The shepherd drove the calf back, hunted the horse and brought back the bird. Care for no acquaintances, Long song pregnant with Cai Wei (4).
Note: ① Gaodong: the poet's seclusion. 2 tilt: wandering. Yi: Shelter
③ calf (dú): calf. (4) Picking Wei: Boyi and Shu Qi hid in shouyangshan to pick Wei and eat it, expressing the meaning of seclusion.
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Standing in Gaodong at ten o'clock in the evening,
I wandered around, not knowing where to go,
Layers of trees are stained with autumn colors,
The afterglow of the sunset covered the mountains.
The shepherd drove the calf home,
The hunting horse passed me with birds and beasts.
Everyone is relatively silent and doesn't know each other.
I want to live in seclusion in the mountains!
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Shan Ye's "Wang Ye" and "autumn scenery" are Wang Ji's representative works, which are somewhat hesitant and melancholy in a leisurely mood.
"I hope I will look forward to it and I will rely on it." Gao is a water town. Gaodong refers to a place in Longmen, Jiangzhou, his hometown. After retirement, he often traveled to Beishan and Gaodong, calling himself "Donggaozi". "Depend" means wandering. "What do you want?" In Cao Cao's "Short Songs", the meaning of "the moon stars are scarce, blackbirds fly south, and there are no branches to lean on" shows the feeling of boredom and hesitation.
The following four sentences describe the scenery seen at dusk: "All trees are in autumn, only the hills and mountains are bright. The shepherd brought the calf back, hunted the horse and brought the bird back. " Looking around, it is autumn everywhere, and it is more and more bleak in the afterglow of the sunset. On this quiet background, the close-ups of shepherds and hunting horses, with an idyllic pastoral atmosphere, enliven the whole picture. These four poems are like a picture of Shan Jutu on an autumn night. Light and color, long-range and close-range, static and dynamic match well.
However, Wang Ji could not find comfort from the countryside like Tao Yuanming, so he finally said, "I don't know each other, and Long song loves Wei." He said that he was lonely in reality, so he wanted to make friends with people like Boyi and Shu Qi.
People who are familiar with Tang poetry may not find this poem particularly beneficial. However, if we read this poem by Song, Qi, Liang and Chen in the Southern Dynasties in the order of poetic history, we will suddenly applaud its simplicity. The poetic style of the Southern Dynasties is mostly gorgeous, like a jewel-like lady wrapped in satin. Walking out of the women's group, I suddenly met a village girl with a cloth skirt. Without makeup, there will be a special charm. Ji Wang's ambition has such a simple advantage.
The genre of this poem is five-character verse. Since Shen Yue and others applied legal knowledge to poetry creation in the first year of Qiyong in the Southern Dynasties, this new genre of legal poetry has been brewing. In the early Tang Dynasty, Shen Quanqi's and Song's regular poems became an important poetic genre. Wang Ji, more than 60 years earlier than Shen and Song, can write such a mature poem as Wild Hope, which shows that he is a man who dares to try new forms. The beginning and end of this poem are lyrical, and the middle is lyrical. After the repetition of emotion-scene-emotion, the meaning of poetry has deepened. This is in line with a basic composition of metrical poetry.
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Comments: Wang Ji's Wild Hope is one of the earliest five-character poems in the early Tang Dynasty, with a wide range of themes and fresh style. Qu said: This poem is the clearest style, so it should be rolled up. Accordingly, it is obvious that the transition from inheritance to integration is legal. (Interpretation of Ancient Tang Poetry Combination)