Source:
This sentence comes from Li Bai's "Night Stay Mountain Temple" in the Tang Dynasty.
Original text:
The tall buildings of the temple on the mountain are really high, like a hundred feet. People upstairs are like a hand that can pick off the stars in the sky.
Standing here, I dare not speak loudly for fear of disturbing the gods in the sky.
Explanation:
The high-rise building of the temple on the mountain is really high, it seems to be 100 feet. People upstairs seem to be able to pick off the stars in the sky with one hand.
Standing here, I dare not speak loudly for fear of disturbing the gods in the sky.
About the author:
Li Bai (70 1 -762), the word Taibai, was a romantic poet in the Tang Dynasty and was praised as a "poetic immortal" by later generations. My ancestral home is Ji Cheng in Longxi (to be tested), and I was born in Broken Leaf City in the Western Regions. At the age of 4, he moved to Mianzhou City, Jiannan Province with his father. Li Bai has more than 1000 poems, among which Li Taibai Ji has been handed down from generation to generation. He died in 762 at the age of 6 1. Its tomb is in Dangtu, Anhui, and there are memorial halls in Jiangyou, Sichuan and Anlu, Hubei.
2. Li Bai wrote an ancient poem about the building, Li Bai (70 1 -762). The word is too white, and it is called "fallen fairy". He was a great romantic poet in Tang Dynasty, and was praised as "Poet Fairy" by later generations, and was also called "Du Li" with Du Fu. Li Bai's heroic optimism and open-minded personality left a deep impression on people. All his poems are deeply filled with his personal feelings, so he left a masterpiece that will be told through the ages.
For example: 1. Legend has it that Li Bai traveled around the world in his prime, leaving poems everywhere. When he boarded the Yellow Crane Tower, he was excited by the beautiful scenery upstairs and downstairs. When he was about to write a poem as a souvenir, he suddenly looked up and saw Cui Hao's poem upstairs: A long time ago, the yellow crane carried saints to heaven, but now there is nothing left but the Yellow Crane Tower. The yellow crane will never return to the world, and the clouds will last for a thousand years.
2. Yeshan Temple was made by Li Bai in Huangmei County, Hubei Province in 725 AD, that is, in the thirteenth year of Kaiyuan. It was written about Jiangxin Temple on the top of Caishan Mountain in Huangmei County.
Said by: "Sleeping in the Mountain Temple" was once selected as a primary school Chinese textbook, which is generally considered to be the work of Li Bai, a great poet in the Tang Dynasty.
Original text:
Overnight temple
Tang Dynasty: Li Bai
The tall buildings of the temple on the mountain are really high, like a hundred feet. People upstairs are like a hand that can pick off the stars in the sky.
Standing here, I dare not speak loudly for fear of disturbing the gods in the sky.
Translation:
The high-rise building of the temple on the mountain is really high, it seems to be 100 feet. People upstairs seem to be able to pick off the stars in the sky with one hand.
Standing here, I dare not speak loudly for fear of disturbing the gods in the sky.
Extended data:
Appreciate:
The first sentence depicts a steep, straight and towering temple building. Starting with the word "danger", it is abrupt and eye-catching, and it is skillfully combined with the word "high" in the same sentence.
It accurately, vividly and vividly depicts the extraordinary momentum of the mountain temple standing on the top of the mountain and dominating the world. The second sentence uses extremely exaggerated techniques to set off towering peaks and temples.
Every word leads the reader's aesthetic sight to the splendid night sky of Xinghan. Instead of feeling "too cold at the top", it gives people a broad feeling. The beauty of starry night arouses people's yearning for towering "dangerous buildings".
Three or four sentences of "dare not" describe the author's psychological state when he is in danger at night, which comes from the poet's psychology of "dare not" and deep "fear". We can completely imagine the distance between the "Mountain Temple" and the "people in the sky", so the height of the Mountain Temple is self-evident.
Poets use exaggerated artistic techniques to describe towering mountain temples, giving people rich associations. The buildings on the mountain seem to be 100 feet high. Standing on the mountain, you can pick off the moon and stars with your hands.
I dare not speak loudly here, for fear of disturbing the gods in the sky. The language of the poem is simple and natural, but it is very vivid. Here, the poet played a bold imagination and exaggerated the extraordinary height of the mountain temple, thus showing us an almost unimaginable magnificent building.
3. The ancient poetry about architecture, the 480 Hall in the Southern Dynasties, was shrouded in misty rain. Du Mu's "Jiangnan Spring"
Living in a small building and listening to the falling spring rain, you will hear the sound of selling apricots in the depths of the alley early in the morning. Lu You's Spring Rain in Lin 'an
The bright moon building is high and lonely. Wine becomes sorrow, acacia becomes tears. Fan Zhongyan's Su curtain
Jade music carving saddle tour smelting place, the building is not high, look at Zhangtai Road. Ouyang Xiu's Dead Hua Lian
There are tall buildings in the northwest, flush with the clouds. Nineteen ancient poems
Five steps to the first floor and ten steps to a pavilion. Du Mu's Epang Palace Fu
By going up one flight of stairs, look, thousands of miles away, Wang Zhihuan is in the heron building.
When will the singing and dancing in the West Lake stop? Song Lin Sheng on Lin 'an House
Climb the Yueyang Tower and overlook the Yangtze River until you reach the open Dongting Lake. Li Bai's "12 Summer Dengyang Building"
I heard that Dongting Lake is magnificent before, but today's wish has finally reached Yueyang Tower. Du Fu's "Climbing Yueyang Tower"
Leaning against the dangerous building, the wind is fine, looking forward to spring sorrow, and the sky is dark. Liu Yong's Dead Hua Lian
The moon comes first near the water tower, and flowers and trees are easy to spring in the sun. Song Yuwenbao's Record of Clear Night
The soldier's wife looked at the tower and lamented when she would see her relatives far away. Li Bai's Guan Shanyue
Autumn geese are escorted by Changfeng, and I treat them in this villa and drink my wine. Li Bai's Farewell Minister Shu Yun at Xie Tiao Villa in Xuanzhou.
Listen to the wind and rain and overlook the rivers and lakes. The wind and cloud of Ma Rongcheng
Last night, the west wind withered the trees, and I went up to the tall building alone and looked at the horizon. Yan Shu's Recent Love
The tall buildings of the temple on the mountain are really high, like a hundred feet. People upstairs are like a hand that can pick off the stars in the sky. Li Bai sleeps in the mountain temple.
Song Guan balcony sound fine, swinging yard night heavy. Su Shi's Spring Night
Crossing the wind and rain into the building is spectacular. Su Shi's Night View of Wanghai Building
Suddenly, the wind rolled up and dispersed the clouds in the sky. The lake was blue as a mirror, beautiful and gentle. On June 27, Su Shi's Drunk Book of Wanghu Building
The geese fly away from the bamboo lodge, and the moon is empty on the twelfth floor. Wen's "Medicinal Color"
The tower stands tall, standing on an autumn tree; The sky is clear and transparent, like a mirror with Xi's dust on it. Du Mu's Dragon Wang Anqiu
Wine night farewell Huaiyin city, the moon shines on tall buildings. Wen, "Give to Teenagers"
The moon rises like a mirror, and the sea clouds twinkle like palaces. Li Bai bid farewell to his friends at Jingmen Ferry.
Dance low and sing peach blossom fan. Yan's Partridge Sky
In front of the building is a dark road, a wisp of willows and an inch of tenderness. The wind in Wu Wenying blows into the pine trees.
The boat on the river rocked and the curtain moved upstairs. Jie Jiang's "A plum with a boat crossing the Wujiang River"
I'm looking forward to it when the city goes upstairs. I wish I could walk thousands of miles with you like a moon pavilion. Zhang Xian's "Jiangnan Willow"
The flute is in the Moon Building. Li Yu's Looking at Jiangnan
Jiangnan, the west building is full of clear nights. Wang Qi's Looking at Jiangnan/Recalling Jiangnan
Spring is mostly at the end of willow branches, and long strips are picked and inserted in restaurants. Yang Wanli's Stay in the New Town
After washing, I boarded the river pavilion alone and leaned against the bar to stare at the river. Wen, "Memories of Jiangnan"
References:
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4. The tallest building in Li Bai's poems is the sentence "You said Sushan Temple", and the tallest building is the sentence "Yes"; A dangerous building 100 feet high, Sushan Temple, where stars can be picked up by hand.
Tang Libai
The tall buildings of the temple on the mountain are really high, like a hundred feet. People upstairs are like a hand that can pick off the stars in the sky.
Dare not speak loudly for fear of scaring people.
[Notes]
Dangerous building: a tall building, which refers to a temple built on the top of the mountain.
100 feet: Fictional, not real. The buildings here are very high.
Stars: Stars in the sky. Fear: I'm afraid.
(translation)
How high are the tall buildings in the temple on the mountain? People can reach out and pick the stars in the sky. I dare not speak loudly for fear of disturbing the gods in the sky.
[Appreciation]
Sleeping in the Mountain Temple is a short poem written by Li Bai during his trip.
The first sentence depicts a steep, straight and towering temple building. When the word "danger" came into being, it was suddenly noticeable. The ingenious combination of the word "Gao" in the same sentence accurately, vividly and vividly describes the extraordinary momentum of the mountain temple standing on the top of the mountain and dominating the world.
The second sentence uses extremely exaggerated techniques to set off towering peaks and temples. Every word leads the reader's aesthetic sight to the splendid night sky of Xinghan. Instead of feeling "too cold at the top", it gives people a broad feeling. The beauty of starry night arouses people's yearning for towering "dangerous buildings".
Three or four sentences "dare not" describe the author's psychological state in the dangerous building at night. From the poet's psychology of "dare" and "fear", we can completely imagine the distance between "Mountain Temple" and "Heaven Man", so the height of Mountain Temple is self-evident.
Here, the poet used his bold imagination to render the height of the mountain temple, thus turning it into
5. What poems did Li Bai write about Yueyang Tower? Yueyang Tower has a panoramic view, and the Sichuan cave opens.
It breaks my heart to see geese flying south, and the distant mountains are in the title of a good month.
On the upper floor of the sky, stay in the chair and upload a glass of wine from the sky.
The cool breeze rising after drunkenness, blowing the sleeves with the wind, we will return.
-Li Baiquan's poem "Twelve Summertime Climbing Yueyang Tower", the poet hides himself in the landscape such as terraces, Sichuan, geese and mountains, so that the terraces can be visited, Sichuan can bypass, geese can fly with sadness, and the mountains can be full of moons. Everything in the world has unconsciously become the carrier of human life and feelings.
The first couplet describes the magnificent scenery around Yueyang Tower. You can have a panoramic view when you climb Yueyang Tower. The river flows into the vast distance, Dongting Lake is vast and open, and Wang Yang is boundless. This is a distant view from the height of the building. Stand tall and see far, "Yueyang is the best", "Chuanjiong" and "Dongting is open". This kind of distant and vast scenery of "doing", "opening" vividly shows the poet's high foothold. This is a way of setting off by innuendo, and it goes without saying the height of the building on the front.
Everything in nature described by the poet in Zhuan Xu seems to be endowed with life. You see, the geese fly high and take away the poet's sad and depressed heart. When the moon came out of the mountain pass, it seemed that Junshan brought a beautiful reunion month. The phrase "the mountain holds the good moon" is novel and unique in imagination, and the word "title" is full of realm and is written with humor.
Poets who write poems with necklaces stay and drink in Yueyang Tower, as if they were in the clouds in the sky. It seems to be an illusion in the hazy eyes to write the height of the building and exaggerate its towering state by setting off.
The end of the couplet is vividly written, which contains a strong interest in life. A tall building is windy, and it is too cold at high places. There is a cool breeze after drunkenness, and I am still writing about the height of the building. The cool breeze blows gently, the sleeves are fluttering, the appearance is so natural and unrestrained, the mood is so smooth, the attitude is so detached and open-minded, and the lofty sentiments are beyond words.
The whole poem uses techniques such as contrast, contrast and exaggeration, and nowhere directly describes the height of the building. From top to bottom, every sentence looks at the distant, open and towering scenery around Yueyang Tower, but it shows the height of the building everywhere, and there is no trace of axe chisel, which can be described as natural and ingenious.
6. Li Bai's Poem of Visiting Xiejialou Xuanzhou Xiejialou Farewell to School Book Shu Yun Tang Dynasty: Li Bai had to leave me since yesterday.
It hurts my heart even more today. Autumn geese are escorted by Changfeng, and I treat them in this villa and drink my wine.
The bones of great writers are all your brushes. In Tianyuan, I grew up beside you, Xiao Xie. We are all lofty distant thoughts, longing for the sky and the bright moon.
But since the water is still flowing, although we cut it with the sword, the sadness is back, although we drown them with wine, because the world can't satisfy our desire, I will let go of my hair and get on a fishing boat tomorrow.
Yesterday, which left me, is irreversible. Today's mood is very chaotic, which makes people worry infinitely.
Wan Li Changfeng, send the autumn geese away. Facing the beautiful scenery, you can drink tall buildings.
Mr. Wang's articles have strong Jian 'an characteristics, and from time to time reveal the beauty of poetic style. We are all full of lofty sentiments and exultation, and our jumping thoughts are like flying high in the blue sky to pick the bright moon.
Draw the sword and cut off the water, it is more turbulent, more rushing, but more intense. Let's raise our glasses to dispel our worries. If you can't be satisfied in this world, it is better to keep your long hair and board a boat on the Yangtze River.
Extended data:
This poem is the author's farewell work upstairs in Xie Tiao, Xuanzhou. The poet is full of emotion. He is full of pride and joy, but he can't hide his frustration and injustice from time to time. His feelings are ups and downs.
The language is clear, seems to blurt out, and the tone is high. At the beginning of this poem, I don't write about the building, let alone say goodbye, but stand on the wall and express my feelings directly.
"Yesterday's Day" and "Today's Day" refer to many "Yesterday" that left me and the "Today" that followed. In other words, every day I feel that the sun and the moon are dim, time is hard to stay, I am upset and depressed.
It not only contains the spiritual depression of "difficult official career", but also melts the poet's feeling of dirty political reality. His "troubles" didn't start today, and his "troubles" didn't stop there.
Perhaps it can be said that this is an artistic summary of his long-term political experience and feelings. The depth, breadth and intensity of anxiety and anger reflect the increasing corruption of state affairs and the increasing embarrassment of Li Bai's personal experience since Tianbao.
The intense mental pain caused by the sharp contradiction between ideal and reality has found a suitable expression here. The origin of surprise, overlapping language (all say "dislike me" and "can't stay"); The words "disturbing my heart", also called "melancholy", and the eleven-word sentence pattern vividly show the poet's deep depression, strong anxiety and anger, chaotic mood, and explosive and uncontrollable emotional state.
"Autumn geese are accompanied by the wind, and I look at each other on this villa and drink my wine." Facing the vast and clear autumn sky and looking at the magnificent scenery of wild geese, we can't help but arouse the pride of quenching thirst by drinking poison.
These two sentences show a magnificent and clear picture of Wan Li's autumn sky in front of readers, and also show the poet's heroic and broad mind. Suddenly, from extreme depression to magnificent realm, it seems that the changes are endless and incredible.
But this is why Li Bai is Li Bai. It is precisely because of his lofty ideals and long-term depression by the dark and dirty environment that he has been longing for a vast space where he can gallop freely.
Seeing the place where "autumn geese are escorted by Changfeng", I feel refreshed and my worries are swept away. Feel the comfortable fit between the heart and the environment, and the pride of "drinking tall buildings" arises spontaneously. "The bones of great writers are all your brushes. In Tianyuan, I grew up by your side, Xiao Xie."
These two farewell words are addressed to the host and guest respectively. In the Eastern Han Dynasty, scholars called Dongguan (the government library) the Penglai Mountain of Taoism, and in the Tang Dynasty, Penglai Mountain was mostly used. Peng Ge refers to the secretary province, and Liu Yun is the proofreader of the secretary province, so the Penglai article here refers to Liu Yun's article.
Jian 'an bone refers to the vigorous "Jian 'an character". The previous sentence praised Liu Yun's heroic style, and the next sentence refers to "Xiao Xie" (Xie Tiao).
He said that his poems, like Xie Tiao's, have the style of fresh hair. Li Bai admires Xie Tiao very much. Compared with Xiao Xie here, he is full of confidence in his talents.
These two sentences naturally fit the title of Xie Tiao Building and School Book. "We are all lofty distant thoughts, longing for the sky and the bright moon."
The two sentences further exaggerated the interest of both sides in "building from a lofty position", saying that each other has lofty sentiments and ambitions, and the wine is hot and the ears are hot, and it is even more high, and they want to catch the moon. It says sunny days in front and clear skies in autumn, but it says "bright moon" here, which shows that the latter is not true.
Yunyun's "lust for sex" also shows that this is the poet's rhetoric when he is drunk and prosperous. Boldness and naivety have been harmoniously unified here.
This is Li Bai's character. It is true that the bright moon is embraced by the sky, which is a temporary word and may not be entrusted, but this flying and vigorous image makes readers clearly feel the poet's yearning for the lofty ideal realm.
These two sentences are eloquent and incisive, pushing the high-spirited mood aroused by the realm of "autumn geese and Changfeng escort" to a climax, as if all the darkness and filth in reality were swept away, and all the troubles in my heart were thrown outside the cloud nine. The metaphor of "But since the water is still flowing, although we use the sword to cut it" is strange and novel, and at the same time it is natural, appropriate and full of life.
In front of Xie Tiao Building, there is a stream that flows all the year round. It is easy to associate endless running water with endless troubles, so naturally there is the idea of "drawing a sword and cutting off water", which is triggered by a strong desire to get rid of troubles. Because of the close relationship between metaphor and eye view, it has more or less the meaning of "xing", which makes it feel natural and natural to read.
Although the inner anguish can't be dispelled, the detail of "drawing a sword and cutting off water" vividly shows the poet's appeal to get rid of mental anguish, which is obviously different from those who are addicted to depression and can't extricate themselves. "Since the world can't satisfy our desire, I will let go of my hair tomorrow and take a fishing boat."
The contradiction between Li Bai's progressive ideal and the dark reality could not be solved under the historical conditions at that time. Therefore, he is always trapped in the depression of "unable to say what he means" and can only find a way out in the depression of "sending a boat". This conclusion is of course somewhat negative and even contains elements of escapism.
However, history and the social class he represents stipulate that he can't find a better way out. The value of Li Bai lies in that although he is mentally under the pressure of depression, he has not given up his pursuit of progressive ideals.
This poem is still full of heroic and generous feelings. The words "Changfeng" and "all in my heart" are more like playing a high-pitched and optimistic tone in sad music.
In the dark clouds, it shows brilliant brilliance. The phrase "draw a sword" is also expressing strong bitterness.
7. Li Bai (70 1 -762) is an ancient poem. Li Bai was a great romantic poet in the Tang Dynasty and was called "Poet Fairy" by later generations, and was also called "Du Li" with Du Fu.
Li Bai's heroic optimism and open-minded personality left a deep impression on people. All his poems are deeply filled with his personal feelings, so he left a masterpiece that will be told through the ages.
For example: 1. Legend has it that Li Bai traveled around the world in his prime, leaving poems everywhere. When he boarded the Yellow Crane Tower, he was excited by the beautiful scenery upstairs and downstairs. When he was about to write a poem as a souvenir, he suddenly looked up and saw Cui Hao's poem upstairs: A long time ago, the yellow crane carried saints to heaven, but now there is nothing left but the Yellow Crane Tower.
The yellow crane will never return to the world, and the clouds will last for a thousand years. 2. Yeshan Temple was made by Li Bai in Huangmei County, Hubei Province in 725 AD, that is, in the thirteenth year of Kaiyuan. It was written about Jiangxin Temple on the top of Caishan Mountain in Huangmei County.
Said by: "Sleeping in the Mountain Temple" was once selected as a primary school Chinese textbook, which is generally considered to be the work of Li Bai, a great poet in the Tang Dynasty. Original: One Night Mountain Temple Tang Dynasty: Li Bai's dangerous building is 100 feet high, and his hand can pick stars.
Standing here, I dare not speak loudly for fear of disturbing the gods in the sky. The high-rise building of the temple on the mountain is really high, it seems to be 100 feet. People upstairs seem to be able to pick off the stars in the sky with one hand.
Standing here, I dare not speak loudly for fear of disturbing the gods in the sky. Extended data:
Appreciation: The first sentence depicts the steep and towering temple buildings.
Starting with the word "danger", it is abrupt and eye-catching, and it is skillfully combined with the word "high" in the same sentence. It accurately, vividly and vividly depicts the extraordinary momentum of the mountain temple standing on the top of the mountain and dominating the world.
The second sentence uses extremely exaggerated techniques to set off towering peaks and temples. Every word leads the reader's aesthetic sight to the splendid night sky of Xinghan. Instead of feeling "too cold at the top", it gives people a broad feeling. The beauty of starry night arouses people's yearning for towering "dangerous buildings".
Three or four sentences of "dare not" describe the author's psychological state when he is in danger at night, which comes from the poet's psychology of "dare not" and deep "fear". We can completely imagine the distance between the "Mountain Temple" and the "people in the sky", so the height of the Mountain Temple is self-evident.
Poets use exaggerated artistic techniques to describe towering mountain temples, giving people rich associations. The buildings on the mountain seem to be 100 feet high. Standing on the mountain, you can pick off the moon and stars with your hands.
I dare not speak loudly here, for fear of disturbing the gods in the sky. The language of the poem is simple and natural, but it is very vivid. Here, the poet played a bold imagination and exaggerated the extraordinary height of the mountain temple, thus showing us an almost unimaginable magnificent building.
8. Li Bai's "Farewell to Meng Haoran on the way to Yangzhou" is an ancient poem describing this building:
Old friends frequently waved to me, bid farewell to the Yellow Crane Tower, and traveled to Yangzhou in this beautiful spring filled with catkins and flowers.
My friend's sail shadow faded away and disappeared at the end of the blue sky, only seeing the first line of the Yangtze River and heading for the distant horizon.
Li Bai's Sleeping in the Mountain Temple;
The tall buildings of the temple on the mountain are really high, like a hundred feet. People upstairs are like a hand that can pick off the stars in the sky.
Standing here, I dare not speak loudly for fear of disturbing the gods in the sky.
Lin Sheng's Lin 'an House;
When will the singing and dancing in the West Lake stop?
Warm winds make tourists drunk and make Hangzhou a continent.
Cui Hao-Yellow Crane Tower
The fairy of the past has flown away by the yellow crane, leaving only an empty Yellow Crane Tower.
The yellow crane never revisited earth, there have been no long white clouds for thousands of years.
Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass.
But I looked home, and the twilight was getting thicker. The river is shrouded in mist, which brings people deep melancholy.