1. Poems about the pavilion
Gao Pavilion
Tang Bai Juyi
If the ridge of the pavilion is too high, please do not demolish it. The owner will keep it for you. Western Hills.
Where the sunset is beautiful, a piece of spring mist reflects half of the circle.
Watching the Evening from Jiangting
Bai Juyi of the Tang Dynasty
Looking far away from a high place and thinking leisurely, I did not return to Jiangting at night.
When the sun goes down, red waves boil, and white smoke blooms at the beginning of the month.
Spring is about to leave with snow-capped branches, and old age is coming with frost-covered branches.
I have been fighting for three years to plan my return, but I know that I am not as good as Jia Shengcai.
View of Qujiang Pavilion at night
Bai Juyi of the Tang Dynasty
Standing on the north bank of Qujiang River, I lean on the railing, and the water surface is cloudy and my feet are weak.
There are many green robes on the dusty road, so the wind pavilion stands for a long time and its white beard is cold.
Shicheng secretly remembered that the mountains are so far away that one can peek at the illness.
Without being proclaimed by Ma Qi, who would believe that he is a Langguan?
New Stream Pavilion
Tang Bai Juyi
When the cigarettes are beginning to bloom and the stream is newly blooming, how many times can I go to the West Pavilion in a leisurely day?
The old and sick people should not be able to return to the mountain, but they can just move the spring stone to the body.
A banquet at the Xi Pavilion in late spring
Tang Chengyanxiong
There is not enough cold food and fragrant travel, and the Xi Pavilion is still drunk with green poplar smoke.
Whose flowers have fallen on the flowing tree, and a few pieces of residual red have reached the threshold.
Suxi Pavilion
Dai Shulun of the Tang Dynasty
Suxi Pavilion is covered with grass, leaning against the east wind.
It’s late in spring when the swallows don’t return, and the apricot blossoms are cold in the misty rain.
Zhangzizhou Water Pavilion
Du Fu of Tang Dynasty
The city is filled with clouds and mist at night, and the pavilion is as deep as the lotus. There are few officials outside the bridge, but many beside the autumn water mats.
The king of Huai Dynasty has arrived, and thistles have passed through Gaomen. Jingzhou loves mountain slips, and even when I'm drunk I sing a lot.
Baling Pavilion
Tang Gaochan
A straight red string returning to dreams, and a light centrifugal white feather.
Tomorrow, after the new dawn in Baling, we will be greeted by smoke from the horse head and green trees.
Nanting
Han Xie of the Tang Dynasty
Every day in Nanting, Nanting looks like a monastery. People's words are heard first when they are quiet, but the cries of birds are not heard when they are deep.
The pines and thin rocks are ridged, the mountains are bright and the streams are steep. The vines in the cuttings have long velvet hairs, and the island flowers have small ashes hanging down from them.
Wearing a hairpin and a hermit crown, lying down to read the biographies of sages. When you feel more interested, take the piano and play it again.
Yingting Pavilion
Han Cong of Tang Dynasty
The new pavilion on Yingshang overlooks a river, and the old site is open to Youguan. The cold sound descends from the north to the Dangxuan River, and the green shadow comes from the west to rush towards the Kanshan Mountain. The distant eyes follow the solitary crane quietly, and the high emotions are always close to the white clouds.
I know that you have been carrying your nest for a long time, and forget about each other in the morning and evening in loneliness.
Jinting
Tang Husu
Jinting wants to stay in Tangzhou, but the five liang winds will not stay for a while.
The floating clouds in the northwest are connected to the Wei Palace, and the southeast is full of Qin Towers in the early morning.
The city is so vast that people are sad to say goodbye, and the grass is luxuriant and the tourists are tired of traveling.
The old joy of Ping Le cannot be harvested, and even the dream of flying to Yingzhou.
North Pavilion
Tang Li Qun Jade
The slanting rain is woven into the dawn sky, and the sparse curtains are half rolled up by the wind in the wild pavilion.
The lotus flowers are facing away from the late autumn light, and they are scattered in the red and green marsh.
Jinling New Pavilion
Li Bai of the Tang Dynasty
Jinling has beautiful scenery, and powerful people gathered in the new pavilion. The mountains and rivers are different when you look up, which hurts Zhou Yi's feelings.
Sitting on the four sides of Chu prisoner is sad, not worried about the collapse of the country. How generous is the prince, who has admired his reputation for thousands of years.
The West Pavilion
Li Shangyin of the Tang Dynasty
This night in the West Pavilion, the moon is full, and the sparse curtains accompany the wind and smoke.
The sycamore trees never turn over the clear dew, and the lonely crane never sleeps.
Linshui Pavilion
Tang Shi Jianwu
I only blame the plain pavilion for its sticky dark color, and the stream smoke staining the berry moss for me.
If you want to know the spring breeze blowing from the source, watch the peach blossoms chasing the water.
Climbing Xian Pavilion
Tang Sikong Shu
Looking back at Xian Mountain, we can see Qin Pass and return south to Jingzhou in a few days.
I can only cry when I climb here today. I don’t know where the scenery is.
Plum Pavilion
Tang Yanqian of the Tang Dynasty
A poor poet from the East China Sea, an ancient post pavilion in the west wind. The hair is white since the last year, and the mountains of my hometown are green.
There are only three caves in the world, but there is only one cave. Ding Ning quickly borrowed wine and boiled chestnuts to test the sand bottles.
Banquet South Pavilion
Changling, King of the Tang Dynasty
The cold river reflects the village forest, and the pavilion is filled with fresh food.
Chuck *** drank leisurely and sat quietly in the golden palace.
The sun enters the mountain in full swing, and the clouds return to the cave in the dusk.
The towers are empty and the apes and birds are ready to be cleared.
The shape of the object is like silk fiber, and the uppermost mind is to make a decision.
When I visit you in Dongxi, sooner or later the woodcutting road will be cut off.
2. Poems describing pavilions
1) Pavilions are the most common scenic spots in Chinese classical gardens. There are more than 40 pavilions of various types in the Summer Palace alone. Some of these pavilions are built on the lakeside, some are hidden in the woods, some float on the water, some stand on the top of the mountain, some are sandwiched in the corridor, and some are located at the head of the bridge... They not only embellish the beautiful lakes and mountains. It is more beautiful and charming, and provides tourists with a place to stop, rest and appreciate the surrounding scenery.
②Langru Pavilion, located next to the east embankment of Kunming Lake, is not only the largest existing pavilion in the whole garden, but also in my country. It covers an area of ??more than 130 square meters and looks like a huge circular palace from a distance. Langru Pavilion echoes Nanhu Island through the Seventeen-hole Bridge, which is particularly spectacular.
③Beside the Buddhist Incense Pavilion, there is also a small, exquisite and very cute pavilion. Its height and width are only more than 1 meter, which can only be used for viewing.
④ To the west of the small pavilion is an extremely precious copper pavilion. It is entirely made of bronze. Its exquisite shape and complex craftsmanship are rare in the world.
⑤ There is a very peculiar Fuhua Pavilion to the east of the Tongting Pavilion. Its appearance is not unique, but there is a cave inside the pavilion that leads directly to the bottom of the mountain, and there is a small wooden pavilion located in it. There is a pavilion within a pavilion, which is really strange.
⑥There is a very unique Butterfly Pavilion to the east of Fuhua Pavilion. Its shape is unique - it consists of two connected hexagonal single-eaves pavilions, also known as "double pavilions". The yellow glazed tiles are very beautiful in the sun.
⑦ There is a small island across a small bridge from the east bank of Kunming Lake. In the center of the island sits the best Zhichunting Pavilion in the whole park. It has a beautiful shape and the most attractive thing about it is the environment. It is surrounded by water and surrounded by green leaves and red flowers. Whenever the spring breeze blows from the southeast and drives away the ice and snow, Zhichunting is like a messenger announcing spring, standing happily against the wind and reporting the news of spring to people with its moving posture. Standing on the pavilion and looking into the distance, you can have a panoramic view of the surrounding scenery, which is intoxicating.
⑧The pavilions in the Summer Palace are in various shapes. They blend with the mountains, rivers and woods, the surrounding buildings and the unpredictable sky, as well as the rippling Kunming Lake, the verdant Longevity Hill and many palaces. The pavilions are integrated into one, forming a vivid, fresh, beautiful and moving picture. 3. What pavilion did the ancients often use to say goodbye?
People often said goodbye in a long pavilion.
The common images in farewell poems include the following: First, Changting, Laolao Pavilion, Xie Pavilion, Baling Pavilion, and Nanpu. The long pavilion is a pavilion set up by the ancients on the road for pedestrians to rest. People often bid farewell in the long pavilion, so the natural landscape of the long pavilion often appears in works related to farewell.
Laolao Pavilion is about fifteen miles away from the ancient city of Jiankang; Xie Pavilion, also known as Xie Gong Pavilion, is located in the north of Xuancheng. Yun, later Xie Pavilion became a farewell place in Xuancheng; Baling Pavilion was thirty miles southeast of Chang'an. There used to be a Ba River there, and because Emperor Wen of the Han Dynasty was buried there, it was called Baling Pavilion. In the Tang Dynasty, people sent Friends often break up there when they leave Chang'an; Nanpu refers to a specific place name, to a water pool located on the south side of a certain area, and to the branch of a river. Jiang Yan is mentioned in "Farewell". "Ode" said: "Send you off to Nanpu, how sad it is." Since then, people have used "Nanpu" as the image of farewell poems.
Second, willow. "Liu" means "Liu", and the two are homophonic, so the ancients had the habit of breaking willows to say goodbye.
This ancient custom first appeared in the Han Dynasty. There is an ancient song "Breaking Willow Song" in the Han Dynasty Yuefu: "When you mount your horse, you don't catch the whip, but bend the willow branches. You sit on your seat and play the flute, worrying about killing the travelers." ”
Third, sunset and sunset. Many poets like to associate farewell with the sunset and sunset to express their deep feelings of separation. This is because the sad emotions are in harmony with the vast twilight. For wanderers far away from home, the twilight gradually rises and gradually becomes vast, which is the most charming. It arouses their emotions of separation, just as Meng Haoran said in "Su Jiandejiang", "Moving the boat to Yanzhu, the guests are worried about the new arrival at dusk."
Fourth, wine. The ancients often held farewell banquets when they were leaving. "Whenever you give someone a gift, you will be given more wine to express your feelings" (Yang Zai's "Shu of Poems and Legalists"), "I urge you to have one more glass of wine. There will be no old friends when you leave Yangguan in the west" (Wang Wei's "Farewell to the Yuan Dynasty") "Er Envoy to Anxi"), "People separated thousands of miles away are happy in a cup" (Li Bai's "Farewell to Song Dynasty in Jiangxia"), so many farewell poems are filled with the fragrance of wine, and the wine is full of family affection, friendship and hometown. Feelings, sentiments of time.
Fifth, autumn. "Autumn has been a sad and lonely time since ancient times" (Liu Yuxi's "Two Autumn Poems"). The ancients felt the passage of time when they gazed at the autumn scenery, and felt the shortness and ease of aging in life. "Autumn" can make people with lofty ideals lose their ambitions and become disillusioned with reality. Disappointed and pessimistic about the future.
Feeling sad during autumn has become a common cultural psychology among ancient literati. Like Du Fu, who is "a frequent guest in the sad autumn of thousands of miles" ("Ascending"), facing the autumn colors of Wushan and Wu Gorge in his later years, the author felt that his close friends were scattered, his ambitions were difficult to realize, and his country was in decline. The exclamation "The boat is connected to the heart of my hometown" ("Eight Poems of Autumn Rise") expresses his concern for the country and his feelings of loneliness and depression.
Autumn represents depression, loneliness and depression, and is a commonly used image in farewell poems.
Throughout the ancient farewell poems, whether it is a farewell or a farewell, it is the scenery in the eyes that triggers the emotions in the heart. It embodies the feelings in the scenery and the scenery in the feelings. It is the revelation of true feelings and the candid statement of the heart. 4. Who knows the poem with the word "pavilion"?
There is another sentence that I like very much...
Wherever the world is sad, there is a pavilion to see off guests.
The spring breeze knows no pain, and does not send away the green willows.
Laolao Pavilion was built during the Wu Dynasty of the Three Kingdoms. Its original site is in the south of today's Nanjing City. It was a place of farewell in ancient times. When Li Bai wrote this quatrain, the spring breeze had just arrived and the willow branches were not yet green. It should be early spring. However, what the poet wants to write about is not the spring scenery of this ancient pavilion, but just inspired by the place, using the scenery to express emotions, and using the pavilion as the title to express the pain of parting in the world.
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The first two sentences of the poem, "Where the world is sad, I will see you off at the pavilion", use extremely refined writing and highly summarized techniques to get to the point directly. Click on the title. As far as the meaning of the sentence is concerned, these two sentences are what Qu Yuan said in "Nine Songs: Shao Siming" "Sorrow is not the result of separation" and Jiang Yan said in "Farewell Fu" "Those who are in ecstasy can only say goodbye" . But since the poet takes the pavilion as the title, he goes a step beyond and goes through a layer. He does not say that the sad things in the world are parting, but only says that the sad things in the world are leaving the pavilion. In this way, we can get straight to the point, and go beyond the things of parting to write about the place of departure, and go beyond the people who see off to write about the pavilion where we see off guests. The words will be more sublime, and the thinking will be more detached, and the readers will naturally follow the place and the events. And people.
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However, the power of this poem is not the above two sentences, but its last two sentences. In the last two lines of the poem, in order to effectively display the theme, the poet talked about the pain of parting, which has pushed the poetic meaning to its peak. It seems that there is nothing left to say and there is no room for further maneuvering. If the last two sentences are just a straightforward extension of the previous two sentences, the whole poem will be weak and boring. The poet suddenly thought about the scene of the ungreen willows outside the pavilion, and suddenly turned his pen and wrote two sentences such as "The spring breeze knows how to avoid suffering, and does not send the willows green" to create a new meaning and invigorate the whole article.
This unexpected stroke of genius comes from the poet's rich associations. "Wen Xin Diao Long·Wu Se Pian" says: "Poets feel things and make endless connections." Poetic thoughts are often associated with associations. Poets must be good at moving from A to B, and from B to C when conceiving. The broader the connections, the more turns and levels, the more profound and thought-provoking the poem will be. In ancient times, there was a custom of breaking willows to say goodbye, so some poets often thought of willows and wrote about willows when writing farewells. For example, Wang Zhihuan's "Farewell": "The willow tree is in the east wind, and the green is sandwiched between the river. It has been hard to climb up and down recently, which should be due to the many partings." Even from the willow business, the idea is also very profound; but as far as the poet's association is concerned, it is just a farewell. The two things that are originally related to the willow are connected together. Although the willow is said to be an "east wind tree" in the poem, the farewell is not associated with the east wind. Li Bai's two poems not only think of breaking willows because of farewell, but also because willows think of the spring breeze blowing the willow eyes, thus connecting two originally unrelated things, farewell and spring breeze. If Wang Shi's association is still direct, then Li Shi's association is indirect, and its wings of association fly farther.
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It should be said that among ancient poems, poems written from farewell to broken willows, and then from willows to spring breeze are not unique. Yang Juyuan's "Breaking Willows": "The willows by the water are bent with dust, and I immediately ask you to break a branch. The spring breeze blows my dearest, and my diligence blows into my hands." The writing is also full of ingenuity, but it is different from Li Bai's two sentences. Compared with poetry, it seems clever but not surprising, while Li Bai combines association and fantasy. The poet had a fantasy because the willow branches were not green and there were no branches to break when he said goodbye. He thought that the spring breeze deliberately did not blow the willow branches and did not let it turn green. The reason why the spring breeze did not let the willow turn green was because he knew the pain of parting well. , I can’t bear to see the scene of farewell in the human world. From the perspective of the poet's conception, this is association and fantasy; and from the perspective of artistic techniques, this is to express emotions and empathize with the scenery, making the originally ignorant and ruthless spring breeze knowledgeable and affectionate, making it more relevant to other people. With the same feeling of farewell and sorrow, the thing turned into me, making it the poet's emotional incarnation. Li Wei praised these two lines of poetry in "Shi Fa Yi Bian Lu" and pointed out that "the beauty lies in the word 'knowledge' and the word 'buqi'", which is a perfect comment.
The first poem of Li Shangyin's poem "Ode to Broken Willows when Leaving the Pavilion" has the same tune and the same meaning as Li Bai's poem: "For the time being, I can only use the bottle of wine to send you away without hope, don't damage your frown and thin waist." "There is only separation before death, and the spring breeze strives to cherish the long life." In contrast, the two poems are all titled "Li Pavilion", and they both think of willows from farewell, and think of spring breeze from willows. Suffering, full of sympathy for the separation in the world. But the starting point of the two poems is the same, but the conclusion is completely opposite: Li Bai imagined that the spring breeze would not let the willows turn green because he did not want to see the scene of farewell; Li Shangyin imagined that the spring breeze would let people break the willows and give them gifts when they say goodbye. Express a piece of affection and get a little comfort, without hesitation to have the wicker broken. This shows that the same theme can have various ideas and writing methods. The poet's imagination can fly freely, and the world of imagination is infinitely broad. 5. The more poems with the word "pavilion" in them, the better
The plain forest is woven with smoke in the desert,
The cold mountains are sad and green.
Entering a tall building in silence,
Someone upstairs is worried.
The jade steps stand in the air,
The old bird returns home in a hurry.
Where is the return journey?
The longer the pavilion is, the shorter the pavilion is.
All the birds are flying high,
The lonely clouds are leaving alone.
I never get tired of looking at each other,
Only Jingting Mountain.
——Li Bai sitting alone in Jingting Mountain
North of Gushan Temple and west of Jiating
——Bai Juyi
Outside the pavilion, beside the ancient road , the grass is green and the sky is green - Li Shutong