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The Complete Poems of Tang Dynasty compiled by Kangxi in Qing Dynasty contains more than 48,900 poems, which are difficult for ordinary people to understand. Since then, Shen Deqian has compiled "300 Tang Poems", which contains 1928 poems. It is difficult for ordinary people to read them all. Therefore, in the Qianlong period of Qing Dynasty, the retired literati in Hengtang compiled 3 10 based on the Tang poetry, which became the most widely circulated and influential popular reader of Tang poetry. The editor of 300 Tang Poems, Judge Heng Tang (171~1778), was originally named Sun Zhu, and his real name was Linxi, a native of Wuxi, Jiangsu. I grew up in a poor family, sensitive and eager to learn. When studying in the cold winter, he often holds a piece of wood, saying that wood can make a fire to keep out the cold. After nine years of Qianlong (1745), he was admitted to Shuntian Juren, taught Jingshan official school, and served as an imperial edict of Shangyuan County. In the 16th year of Qianlong (1752), he was a scholar and served as Lu Long and Dacheng Magistrate. Later, he was arrested and dismissed from office, and was appointed as the magistrate of zouping county. In twenty-five years (176 1) and twenty-seven years (1763), Gan Long presided over the provincial examinations twice and recommended celebrities. He is an honest official, loves the people like a son, and is diligent and studious. His books are like Ou Yangxun's, his poems are in Du Gongbu, and he is the author of "A Manuscript in a Constant Hall". In the spring of the twenty-eighth year of Qianlong, Sun Zhu consulted with his empress Xu and began to compile 300 Tang poems. The reason for compiling this book is that the standard of poetry selection in A Thousand Poems is not strict, the genre is unprepared and the styles are different. I hope to change it into a new selected book and become a teaching material suitable for my home school. The criterion for their selection of poems is "to choose the most important one because they specialize in the most popular works of Tang poetry". It is both good and good, with genre as the warp and time as the weft. Three hundred Tang Poems was edited in the 29th year of Qing Dynasty (1765). Some of the titles of the book are based on the folk proverb "You can recite poems even if you are familiar with 300 Tang poems", and some are based on "300 poems". Three hundred Tang Poems was collected by world record association as the most widely circulated poetry collection in China.
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"Three Hundred Poems of Tang Dynasty" * * selected 77 poets of Tang Dynasty, including 33 five-character poems, 46 Yuefu poems, 28 seven-character poems, 50 seven-character poems, 29 five-character quatrains and 5 seven-character quatrains, all with comments and comments. Five-character ancient poetry, referred to as five-character ancient poetry for short, is a popular genre in the Tang Dynasty. The five ancient brushstrokes in the Tang Dynasty were magnificent and colorful. It is directly used for narration, lyricism, discussion and scenery writing, which makes its function play an unprecedented role. Their representative writers are Li Bai, Du Fu, Wang Wei, Meng Haoran and Wei. Seven-character ancient poems, referred to as seven ancient poems for short, originated in the Warring States period or even earlier. Now it is recognized that the earliest and most complete seven ancient works are Ge Yanxing by Cao Pi. During the Southern and Northern Dynasties, Bao Zhao devoted himself to the creation of seven ancient poems and developed them into a dynamic poetic style. The seven ancient styles in the Tang Dynasty show the grandeur of the prosperous Tang Dynasty, with diverse techniques and profound openness. The representative poets are Li Bai, Du Fu and Han Yu. Five-character Rhyme, referred to as Five Rhymes, is "Three Hundred Rules of Tang Poetry" published by Xin Mochun, Tongzhi of Qing Dynasty.
One kind. The Five Laws, which originated from the five-character ancient style, are rigorous in style, rich in temperament and profound in meaning, and have become widely used poetry themes in preparation for exams and daily life in the Tang Dynasty. There are countless famous scholars of Five Laws in the Tang Dynasty, among whom Wang Changling, Wang Wei, Meng Haoran, Li Bai, Du Fu and Liu Changqing made great achievements. Seven-character metrical poem, referred to as seven rhymes for short, is a kind of modern poetry, and its metrical requirements are the same as those of five rhymes. The seven laws originated from the ancient style of seven characters, and gradually became large-scale in the early Tang Dynasty until Du Fu was really perfect. Wang Wei, Du Fu, Li Shangyin, Du Mu, Luo Yin, the seven laws of the Tang Dynasty, are excellent, reflecting ancient and modern times. Five-seven quatrains, referred to as five quatrains and seven quatrains for short, are one of the quatrains in classical poetry. The Five Musts originated in the Han Dynasty and the Seven Musts originated in the Six Dynasties. Both of them were formed in Qi Liang and matured in the early Tang Dynasty. The quatrains in the Tang Dynasty were lofty and straightforward, reaching the peak of the liberalization of chanting things. Famous poets include Li Bai, Wang Wei, Wang Changling, Wei, Du Mu and Liu Yuxi.
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China is a country of poetry, the Tang Dynasty is the peak of China's poetry, and the golden age of the peak is fascinating. Poetry is the highest representative of literature at that time, which has become a solid and important part of China traditional literature and a beautiful landscape of Chinese civilization. Tang poetry, like Song Ci and Yuan Qu, is a miracle in the history of China's poetry development, with a wide range of themes, unique style and elegant style. Tang poetry has a profound influence on China literature. Scholars in previous dynasties took the Tang poetry as the standard and the Tang people as the model. In the 7th century, Sun began to compile anthologies of Tang poems. Before the Revolution of 1911, an anthology of Tang poetry was published every two years for more than 200 years. Among many anthologies, 300 Poems of Tang Dynasty has the widest spread and the greatest influence, and it sells well at home and abroad, suitable for all ages, and has become one of the most classic anthologies printed repeatedly. Three hundred Tang Poems left a deep impression on readers with its successful and pragmatic arrangement, concise and moderate length, easy-to-understand views and exquisite poems. It has become the most successful textbook for children's enlightenment and a model reader to understand China culture, which has a great influence on China's poetry choice and the psychological composition of China people. People say, "recite 300 Tang poems, even if you can't write poems." It can be seen that "300 Tang Poems" has a great influence.
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There have always been several notes on Three Hundred Poems of Tang Dynasty, such as Zhang Xie's Three Hundred Notes on Tang Poetry in Qing Dynasty and Pan Li's Three Hundred Notes on Tang Poetry, among which Chen Wanjun's Three Hundred Notes on Tang Poetry is the most concise. Among the ancient anthologies of Tang poetry, Sun Mo's Three Hundred Poems of Tang Poetry [1] is the most popular. Today, Yu Shouzhen made a detailed analysis of Three Hundred Tang Poems published by Zhonghua Book Company, and explained its artistic features in detail. There are many anthologies of modern Tang poetry. There are two kinds of poems here: First, Ge's Tang Poetry Volume was published by Zhejiang Literature and Art Publishing House, with a total of 282 Tang poems. Selected 78 books, biographies and annotations are all new and self-contained; 1. Ma Maoyuan's Selected Poems of the Tang Dynasty was published by People's Literature Publishing House, with more than 500 poems selected, arranged according to style, concise annotations and detailed analysis.
Version information
Zhonghua Book Company 1959 Edition
Cover of Three Hundred Tang Poems by Zhonghua Book Company (1959 edition)
Press: Zhonghua Book Company. Release date:1September, 959. Format: 32. Uniform ISBN: 100 18.237. Font: traditional pricing: 0.57. Introduction: Edited by Judge from Hengtang, supplemented by Chen Wanjun. This book is typeset and printed according to the broken sentences published by Shensi Society, and some typos are corrected.
Times literature and art publishing house
Title: 300 Tang Poems (Qing Dynasty), edited by Cui. Publishing House: Times Literature and Art Publishing House. Release time: 20 10-2- 1 words: 1 10000 format: 32 format: 9787538722.