sunshine filled the river and warmed the relatives. Vaguely, Mi Fei, who was beating drums in the grass on Nautilus Island, died in the face of Huang Zu's butcher knife, shedding green grass with blood. It is the selfless dedication of countless wandering wanderers soaked in blood and tears that has built countless unforgettable hometowns.
2. Appreciation of "Yellow Crane Tower" Hao Long ago, a yellow crane carried a saint to heaven, and now only the Yellow Crane Tower is left.
The yellow crane never revisited earth, there have been no long white clouds for thousands of years. Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass.
But I looked home, and the twilight was getting thicker. The river is shrouded in mist, which brings people deep melancholy. The immortal of the past has flown away with the Yellow Crane, leaving only an empty Yellow Crane Tower here; The yellow crane never revisited earth, I saw a thousand years of white clouds; Hanyang trees are clearly visible in the sun, and green grass covers Nautilus Island; It is getting late. Looking into the distance, where is my hometown? In front of me, I saw a mist hanging over the river, which brought people deep sorrow.
Interpretation: vivid: clear and countable. Hanyang: It belongs to Wuhan now, facing the Yellow Crane Tower across the river.
Nautilus Island: A sandbar on the Yangtze River, which was later submerged. Xiangguan: hometown.
A brief analysis of attracting readers into the past and returning to reality with rich imagination. All kinds of feelings and natural scenery blend together, and no one can but feel its sadness and desolation. This poem has always been admired by people, and E68A84E8A2Ade79Fa5E9819331332613732 is listed as the first of the seven laws in the Tang Dynasty.
Legend has it that Li Bai traveled around the world in his prime, leaving poems everywhere. When he boarded the Yellow Crane Tower, he was fascinated by the beautiful scenery upstairs and downstairs. When he was about to write a poem as a souvenir, he suddenly looked up and saw a poem by Cui Hao upstairs: this poem means: the fairy of the past has flown away with the Yellow Crane, leaving only an empty Yellow Crane Tower here; The yellow crane never revisited earth, I saw a thousand years of white clouds; Hanyang trees are clearly visible in the sun, and Nautilus Island is covered with green grass. It is getting late. Looking into the distance, where is my hometown? In front of me, I saw a mist hanging over the river, which brought people deep sorrow.
This poem is full of scenery before writing, and lyrical after writing, which is natural. Even a generation of Li Bai, who is known as the "Poet Fairy", can't help admiring again and again, and thinks it is better to stop writing for a while. To this end, Li Bai also sighed with regret and said: "There is no good scenery in front of me, and Cui Hao wrote a poem on it!" In the Yuan Dynasty, the new biography of talented people in Tang Dynasty recorded that Li Bai once wrote poems on the Yellow Crane Tower. When he saw Cui Hao's works, he closed his hand and said, "The scenery in front of him can't be seen. Cui Hao wrote a poem on it."
Legend or attachment of later generations may not be true. But Li Bai did write poems twice to imitate this poetic style.
The first four sentences of his poem Nautilus Island say: "The parrot crossed the Wujiang River eastward, and its name spread to the upper reaches of the river. The parrot flies to Longshan in the west, and the tree of Zhou Fang is He Qingqing. "
Just like Cui Shi. There is also a poem "On the Phoenix Terrace in Nanjing", which is obviously copied.
Because of this, many poets have a reputation of oral communication. For example, Yan Yu's Canglang Poetry says, "Cui Hao's Yellow Crane Tower should be the first of seven-character poems in the Tang Dynasty." Gal, Cui Hao's "Yellow Crane Tower" is even more famous.
What is the fairy crossing the crane? What is it now? If it is said to be "gone forever", there will be regrets that the years are gone and the ancients are gone; The fairy went to the empty building, leaving only the white clouds in the sky, which lasted for thousands of years and could show the boundless generosity of the world. The poet's strokes describe the feelings that people who boarded the Yellow Crane Tower at that time often felt, with boundless spirit and sincere feelings.
There used to be a saying that "writing is based on qi". The first four sentences of this poem seem to be spoken casually, spinning in one breath and going down the trend without hindrance. The word "Yellow Crane" appears repeatedly, but because of its momentum, readers "wave five strings to see Hong Fei" and read on in a hurry, which is a taboo in metrical poems. The poet seems to have forgotten that he wrote the seven laws of "floating before cutting", and every word has a fixed tone.
Try it: the five or six words in the first couplet are the same as "Yellow Crane"; The third sentence is almost all snoring; The fourth sentence ends with a three-level tone such as "empty leisurely"; No matter any confrontation, it is based on the syntax of ancient poetry. Is this because the seven laws were not finalized at that time? No, there are already seven standardized laws, which were written by Cui Hao himself.
Is it the poet who deliberately writes disharmonious laws? Not necessarily. He is different from Du Fu's later metrical poems in that he deliberately created his own tune.
It seems that I still ignored it. As Lin Daiyu said when she taught people to write poems in A Dream of Red Mansions, "If there are strange sentences, even the truth is wrong." Here, Cui Hao practiced according to the principles of "focusing on intention" and "not hurting meaning with words", which is why he wrote such a rare poem in the Seven Laws.
Shen Deqian commented on this poem, thinking that "the meaning is like the first, the implication is between the lines, and he writes with a vertical pen, so he is good at making great achievements through the ages" (Volume XIII of Tang Poetry), which means this. The first half of this poem, put in order, and the second half, is about what I saw and felt in the building, and the homesickness caused by the grass and trees overlooking Hanyang City and Nautilus Island from upstairs. This is put first and then collected.
If you just let nature take its course, don't accept it, don't stick to the rules, and don't return to the meter, then it's not seven tones, but seven ancient ones. This poem seems to be divided into two parts. In fact, the text is the focus from beginning to end, with only one breath in the middle.
This seemingly continuous connection is also the most organized from the perspective of the beginning, inheritance, transformation and combination of rhythmic poetry. When discussing that the second couplet of legal poems should be attached to the first couplet, Yuan Yang wrote several poets and legalists: "This couplet should be broken (the first couplet), like a dragon ball, and should be firmly adhered to."
This is the case in the first four sentences of this poem, which tells the legend of a fairy riding a crane. Couplets and puzzles embrace each other and are integrated. Yang Zai also said that the "turn" of the neck couplet: "Avoid the meaning of the former couplet, and change it, such as thunder breaking the mountain, the viewer is amazed."
The metaphor of thunder is intended to show that there should be a sudden change in the first five or six sentences, which is unexpected. At the turning point of this poem, the style turns from right to right, and the realm is completely different from that of the former couplet, which just meets this requirement of the law.
The sudden death of a native Syrian yellow crane gives people a feeling of unknowability. Suddenly it became a grass tree in Qingchuan, and I can vividly see the scene in front of Manchuria. This contrast can not only dye away the sadness of those who climb the building and overlook, but also make the literature change. It is also in line with the law of poetry to let poetry return to the invisible state at the beginning to cope with the "combination" in front, such as the tail of a leopard.
Later, Li Bai went upstairs, also full of poetry. When he found Cui's poems in the building, he repeatedly shouted "wonderful, wonderful!" " According to legend, Li Bai wrote four "doggerel poems" to express his feelings: "Hit the Yellow Crane Tower with one punch, and kick over Parrot Island with one foot. There is a scene in front of him in which Cui Hao wrote a poem. " I stopped writing.
Yes
3. Appreciation of Yellow Crane Tower Poetry The original poem said: "The ancients have gone, and now there is only Baiyun Yellow Crane Tower.
The yellow crane never revisited earth, there have been no long white clouds for thousands of years. Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass.
But I looked at my hometown, and the twilight was getting thicker, and the mist of sadness was filled on the river waves. "The first seven methods can be roughly divided into two layers. The first four sentences are about the loneliness that the gods have gone, and the last four sentences are about the current melancholy of the laity.
I'm just saying the Shinto story handed down from this poem. This poem was widely circulated in the Tang dynasty and was regarded as the best paradigm of the seven laws.
In fact, this poem is compared according to the seven commandments, and its awkward sentences and heavy words are taboo. Helpless, this Cui Hao is an expert in creating fields and meanings. The sense of frustration and loss brought by the loneliness of the immortal riding a crane makes you ambiguous. What can you manage? The next thing is that Qingchuan is vividly in front of my eyes, and the grass grows and the warblers fly, which adds to the fairy's thoughts.
Then, what followed was the homesickness caused by the yearning for the immortals, and the real worries about the river continued. Aside from Li Bai's later evaluation, do you think this poem should be applauded after reading it? Really good, good lies in its artistic conception.
Later, the legend of Li Bai's evaluation made this top-grade poem even better. According to the Biography of Talented Persons in Tang Dynasty, after Cui Hao's poems were written, Li Bai also boarded the Yellow Crane Tower. "When Li Bai came, he said,' I can't see the scenery in front of me, but Cui Hao wrote a poem on it.
Do nothing, gather hands for philosophers. "Cui Hao's poems actually make a poet feel ashamed, and everyone will stop here in the future, which shows the charm of poetry! Later generations textual research, think it seems to be fiction.
We also believe this "textual research", let's just consider it fiction. But two things are true: first, Li Bai really swam across the Yellow Crane Tower, as evidenced by a poem: "An old friend said goodbye to the West Yellow Crane Tower, and fireworks went down to Yangzhou in March.
My friend's sail shadow faded away and disappeared at the end of the blue sky, only seeing the first line of the Yangtze River and heading for the distant horizon. "(Yellow Crane Tower Farewell to Meng Haoran on the way to Yangzhou) and another song" Looking at the Yellow Crane Tower "can also be used as evidence.
Secondly, Li Bai really envies Cui Hao's poems, because at least two of Li Bai's poems are modeled after the Yellow Crane Tower. One is "Nautilus Island", and there is a cloud in the poem, "Parrots have been to Wujiang River, and the name of parrots is spread on Jiangshangzhou.
Parrot flies to the west and returns to Changshan. The flowers on Parrot Island are overflowing. Spring breeze and warm clouds bring the fragrance of orchids, and peach blossoms fall into the river to form layers of brocade waves.
Travellers in exile are just in vain. Whose is the lonely moon in Cheung Chau? The other is "Climbing the Phoenix Terrace in Nanjing". There is a poem that says "The phoenix once played here, so that this place is named after them, but now it has been abandoned to this desolate river." .
Martial arts flowers were laid on deserted paths, and the number of relatives and friends in the Jin Dynasty has become a famine. The mountains are shrouded in clouds, such as blue sky, and the river is divided into two.
There is always a traitor in power, like covering the sky, and Chang' an is depressed when he can't see it. "Think about it, why should Li Bai imitate Cui Hao's model to write such two songs? He must be very envious and decided to find a theme to try his hand at, so he chose Nautilus Island and Phoenix Terrace as his poem.
What is the result? I think this should be two comments. One is Li Bai himself. He must think that writing like Cui Hao is not a problem, let alone a problem. It is the artistic conception of Cui Chenggong. If I had another realm, I would be better than him.
Therefore, Li Bai's poems always take meaning as the guide and win in the following time. As for the evaluation of outsiders, I think this imitation of Li is really inferior, so we should warn future generations that imitation is a taboo.
But I always feel that apart from this one, Cui Hao's poems are really not excellent. How can it be compared with Li Bai? Later, it was not as good as Li Bai. Was it Cui's arrogance, or was it not always inspired? In fact, one of Cui Hao's poems is only a momentary "accidental realization", while Li Bai's life is a "thorough realization" of magnanimity, and this is the difference between them. So I think of a saying that is often said in Buddhism and Taoism, "wisdom root". I think the root of wisdom is innate, but only the cultivation of the day after tomorrow can stimulate wisdom-that's what I'm talking about.
I am thinking about the conditions for the formation of wisdom: newborn children are similar to each other, and it should be said that they all have a good source of wisdom. The remaining question is how to stimulate wisdom. There are two methods in religious circles, one is specialized and the other is qigong practice.
The former lies in the realization of wisdom after meditation, while the latter lies in the sublimation of wisdom after meditation. Some people may ask, how can you become a monk after all this trouble? Don't! I wonder if you have paid attention to the present situation of painters and painters. That kind of concentration is similar to the quietness of Qigong, so they are inspired when drawing books, so they are not only inspired, but also live long.
What we call wisdom of Huigen is this kind of inspiration, but the wisdom born under Qigong is a relatively continuous process, while focusing on the inspiration of an event is a short process, and the difference is nothing more. It is probably clear here that learning and writing everything must be accompanied by wisdom or inspiration. With this kind of thing, you can become a saint and reach the realm of Li Bai and Du Fu in poetry. In poetry circles, there should be Wang Wei, Bai Juyi, Li Shangyin, Su Shi, Lu You, Xin Qiji, Li Qingzhao and so on.
The so-called kung fu is beyond poetry, which is another solution. Whether this analysis and understanding is appropriate or not depends on the reader's own thinking and understanding, so I won't ramble any more.
The poet came here with great longing for the Yellow Crane Tower, but there was no sign of the immortal driving the crane. In front of him was an ordinary river tower. "Where the yellow crane used to carry saints to heaven, now only the Yellow Crane Tower is left."
The gap between the beautiful vision and the ordinary river building has laid a lost background in the poet's heart and laid a potential foreshadowing for the expression of homesickness complex. "Yellow cranes no longer come and white clouds no longer fly."
The natural landscape of the Yellow Crane Tower, where the Yellow River meets the sky, is more and more majestic and spacious against the background of white clouds. Influenced by this scene, the poet's mood gradually brightened, and the feelings in his chest grew wings: the long history and beautiful legend of the Yellow Crane Tower were repeated in front of his eyes, but in the end, things changed and the crane was gone. What can people leave to stand the test of time? She is nothing, she is making the world die, the ocean dry up, the rocks collapse, and giving up her constant nostalgia and nostalgia.
"Every tree in Hanyang becomes clear in the water, and Nautilus Island is a nest of sweet grass." The sun is shining high, the sky is clear and blue, and in a trance, the trees on the north bank of Hanshui River turn into long-missed dear people, just like eyes.
4. The sentence that the scenery and lyricism in the Yellow Crane Tower in the old friend's western ci is: the lonely sail is far away from the sky, and only the Yangtze River flows in the sky.
Appreciate:
Li Bai has been sending his friends to the boat, and the boat has already left, while he is still watching the sails in the distance by the river. Li Bai's eyes looked at the sail shadow until it gradually blurred and disappeared at the end of the blue sky, showing a long time to watch. The shadow of the sail has disappeared, but Li Bai still stared at it, and then he noticed that a river with spring water was flowing to the distant junction of water and sky.
"Just watching the Yangtze River flowing in the sky" is the scene in front of us, not just writing about the scenery. Li Bai's deep affection and yearning for his friends are all reflected in this poetic style. The poet's heart rises and falls, just like a stream of spring water rolling eastward.