2. Path (xρ): Path.
3. Jiao: Cute.
4. Cha-cha: Just happened to meet. Speaking of birdsong.
5. Stay: I am reluctant to leave. This poem is used to describe butterflies flying around among flowers, reluctant to part. "Liulian" is a conjunction. The two words that make up Lian Mian's Ci only record the pronunciation of the word, which has nothing to do with the meaning. Therefore, a Lian Mian Ci may be written in several different ways, such as "lingering" and "lingering", but the meaning of the word is still the same.
Moral: Huang Si's maiden flowers are full of diameter, and thousands of flowers are pressing branches. The lingering butterflies are always frolicking and dancing, and the free orioles frequently coquetry and crow.
Brief analysis
Du Fu, a poet in the first year of Shangyuan (AD 760) in Tang Suzong, lived in Chengdu, Sichuan, and built a thatched cottage beside Huanhuaxi in the western suburbs. He found a place to live for the time being and felt much more comfortable. In the spring season, he walked alone by the river to enjoy flowers and wrote a set of seven-character quatrains, which is the sixth of them.
The first sentence "Huang Siniang's home is full of flowers" points out the place to find flowers. A "path" is a path. "Flowers are all over the path" means that many flowers cover the path and connect it. The second sentence is "a thousand flowers are low." "A hundred flowers blossom" describes a large number. The words "pressure" and "low" in "Pressing branches low" are used very aptly and vividly, vividly depicting the dense, large and numerous flowers in spring, which bend the branches. This sentence is the embodiment of the word "full" in the previous sentence The third sentence, "There is a butterfly dance". "Linglian" describes butterflies flying around and reluctant to leave. Write the bright fragrance of spring flowers from the side. In fact, the poet was also attracted by colorful spring flowers and stayed. The fourth sentence is "Jiao Ying chirps". "Jiao" is a description of Ying Ge's softness and roundness. "Chen Wenjing Ti" means that when the poet came to enjoy the flowers, the oriole was singing. Just because the poet was happy, he took it for granted that oriole sang for himself. This is the same as the previous sentence, saying that butterflies are attached to spring flowers, which is empathy. Because the poet successfully used this technique to integrate things with me and create a scene, this little poem is more intimate and interesting to read.
In the first year of Shangyuan (760), Du Fu lived in Xiguo Caotang, Chengdu. After the troubled times, he began to have a place to live, which made the poet feel gratified. In spring, he walked alone along the river, and his feelings were born with the scenery, which became seven poems. This is the sixth group of poems.
The first sentence points out that the place to look for flowers is on the path of "Huangsiniangjia". This sentence is written in a poem by a famous person, which has a strong interest in life and a folk song flavor. The second sentence "a thousand flowers" is the embodiment of the word "full" in the previous sentence. "The branches are very low", which depicts the flowers bending the branches heavily, and the scenery is lifelike. The words "pressure" and "low" are used accurately and vividly. In the third sentence, colorful butterflies on the flower branches wander around, and they "linger" because they love flowers, suggesting that the flowers are fragrant and fresh. The flowers are lovely, and the dancing of butterflies is also lovely, which inevitably makes people who walk "linger". But he may not stop, but move on, because the scenery is infinite and there are many beautiful scenery. "Always" is not an occasional sight. Using this word, the fun of spring is rendered. Just when it was pleasing to the eye, a string of beautiful songs by oriole happened to wake up the poet who was intoxicated with flowers. This is the artistic conception of the last sentence. The word "jiao" describes Yinger's soft voice. "Freedom" is not only an objective portrayal of Jiao Ying's posture, but also a pleasant and relaxing psychological feeling. The poem ends with Ying Ge's "Chen Wenjing", which is full of charm. Reading this quatrain, I seem to be walking on the road to "Huang Si's maiden" in the suburbs of Chengdu thousands of years ago, enjoying the infinite beauty endowed by spring with the poet.