Wang Guowei said that poetry has both creation and writing, and the scenery is also virtual and real. For example, "A hundred mountains without birds and a thousand paths without footprints" may not be what Liu Zongyuan saw, but the fictional realm of the poet is creation; "The cold wave rises, and Bai Niao falls leisurely." What the poet sees is the writing environment.
Poets also have various techniques to write lyrical scenery, such as "the wind is rustling and the water is cold, and the strong men are gone forever." Write the scenery in the first sentence and the feelings in the next; Another example is "petals fall like tears, and lonely birds sing their sadness." Every sentence is in harmony with the scenery, and the scenery is written because of the situation; "The heart of water is indisputable, and it is too late for the cloud to care." Love comes from scenery.
Poetry is almost a fusion of scenes. Laojie is talking about analyzing the feelings or scenes of sentences, not the whole poem. According to my own learning experience, let's talk about the different expressions of emotion and scenery in poetry.
First, feelings and scenes are written separately.
1, One Love One Scene
It is common to write some scenery and feelings in poems, such as "Yi Shui Ge": "The wind blows and the water cools, and the strong man is gone forever." The first sentence is about scenery, and the second sentence is about feelings.
In the quatrains, half is scenery and half is emotion. There is also a special structure, such as Liu Tang Changqing's "Farewell to Pei Langzhong Jizhou". The first and fourth sentences are scenes, and the middle two sentences are lyrical:
Apes crow at the end of the river, and people hurt themselves. As a courtier, you are farther away, and Li is lonely.
Laojie wrote a song "Spring Thoughts" by herself. The first three sentences are scenery, and the last one is lyrical:
The spring grass in front of the steps is half green and half yellow, and the spring breeze outside the building is fragrant. Plum blossom flute is far away, and the river seems to be long.
Among the seven laws, the second couplet sees more than one emotion and scene, such as the third of the eight poems in Autumn. The second couplet writes the scene: "Send a boarding fisherman to be a general, and swallows fly in the clear autumn"; The third love story: "Kuang Heng has a bad reputation for resisting merit, and Liu Xiangchuan has a bad heart."
Chung Shan Man is here, Claire Kuo, and every day, Jiang Lou sits in the green. The fisherman in the lodge is still ordinary, and the swallow flies in the clear autumn.
Kuang Heng's resistance to fame and fortune is weak, and Liu Xiangchuan's heart has been violated. Students and teenagers are not cheap, and the five tombs are light and fat.
2. Write about scenery.
As I said just now, the two couplets in the middle of the seven laws are usually a scene, but some of them are about scenes. The seventh poem of Eight Poems on Autumn Prosperity, the second couplet and the third couplet all write scenes:
Kunming Chishui Han Shigong was a target in the eyes of Emperor Wu of Han Dynasty. Jathyapple weaver silk empty, autumn wind stone whale scales move.
The waves are floating, the rice is dark, and the lotus room is pink. There are only birds in the sky, and the rivers and lakes are full of fishermen.