Original text:
Close the door and don't look at the map.
Author: Jin Nong
Dynasty: Qing dynasty
Wan Fan's clothes are gone, so he doesn't read books.
Old friends laugh more than a tree in the courtyard, and the autumn wind is getting sparse.
Translation:
Wanfan and raw clothes are used in summer and are no longer used in autumn. Close the door and study indoors. An old friend is like a tree in the yard. Every autumn, a large leaf is missing.
Extended data:
Creative background:
In the early years, the official script was "sticking to the Chinese rope ink", with regular style, rough strokes, tight structure, introverted posture and simple and concise style. Jin Nong's calligraphy art is famous for its simplicity. His "lacquer book" is a special method of using pen and ink.
"Jinnong Ink" is as thick as paint, and the written words protrude from the paper. The brush used, like a flat brush, can only be folded when dipped in thick ink, just like painting with a brush. The words written in this way look vulgar and simple, with no rules at all. In fact, they are all about the overall situation and have a grand charm.
Jin Nong's cursive script is the best embodiment of his calligraphy artistic realm. He combines regular script brushwork, official script brushwork and seal script brushwork, and is unique. His stippling looks like official script, and it is also careless. The long horizontal and vertical hooks are all in the shape of official script, and the pen-skimming posture is often close to Wei Bei, which is particularly vigorous and graceful.
Especially those poems written honestly, Gu Zhuo is elegant and has a natural charm and artistic conception, which makes people fondle it. Jin Nong's cursive script is different from others from the early days, but the cursive script written by the method of tablet inscription and his own "lacquer script" is frank and free, and the brushwork is mellow and rough, revealing innocent and clumsy interest, which is amazing;
Its regular script of "writing classics and seal cutting" seems to come down in one continuous line with folk calligraphy. There are no light and heavy lines and round pens, and there is no Teton wave pick. The lines are uniform, the square turns hard, and the calligraphy style similar to single-line artistic characters is as old as organ-shaped characters. His calligraphy has far-reaching enlightenment significance. The book Measuring Like a Sea Post has been handed down from generation to generation and has flowed into Japan. Zhong Sheng Jiao Zan, Silk Lacquerware Book.