The moon, at this time is at sea, over the end of the world.
People who love hate long nights and sleepless nights and miss their loved ones.
Put out the candle to love this moonlit room, and I wander in the deep night dew in my clothes.
You can't have beautiful moonlight, just want to meet you in your dreams.
Appreciation: The ancients had deep feelings for the moon and rich associations. Looking at the moon and cherishing people is often the theme of ancient poetry, but it is rare to see Zhang Jiuling writing so quietly, lightly and deeply. Poetry expresses the poet's yearning for people far away through the description of the ups and downs of the protagonist's thoughts when he looks at the moon.
"The bright moon is in the sky, and the horizon * * * crosses the sea at this time." In two sentences, one sentence writes the scene, and one sentence enters the artistic conception from the scene. The poet painted a picture in simple and natural language: a bright moon rises from Ran Ran on the other side of the East China Sea, showing an infinitely vast, magnificent and moving scene. It is precisely because the bright moon is so mysterious and unpredictable that it naturally evokes the endless thoughts of the people in the poem. He imagined that people who are far away from the world may be thinking about the moon at this time. In the poem, people don't say they miss each other at the full moon, but imagine they miss themselves at the full moon. The conception is ingenious and meaningful, which vividly reflects the profound sustenance of this poem. This poem with the word "sheng" is very vivid, which is similar to the word "sheng" in Zhang's poem "The bright moon on the sea is born with the tide". At this time, the phrase "Tianya * * *" comes from Xie Zhuang's Yuefu. The poet skillfully combines scenery writing with lyricism. While writing * * * to each other on the bright moon, it also contains nostalgia. The first couplet caught this problem, and the following sentences came into being.
This sentence means that many lovers hate this long night, miss the moon and can't sleep all night. This is the expression of people's ambivalence from imagination to reality and from full moon to sleep. Here, many lovers' chain action process from longing for the distance to thinking hard, from thinking hard to falling asleep, and from falling asleep to complaining about the long night also includes their subjective feelings. What deep feelings this "long night of resentment" contains!
According to the requirements of phonology, couplets should be neat antithesis, but this poem adopts the format of flowing antithesis, which of course shows that there is no strict requirement for phonology in the early Tang Dynasty, and to some extent, it still retains the style of ancient poetry. On the other hand, this couplet is in the form of flowing couplets, which is closer to the first couplet in content, flowing naturally and giving people a pure sense of charm.
"It's not dark to blow out the candle, and it's not warm to put on your coat." Writing a poem is because people are far away in Philip Burkart, and they have been lovesick all night. After blowing out the candle, especially the moonlight is full of lovely light, so he puts on his clothes, walks out of the room, looks up at the moon alone and meditates. I don't know how long it took him to wake up until the dew wet his clothes. This is an image suffering from lovesickness. This couplet seems to be about enjoying the moon, but in fact it contains profound thoughts. The brightness of the bright moon is the easiest way to introduce lovesickness. The poet leaps forward in thinking, imagining that the moonlight can become the embodiment of the person he misses, and the body can rely on it as a companion. How the poet wants to make this fantasy come true! Therefore, "extinguishing the candle" is precisely to follow the moonlight; "Get Dressed" is to spend more time with Yue Hua, and the scene inside is very similar to "I don't know each other at this time, and I hope flowers will shine on you every month" (Zhang's "Moonlit Night on the Spring River"). Poetry is about the loveliness of moonlight and the poet's profound meaning. This correlation is neat and depressing. The two verbs "pity" and "feeling" in the sentence are well used, which fully expresses the feelings of people in the poem who miss people far away. This is a kind of situational writing that looks at the moon because of it. It is more profound and enlightening to outline a candle with a dark moon. People are single-minded and bitter, and they look at the moon and think about the peace of mind.
So I left my message to the moon, and then turned to my bed, hoping to have a dream. I can't meet each other because I miss people far away, so I can't help but have the idea of giving the moon to people far away in the face of Yuehua. There is a saying in Lu Ji's ancient poem "Bright Moon He Jiao" in the Jin Dynasty: "There is afterglow in it, which is not enough to capture." The sentence, "So I leave my message to the moon" in the poem is transformed in this way. Then came the dream of finding a dream. This is a helpless delusion. But this set off the poet's deep affection for the people who miss him from afar, making the poem more concrete and meaningful. Poetry comes to an abrupt end at the intersection of disappointment and hope, and it is particularly meaningful to read.
The title of this poem is "Looking at the Moon and Thinking about the Distance". The whole poem centers on "hope" and "bosom" and takes "moon" and "far" as lyric objects. Therefore, the moon is everywhere in the poem, and every sentence is far away from the bosom. The moon is so gentle, the feelings are so calm, and the affection in the poem is so lingering and not sentimental. Language is naturally muddy and does not show traces. This style has a far-reaching influence on later poets such as Meng Haoran and Wang Wei.
Others are:
Bai Juyi's Jiang Lou Yue
Jialing River bends the pond, although the bright moon is separated from others.
One night, the scene was hidden, and the two places were sunny and sunny, far from knowing.
Unexpectedly, the river was pregnant with me at night, just like Chi Pan was watching you.
At present, the * * * language side regrets, does not understand the amorous feelings, and sends poems first.
Li Bai's "Drink Poison to Quench Thirst"
Bright as a flying mirror, green smoke goes out.
I only see the clouds rising from the sea every night, and who knows the clouds in the morning?
The white rabbit pounded medicine in autumn, revived in spring, and Chang 'e lived alone.
Now people are not seen in Gu Yue, but in this month they took the ancients.
The ancients said, if people are running water, they look at the bright moon.
Hanshan's poems
The stars are listed in the night, and the lights on the rocks are not heavy.
It's radiant and doesn't feel jade-like. Hanging in the sky is my heart.
Wu's "On August 15th, I was paid by my younger brother".
Sitting in love is full of scenery, and the autumn night is long.
Grass grows in cold light, and it is windy in the evening.
Liu Yuxi's "Playing the Moon in Taoyuan on the 15th of August"
When you sit down, you will be idle when you see the moon, and your feelings will be in the fairy house in the clear autumn.
The suspicious light was long and cold, standing on the highest mountain.
Blue is nothing but Feng Yun, and Songshan grows in the water.
The group will take care of it when it moves. Gogoing is thousands of miles away.
Wang Jian's Fifteen Nights Looking at the Moon and Sending it to Du Langzhong
There are crows in Bai Shu and osmanthus in Coody Leng in the atrium.
Tonight, people are looking forward to it. I wonder who will fall in Qiu Si?
Du Fu's jathyapple, August 15th.
Flying mirrors everywhere, returning to the heart to fold the sword.
Turn the tent and travel far, climb the laurel and ascend to heaven.
There is no snow in the waterway and feathers in the forest.
Looking at the white rabbit at this time, I really want to count the autumn.
Yin Wengui Night on August 15
Wan Li has no Kyushu and cloud mirror, and the most reunion night is Mid-Autumn Festival.
The clothes are all ice-colored, and water is condensed everywhere.
Flowers bloom, and the wind in Haimen is rushing to the white tide.
Because you did what I care about, you reduced the trouble for one night.