A romantic, my favorite, paranoid figure from the Six Dynasties at the end of the Tang Dynasty.

It's hard to imagine that such a poem came from Shan Ye, a Japanese friend. As a famous poet in China during the Meiji Restoration, he must have loved China traditional culture by reciting such poems. The so-called figures in the Six Dynasties refer to the six dynasties that established the country with Nanjing as their capital, namely, the Wu and Eastern Jin Dynasties in the Three Kingdoms and the Song, Qi, Liang and Chen Dynasties in the Southern Dynasties. Of course, Nanjing at that time was called Jiankang.

Mr Zong Baihua, a modern philosopher in China, once said that the Six Dynasties were an era of "spiritual freedom, liberation, wisdom and enthusiasm". Those Six Dynasties were characterized by individuality, popular romance in Wei and Jin Dynasties, and flourishing art of painting, calligraphy and sculpture. It is also an era when Buddhism and Taoism rise in parallel and metaphysics prevails, which is quite wonderful.

We are familiar with Wang Xizhi, who wrote the best running script in the world, and Gu Kaizhi, who painted Fu Juan by Luo Shen and Zhentu by a woman's history. They are all gentry and celebrities in the Eastern Jin Dynasty, while Ji Kang, Ruan Ji, Dan Tao, Xiang Embroidery, Wang Rong and Ruan Xian, who are known as the seven sages of bamboo forest, have a bohemian life, but there is no lack of humanistic feelings. Take Dan Tao as an example. Although Chu Lin was a small force of Sima Jia and was looked down upon by people, Ji Kang was framed and died, but he still believed that Dan Tao would be kind to his descendants and said to his son, "The Chrysanthemum Garden is here, and you are not alone." It can be seen that we are all temperamental people. Liu Xie's Painting Skills, Six Shaikh Laws and Wen Xin Diao Long were produced in the Southern Dynasties. The emperor who came to the East to seek dharma was Liang Wudi. Although Liang Wudi's understanding of Buddhism is not thorough, his actions of building temples have promoted the spread of Buddhism in China to a certain extent. Although there were frequent wars in the Six Dynasties, literature and art flourished in the soil without any interference.

As for the most famous poems in the late Tang Dynasty, Du Xiaoli, Du Mu and Li Shangyin are inseparable. As the second generation of the official, Du Mu can be regarded as seeing all the prosperity and romance, so he can write "Down in the Jianghu with restaurants, with a thin waist and a light palm." Feel the dream of Yangzhou for ten years and get the name of a brothel. "Such a poem, although it is a wild romance, also tells the story of the desolation after the prosperity. As for "four hundred and eighty temples in the southern dynasties, how many towers are misty and rainy." This sentence can be regarded as the feeling of the Southern Dynasties. As for Li Yishan, although in Lin Daiyu's view, there is only one sentence, "Leave the residual lotus to listen to the rain", but today it has become a golden sentence. "to see the sun, for all his glory, being buried in the coming night" has become an indispensable sentence in daily sighs. "Time was long before I met her, but it was longer after we parted, and the east wind started and all flowers were exhausted. Silkworms in spring will weave until they die, and candles will drain the wick every night. "There are even more explanations. Not to mention, "Saint Zhuangzi daydreaming, bewitched by butterflies, crowed by cuckoos. ""A moment that should last forever has come and gone before I know it. "It has become the classic title of many love novels.

The sigh that "one school of romantic love is my favorite, and the figures of the Six Dynasties were in the late Tang Dynasty" reveals the arrogance, boldness, talent and boldness in the literati's bones. Political frustration may have achieved the satisfaction of culture and art to some extent. In contrast, Mr. Otomo Mazhenshan also expressed such a kind of regret.