Appreciation of the Original and Translation of Li He's Song of Beauty Combing Her Hair

The original song of beauty combing hair: stone cold, incense is half as heavy as sandalwood. The windlass croaked and sang jade, scaring Lotus to sleep on her new feet. Shuangluan River opened the mirror with autumn water light to solve the problem of standing in the mirror. A string of fragrant silk scattered on the ground, and the jade hairpin fell silently. However, the hand is crow-colored and the jade is slippery. Spring breeze is full of troubles and carelessness, and it has no power in eighteen years. The makeup is not oblique, and the clouds step on the goose sand several times. Without saying anything, where to go? Low-grade self-folding cherry blossoms.

Beauty combs her hair song translation and annotation translation Beauty is like a stone still dreaming at dawn. In the cold gauze curtain, the fragrant ring bun is half covered with a heavy sandalwood pillow, fluffy. The gurgling of pulleys from outside woke up a hibiscus beauty from a deep sleep. Open the double Luan mirror cover, Kagami Akira, such as autumn water, stood on the ivory bed, untied the bun and looked at the mirror. A long fragrant silk has been scattered on the ground like a dark cloud, and the jade grate quietly combs the slender and soft hair. The tender hand pushes the black hair plate, which is so green that even Baochai can't insert it. The bright spring breeze makes her soft and lazy. 18-year-old beauty has a high bun, as if she can't win. The combed bun is beautiful and neat, and the footsteps move gently in gorgeous clothes. Where would she go without saying a word behind her back? Go down the steps and put the cherry on your head.

Note 1 Poem: The beauty of Yue in the Spring and Autumn Period refers to the beauty written here. Mesh sheet: A silk sheet. Jia notes Shu: "The former is sweet, the latter is sweet ... to eighteen, Yu Rou is graceful and restrained. The late Lord called into the tent and watched the snow under the moon outdoors. " Ring: the round bun of ancient women. Falling bun: the provincial name of falling bun is a hairstyle. According to the biography of Ji Liang in the Later Han Dynasty, Sun Shou, Ji's wife, "has a beautiful color, makes eyes, cries makeup, falls into a ponytail, and bends down to laugh at dental caries." "Li Xian quoted" Custom Pass ":"Those who tied their ponytails, step by step ... from the action of the Ji family, all their capital was released. "Heavy sandalwood" refers to a pillow made of heavy sandalwood. 3 pulley: pumping wood from the well. In the Southern Song Dynasty, Liu Yiqing wrote "Shi Shuo Xin Yu Pai Diao": "As the old saying goes," The baby lies on the anchor machine on the well. Silent: the sound that describes the rotation or shaking of an object, referring to the sound of pulley rotation, like jade. 4 hibiscus: refers to beauty. "Miscellanies of Xijing" Volume II: "Wen Jun is very beautiful, with eyebrows as far as mountains and faces as lotus. Later, because of the metaphor of "lotus", it refers to beauty. Shuangluan: refers to the phoenix bird embroidered on the mirror cover. Autumn water light: describes the light in the mirror as clear as autumn water. 6 close to the mirror: face the mirror. Tang Yuanzhen's poem "Three Brothers Leave White Scarves" said: "Dark combs are ashamed of the mirror, and private lotus flowers are ashamed of meeting people. 7 fragrant silk: refers to hair. Silk and cloud: both refer to a beautiful woman's hair. 8 Hosta: a jade hairpin. Composed of two strands, it is swallow-shaped. Han Sima Xiangru's "Beauty Fu": "The jade hairpin hangs the official crown, and the sleeves brush the official clothes." Or "jade comb". 9 crow color: describe black hair. Ten Cui slippery: black and moist. Used to describe women's hair. Hairpin (zān): coiled bun. ⑾ Romance: describe radiant. Hanwang Yanshou's "Luling Photoelectricity Fu": "The decoration of Cai Dan is nothing more than vast sweat, falling. Jiao Yi: Weak and tired. The third sentence in the Song Dynasty's Preface to Linjiang Fairy is: "Fog and fog gradually gather, and waist weakness becomes delicate. There is no strength: the hair is long and tall, so it seems that strength can't win. ⒀? (The word should be "Hang" and "Wei", pronounced wǒ) Du described the beauty of the bun. Taste (ask taste): the meaning of tendency. "Not oblique" means that the bun is oblique rather than oblique. [14] Cloud (jū): A skirt that flutters gently like a cloud. Song Chen once wrote a poem "Liu Zao Qing Shou Wu Zhu Xi": "Vague Yao City. Guest affection Koharu, duty cold. Xiapei clouds, step by step with the West Mother, smiling and leaning on Fei Qiong. ⒂ northerners: avoid people. Cherry: the name of the fruit tree. Deciduous trees The flowers are white and slightly flushed, and the leaves open first in spring. Drupe is mostly red, sweet or sour. Batch medicine. Wood is hard and dense, and can be used to make utensils. Also refers to its fruit or flower.

Li He created some poems that can be called "colourful poems" with his beautiful brushwork, such as Luo Shu, Nugong, Sleeping at Night Song, Heyang Song, Flower Wandering Song, Shicheng Xiao and Nocturne. Some protagonists are supporters of the family, and they are a little frivolous besides being colorful; Others are ladies or aristocratic families. Although they are handsome, they are hedonistic and have a strong aristocratic spirit. This poem belongs to the latter. Its "beauty" is charming, generous and lazy, but it is quite charming and looks lovely. The theme chosen by the poet is not the whole day or night life of a beauty, but a fragment of it-combing her hair. For ordinary people, combing their hair is a trivial matter, not worth mentioning; Yu Meiren is an important event that cannot be taken lightly, because the beauty of hair (including hairstyle) is the most distinctive aspect of women, and combing your hair is related to whether you can fully display your beautiful face and charming charm. Li He skillfully chose the situation when a beautiful woman combs her hair to show her overall beauty.

The poem is divided into three paragraphs. The first four sentences describe the scene before combing your hair: "Xi Shi Meng Xiaohan, the incense is half as heavy as sandalwood." "Refers to the history of beauty. At this time, it was already dawn, and she was still lying in her thin account, dreaming everywhere. The word "Xiao" in the sentence refers to time, but it is "charming and careless" if you don't wake up at dawn. The word "cold" not only indicates the early spring of solar terms, but also implies that she is sleeping alone. A person can't stand the cold, and spring is even more embarrassing. The direct cause of "annoyance" is revealed here. "Southern Hunan" is the foreshadowing of combing your hair. Sleeping in bed, my hair is messy, and I am about to fall off, emitting a fragrance, like sandalwood suspended in water. At the moment, someone was drawing water from the well, and the creaking sound of the pulley woke up the beautiful woman. She opened her sleepy eyes, radiant, like a hibiscus out of water.

The middle eight sentences are written in the front to comb your hair. Comb your hair in front of the mirror, or you won't see yourself. When a beauty gets out of bed, she first opens the mirror decorated with two bears and shines like autumn water, then unties her bun and lets her hair hang freely. Although she stood on the elephant bed, her long hair, thick as clouds and slender as silk, was still dragged to the ground, emitting an attractive fragrance. Hosta slipped from her long hair and there was almost no sound. "Silent boredom" is the inversion of "boring silence", and "boredom" refers to the softness and smoothness of long hair, which is the reason for "silence". Then I began to comb, tie up my long black hair with blue like crow feathers, and restore my original choice of bun. Because the comb is even, the dish is solid, and it reflects light. Like Beth, it is too greasy to even insert Baochai. It can be seen that this beautiful woman has spent a lot of time on combing. At this time, she looks beautiful and tired: "The spring breeze is brilliant and annoying,/kloc-no qigong for more than 0/8 years." This slightly exaggerated pen and ink fully shows the unique beauty of the protagonist at this moment. Qiu Xiangsheng and Yao Bi, critics in the Ming Dynasty, praised these two sentences. Qiu expressed his views on "annoyance, coquetry and carelessness" and said: "The beauty of the three is also constant. Yao analyzed the beauty's "inability" after combing her hair like this: "Although there are many reasons, there are also annoying, attractive and careless ones. "They are right." The golden house hides the charming. Gillian is charming because she lives in the golden house and is spoiled. Spoiled, like angry, formed a lazy habit. In a word, this beauty has a strong aristocratic spirit. Noble spirit is not good, but the beautiful girl or * * * is a little angry, but it is also unique. Among them, the self-evaluation of the value of beauty, through psychological conduction, makes the viewer have a sense of admiration beyond aesthetic feeling. True beauty deserves eternal respect.

The last four sentences describe the posture and gait after combing the hair: the hairstyle is beautiful and generous, regardless of the bun or bun, it is impartial. (This wǒduǒ should be and then describe how she dragged the clouds slowly down the steps. The metaphor of "stepping on wild goose sand" means that wherever you go, such as geese walking in the sand, it seems even and leisurely. Then I got up silently and went to the courtyard to pick as many cherry branches as snow. The end of the poem is quite similar to Du Fu's beauty. Every kind of beauty has a natural beauty, and this "beauty" will be shown in every move. However, Du Fu wrote about beautiful women who were down and out. Although her movements of picking flowers and cypresses are elegant, she has a bitter taste. Li He's graceful figure and gait are mixed with elegance and arrogance. These are all caused by objective environmental influences and belong to "acquired".

This poem mainly expresses the process of action. According to the usual writing, when the pen is the main thing, the poet expresses it purely with a brush. There are 16 sentences in the poem, each sentence is a picture, or each sentence is a picture, just like Where to Go Without Words, which is also a silent picture. Beauty's temperament, mood and mind are more fully displayed through "silence".

Appreciation of Beauty's Comb Song Er This poem is about beauty knowing makeup.

There is a saying in Xi Poetry: Beauty wakes up in spring. Although the spring is getting stronger, it is still cold in the morning. The second sentence describes the sleeping state of a beautiful woman. I admire Xiang Gao, hence the name "Xiang Huan". The hairstyle of "falling bun" is more like falling than falling. "Deep tan" refers to the pillow used by beautiful women, and "semi-deep tan" refers to the shape of beautiful women's long hair half piled between pillows.

The second sentence "Pulley" is about a beautiful woman waking up from a dream. Tang once told Yang Guifei that she was drunk: "It's just that Haitang didn't get enough sleep. The windlass, written like jade, woke up the sleeping beauty.

The above four sentences are descriptions. Let's start with a beautiful woman combing her hair. The sentence "Double Luan" opens the mirror. The beauty untied her hair, and her long hair stuck to the ground, so she stood on the elephant bed and combed her hair in front of the mirror. Next, I will write a few words about the process of beauty combing her hair. Ancient poets often used thick clouds and Lv Yun as metaphors for women's hair, and "floating on the ground" meant that a beautiful woman's long hair held the ground. The phrase "Hosta is silent and tired" describes the thick hair of a beauty. Some people interpret "falling silently" as "falling silently". Wang Qi said, "When you fall, you comb your hair. When you comb your hair, it is silent. Silence is a group of words. Write a greasy word to see the beauty of hair. Beauty is rich and greasy, and the hairpin falls, which is naturally silent. After "hands", write a combed bun. " Old crow color means black hair color. The Western Zhou Dynasty Song of Yuefu in the Southern Dynasties: "The juvenile color of double-faced crying. The word "hand" is obviously changed from Xizhou Song. "Cui Hua" said that a beautiful woman's hair is so thick that Baochai may not be able to fasten her bun. The above six sentences "double love" describe in detail the process of beauty combing her hair. 」

The phrase "spring breeze" describes the delicate and careless state of this beautiful woman. The spring breeze is bright and warm, and the beauty is already lazy after dressing up. The word "no strength" describes the charming and lazy manner of a beautiful woman. The article "Bodhisattva Man Stacking Gold on the Hill" writes the beauty morning makeup cloud: "The eyebrows are lazy to paint, and the makeup is washed late. The sentence "Spring Breeze" in Li He's poems can be read in contrast with the words in the text.

The phrase "makeup" describes the walking posture of a beautiful woman after combing her hair. The egg tart is a beautiful bun. "Not inclined", the beauty's bun, like falling, like slanting, has a unique style. The "cloud skirt" in the next sentence refers to the beauty's clothes flowing like clouds. The word "stepping on wild goose sand" describes a beautiful woman walking slowly and lightly, like a goose stepping on the beach. At this time, the dressed-up beauty began to walk slowly towards the beautiful garden in spring.

In the last two sentences, it is the most valuable part of this poem to describe the beauty's inner feelings through the action of folding cherry blossoms by herself. As can be seen from the word "behind people", this beautiful woman is introverted. She has a bitter taste, but she won't tell the world. She just threw herself into spring and nature. Cherry blossoms bloom like snow, which arouses the beauty's self-pity. Cherry blossoms are white and spotless, much like the simplicity and elegance of a beautiful woman. Alas, spring is fleeting, flowers fall every day, and beauty is self-pity. Fang Funan's Annotations on Li Changji's Poems and Songs of Beauty Combing Hair said: "You write about the grievances in the boudoir, and only the ending and cherry blossoms make the finishing touch. Flowers bloom to cherries, and good spring is over; The boudoir is silent, what else can we talk about? This passage basically points out the theme of this poem. The last sentence is really the crowning touch, however, the intention of this girl's spring resentment can not be understood in one sentence, it is hidden between the lines. This kind of carefree and boring feeling of beauty can only be conveyed by the elegant action of folding cherry blossoms. This is the genius of the poet. Look at Li Bai's Jade Family: the jade steps are cold and dew, and the silk bottom is wet, which has been wandering for a long time. But what about looking at the water curtain of autumn moon light through crystal glass? . The bitterness of ladies-in-waiting is only found in "Looking at the Autumn Moon". "Li He and Li Bai are similar in depicting the inner feelings of characters through facial expressions and movements.

The overall feature of Li He's poetry language is the beauty of strangeness and interest. The song of beauty combing her hair belongs to the category of beauty. The whole poem is charming in color and has obvious inheritance relationship with Yuefu folk songs in the Southern Dynasties. This poem has a common theme and bright colors. There are endless metaphors, such as singing jade for the voice of pulley, singing hibiscus for beauty, singing autumn waters for mirror, singing old songs for black hair and walking slowly on wild goose sand, all of which give people a sense of freshness to some extent.

Background of Beauty Combs Songs This is a colorful poem written by Li He. It was written in the early years of Yuanhe (Tang Xianzong year, 806-820), and the exact year is unknown. Poetry: Beauty Combs Her Hair Song Poetry Author: Tang Dynasty Li He Poetry Classification: Women