Five-character quatrain is a general term for ancient Chinese poetry, and it has a very high literary status. Nowadays, a classic five-character quatrain calligraphy work can improve people's understanding of calligraphy. Below are pictures of classic five-character quatrain calligraphy works that I compiled. Unique calligraphy works of five-character quatrains
Five-character quatrains are one of the Chinese poetry genres and are a type of quatrains. They refer to short poems of five characters and four sentences that conform to the standard of rhymed poetry and belong to the category of modern poetry. There are two grids: Tieqi and Pingqi. This style originated from the Yuefu poems of the Han Dynasty and was deeply influenced by the folk songs of the Six Dynasties. In the Tang Dynasty, it appeared in the poetry world with its brand-new splendor and twin sisters with modern rhythmic poetry. Only twenty five-character quatrains can show fresh pictures and convey various true artistic conceptions. Because small things can make a big difference, small things can make a lot more. The short chapters contain rich content, which is its biggest feature. Representative works include Li Bai's "Silent Night Thoughts", Liu Zongyuan's "River Snow", Wang Wei's "Bird Song Stream", Du Fu's "Eight Formations", Wang Zhihuan's "Ascending the Stork Tower", Liu Changqing's "Send Off Lingche" People" etc.
Appreciation of your five-character quatrain calligraphy works
From the Northern Zhou poet Yu Xin Judging from a five-character poem titled "Quatrain", the five-character quatrain was not created by poets in the Tang Dynasty. Its stylistic form was formed at least in the late Southern and Northern Dynasties. ?Visitors travel through the years, and there are many old memories during the journey. I recently learned about the Hengyang wild geese, and we all crossed the river at the autumnal equinox. ?This is one of Yu Xin's "Three Wonders of Master Hekan". This poem is flat and oblique, completely in line with the rhythm of the Tang Dynasty. The second and fourth lines end in flat tones, and the first and third lines end in oblique rhymes. The title of the poem has been called "Jue". However, there were not many such neat five-character quatrains before the Tang Dynasty. It was not until the early Tang Dynasty that modern poetry emerged, and the five-character quatrains were gradually perfected and finalized. The previous five-character poems were generally called "five-character ancient poems" or "five-character ancient poems". Wugu?.
A summary of the rhythm of the five-character quatrains
Before the prosperous Tang Dynasty, not only did the five-character quatrains not Contradictions, and they don't pay much attention to the balance and opposition. After the prosperous Tang Dynasty, the five-character quatrains strictly followed the rules of metrical poetry. Although there were a very few "archaic poems" written according to the practice of ancient poetry and did not pay attention to the balance and oppositions, the five-character quatrains in the prosperous Tang Dynasty were already the most popular ones at this time. A metrically perfect modern poem. This is mainly reflected in the following three aspects:
⑴The number of sentences is fixed. There are only four sentences, each with five words, totaling twenty words.
⑵Strict rhyme. Poems all rhyme, with some sentences rhyming and some every other sentence rhyming. There is no essential difference in the rhyme between every sentence and ancient poetry. His rhyme is strictly reflected in that it generally only rhymes with flat tones and cannot rhyme. That is to say, it cannot rhyme with oblique rhymes and the rhymes must use words in the same rhyme, not words with adjacent rhymes.
⑶ Pay attention to evenness. On the basis of ?平平--任仄, 任仄--平平?, add a syllable to form ?平平--任仄--平, 任仄--平平--仄, 平平--平--任仄, 仄 The four basic sentence patterns of 仄--仄--平平?.