Abstract: With the rapid development of science and technology, international cultural exchanges are becoming more and more frequent. As an oriental country with excellent music and cultural creation,
We should dedicate our original national music works to the world and work together to enrich the world music scene.
Keywords: China music; think
In recent years, China music theorists have launched hundreds of studies on the development path of music.
Review and reflection, China's music "main cultural crisis" and
"Chinese studies are the mother tongue of national music education" and a series of voices. this is China
After nearly a century of hard exploration, musicians have been born from the world culture.
Reflections on re-examining one's own cultural value from a national perspective.
First, a review of China's music development
Our national music has a long history and tradition. As early as 17 BC.
There are records of folk literature and art in the Zhou Dynasty. China's earliest collection of poems, Poems.
There are 160 articles about fifteen countries in Classic, most of which are from early Zhou Dynasty to mid-Spring and Autumn Period.
All right, folk songs, folk songs. Like poetry, these folk songs are originally closely related to music.
Together, everyone would sing at that time, but there was no notation for collectors at that time.
Skills, so only recorded the lyrics. During the Qin and Han Dynasties, Hui Di in the Western Han Dynasty (BC
194~ 188) set up the Yuefu Department "Yuefu Order" and went to Emperor Wu of the Han Dynasty (BC)
140) established Yuefu, and also accepted folk poems and music. Among them, the most prominent are
The mysterious private spectrum compiled by Zhu Quan (1378~ 1448) in the Ming Dynasty, during the reign of Qianlong in the Qing Dynasty.
A collection of traditional music, the newly established Mahayana in Nine Palaces, and the common spectrum of North and South Ci. , has accumulated.
Rich experience.
Collection, arrangement and research of traditional music since the founding of New China 50 years ago.
We have done a lot of work and achieved great results. Combine with Xiao and Ma.
Huang Zi, Xian Xinghai, He Lvting, Lu Ji, Shi Guangnan and other famous composers.
China has made great contributions to the inheritance and development of music.
After the "Cultural Revolution", China's connection with the world has been strengthened day by day, plus
Secondly, the influx of western entertainment pop music and "reform and opening up"
The implementation of liberalization policy has brought great changes to people's ideas and social life.
Both directly and indirectly influenced the creation and development of China's vocal music.
The ring. Specifically, it is more heroic and more group-oriented.
The excellent songs in March were greatly discounted, while the entertainment and commercial popularity.
Songs have developed rapidly. For example, representativeness with outstanding influence in real life.
Popular songs include Zhu Nanxi's "China, China, the bright red sun never sets",
Li Yuqiu's "August 1st Army Flag Flying High" and Shi Guangnan's "In the Field of Hope"
Shang, Wang Shiguang's Song of the Yangtze River, Qu Wei's Flag in My Heart, Zang's Yun Fei,
Liu Bin's The Soldier, Wang Yougui's The Story of Spring and other excellent works.
In the comprehensive implementation of the educational policy of "morality, intelligence, physique and beauty", children's songs are taken.
It has achieved remarkable results. Such as: Mingming's Youth, Youth, Spring of the Motherland, Pan
Di Li, Di Li, Jin Fenghao's golden shuttle and silver shuttle, Qu Xixian's.
We and you, our songs and smiles, made seven colors.
Songs and so on. It has a great influence on the quality education of teenagers in China.
Since 1980s, in order to overcome the ideological influence of "Left" in songs,
Many composers have a new understanding of creating lyric solos that appeal to both refined and popular tastes. one
A number of emotional songs with a wide range of themes stand out. representative works
There are Shi Guangnan's "Song of Toast", Wang Hao's "Sister Searching for Songs and Tears", and Wang.
Li Ping's Hometown of the Sea, Reunion of Young Friends, Zheng
Qiu Feng's I Love You China, and a work with distinctive national style: Xie Cheng.
En's Pilgrim's Progress, Su Yue's Loess Plateau, and Lei Lei's Youth Records.
Sorrow, Zhao Jiping's good Chinese songs, the Qinghai-Tibet Plateau in Zhang Qianyi, and Yun Fei in Tibet.
Evers and others have been boycotting those vulgar music for quite some time.
During this period, instrumental music works also appeared two climaxes. The first climax is
Around the early 1980s, Chen Peixun's second symphony "Tomb-Sweeping Day" appeared.
Zhang Qianyi's symphonic painting Northern Forest, Tan Qian's symphony Li Sao,
Du Mingxin's symphonic fantasia "Luo Shen" and many other excellent new works. Second high
It gradually developed in the middle and late 1980s. In China's music colleges.
The "trendy school" represented by the young creative groups newly trained in the school includes Xiaosong Qu's.
Mixed chamber music Dream, Viola Concerto String Poetry, Ye
Xiaogang's vision, etc. No matter what kind of works, they all show the composition of our country.
Psychologists try to put this highly developed vocal instrumental genre from Europe,
Used to express interest in the traditional spirit of China and feelings about the real life in China.
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It also reveals the unique national significance of our country and the artistry of the author.
Second, the development direction of China music in 2 1 century.
2 1 century, China music will be constructed together with pop music.
Attitude, there will be a trend of convergence with mainstream music in the world. along with
Western music as the body and China music tradition as the soul will be in the same whole state.
Yeah, stable. The 20th century was centered on the composition techniques of the Vienna Classical School.
Cardiac technical specification, a technical theoretical body based on functional harmony theory.
Department, it is possible to shake. In the middle and late 20th century, western instrumental writing appeared.
He pays attention to order and pursues the contrast and change of timbre, which breeds Chinese traditional musical instruments.
The thinking of sequence structure of music suite, the thinking of collage suite with qupai as the basic unit
And the combination thinking of percussion instrument timbre. , adding a powerful China to the world music.
Color.