The language style of 1 is "light and sweet" and "intimacy". "Lamp" We told a typical example in "In the Mirror", "As long as I think of what I regret in my life, the plum blossom will fall down". On the other hand, this poem itself is a small poem mainly written lightly. It's just a sigh. It's the kind of thoughtful light that Calvino said.
2. The transformation of drama-dialogue structure and person. Another writing strategy of Zhang Zao is the drama of poetry. He constantly changes his identity and speaks in poetry. In fact, all kinds of other identities are stripped and differentiated from this "I". These other identities are countless masked men who divide themselves.
3. Pursuing the pioneers of classicism. The classical beauty of Zhang Zao's poems, his nostalgic and graceful style, as well as the classical images of plum blossom, moss, Nanshan and Ru Yan, and even some themes directly select stories and characters from classical operas, such as butterfly lovers, but his narrative style is very postmodern and unconventional, and his ideological foundation is philosophy of life, and his literary foundation is symbolism, which is full of unique and complete artistic imagination and dreamy colors.
Zhang Zao's brilliant life
In the early 1980s, when literary passion was burning, young Zhang Zao braved the storm of poetry and entered Sichuan. Twenty poems shocked the whole country. He became famous with his works such as In the Mirror and Who, and became one of the famous "Five Gentlemen of Bashu".
The poet Bai Hua said that his "Corduroy Happy Dance" written in his early twenties was enough to frighten his peers. His precise and emotional poetry art, and his skillful hand in combining Chinese and western poetry, have always been loved by countless poetry lovers. 2010 died of lung cancer on March 8th.