Everyone knows that immortals are good, but their fame is unforgettable!
Where will the past and present be? There is no grass in the wasteland!
Everyone knows that the fairy is good, but gold and silver can't forget it!
In the end, I only hate getting together, but I close my eyes for a long time.
Everyone knows that immortals are good, but my wife can't forget them!
You said hello on your birthday, and you died with others.
Everyone knows that immortals are good, and only children and grandchildren can't forget them!
There have been many infatuated parents since ancient times. Who has seen filial piety for children and grandchildren?
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This song first appeared in A Dream of Red Mansions. After the downfall of the Zhen family business, the couple moved to the grange in the country. Catch up with the "drought, drought, mice steal bees", there is no place to live, so we have to sell land to my father-in-law's house. His father-in-law is also a stingy and greedy man, and he got all the money he had left into his own hands. Zhen's "bitterness and anger plus pain" and "poverty and illness" were cornered. One day, he was walking on crutches in the street when he suddenly saw a "crazy" lame Taoist coming and chanting this song.
This "good song" promotes a nihilistic thought of escaping from reality. From a religious point of view, people live in the world, make contributions, get rich, covet their wives and take care of their children and grandchildren because they are blinded by lust and have not yet "realized". This song shows in simple language that all this is unreliable. The lame Taoist said that "good is good, and good is good when you die", and extended the meaning of "good" and "evil" to another level, saying that only by cutting off all contact with the world, that is, only by completely dying, can you be completely "good". So his song is called "Good Song".
The negative color of a good song is very obvious, but we can't simply discard it as dross. Because the author intends to write this "Good Song", it is a criticism of the social reality he hates. Although it is a negative criticism, it also has its value. The author was born in the upper feudal family, personally observed the decay of this class, personally experienced the pain of the aristocratic class from prosperity to decline, and thought for half a life, which aroused his strong sense of anger. He wants to denounce and curse, and Good Song is a song of denunciation and curse. The author's feelings are very complicated. He devoted himself to creating a picturesque environment like the Grand View Garden, creating so many kind and pure images of girls and depicting so many interesting things. It can be seen that the author knows life and has such an elegant life interest! Where there is love, there is hate. His description of Jia She, Jia Zhen and Jia Lian, who are inferior to pigs and dogs, is a whipping to the objects he hates. In the end, everything he loved or hated was destroyed together, which made him fall into unavoidable mental pain. Knowing the author's attitude towards life and looking at this nihilistic thing he wrote, we can put it in a suitable position to understand it. That is to say, although the author's world outlook has a negative side of nothingness, it is different from that of monks and Taoists who have no love or hate; Without a deep passion for life, how can you write such a profound dream of red mansions?
Interpretation of "Good Songs"
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Hearing this, Yin Shi greeted him and said, "What are you talking about? Only heard some "good", "good" and "good". The Taoist laughed and said, "I still understand the words' good' and' good'. We can see that everything in the world is good, and it is good to die. If not, that's not good. If it's good, it must be. This song of mine is called "Good Song". "Yin Shi originally had Su Hui. When I heard this, I realized it. " Stop. "She said with a smile. How about I perform your "good song"? "The Taoist laughed and said," You know, you know. " Yin Shi said:
The humble room is empty, the bed is full, and the first batch: Ning and Rong did not come first.
Dry grass withered poplar, used to be a ballroom. Jia Xu's side approval: Ning, Rong defeated.
Spider silk covered carved beams, A batch: Xiaoxiang Pavilion, Ziyunxuan and other places.
Today, I put the green gauze on the awning window again. JOE side approved: Yucun and other dry houses that broke out in Xinrong. Jia Xu's eyebrows criticized: Let's talk about the scene first, and suddenly it is new and lost, and suddenly it is beautiful and declining. It's hard to see it again and again.
What do you say about thick fat and fragrant powder? Why are your temples frosted again? Jia Xu's side comments: Baochai and Xiangyun.
Yesterday, the loess dragon head sent white bones, and Jia Xu approved: Daiyu and Qingwen.
Yuanyang is lying at the bottom of the red light account tonight. Jia Xu's eyebrows criticized: A wife and a concubine welcome in the New Year and die, grateful and loving, painful and sad, but not touching.
A box full of gold, a box full of silver, and a batch of armor on the side: Xifeng and others.
Everyone is slandering beggars. Collaterals of Jia Xu: Yu Zhen and Jia Yu.
I am lamenting that his life span is not long, and I will know that I am dead when I come back! Jia Xu raised eyebrows and criticized: I stayed in Shi Huo for a period of time, and I can't be sad or happy. Wind, frost, rain and dew, vegetation and frost, wealth and lust, greed is not allowed.
Well-trained, you can't guarantee that you will be criticized in the future: the day after your parents died. Make a strong beam. Jia Xu criticized: Liu Xianglian is a dry man.
Choose cream beam, who wants to live in Yanhua Lane! Jia Xu's eyebrows criticized: A son and daughter have no evidence after their death, and they have a plan before their death, so they can't be infatuated.
Because the gauze cap is too small, it locks the cangue bar. Jia Xu approved Jia She and Yucun.
I broke my coat yesterday, and now I think purple pythons are long. Jia Xu's side criticism: Jia Lan and Jia Jun are a bunch of people. Jia Xu's eyebrows criticized: A section of fame and fortune has been promoted, and it is impossible to be afraid.
I'll go on stage after you sing. I'll go on stage. Jia Xu's criticism: I have always received hundreds of millions of idiots and experienced the illusion field. This illusion has been disturbed, and there is not a day left.
Recognize that foreign countries are your hometown. Jia Xu's side criticism: the juxtaposition of green ridges and peaks in the dreamland.
That's ridiculous. In the end, it was all on the wedding dresses for other girls! Commentary by Jia Xu: Although the language is old, it is extremely appropriate to use it here. If you can do this, you can get it. Jia Xu's criticism: These songs should not be too elegant for fear that they will not be popular, so this is the only wonderful thing. It's hard to say, but it's not just a proverb. Meng Shuangshuang criticized: Who can't understand the true colors of things, only those who have the power of dragons and elephants can let go.
Everyone is slandering beggars. Collaterals of Jia Xu: Yu Zhen and Jia Yu.
Is Zhen Baoyu also a beggar?
This song appeared for the first time. The lame Taoist priest sang "good songs" to inspire Zhen Yinshi to "realize"; Zhen is a clever scholar and has had the experience of family destruction. He understood it as soon as he heard it, and then made this annotation for "good songs", which further extended the idea of "good songs"
This annotation is more specific, vivid and cold than Good Songs. The rich suddenly become poor, and the poor suddenly become rich; Teenagers get old suddenly, and the living die suddenly-things are impermanent and everything is illusory. I want to teach my son to be filial to his ancestors, but he just went to be a robber; I want my daughter to be a lady, but she has become a prostitute; I tried to climb higher and higher in the official rank, but I became a prisoner-fate is unpredictable, and no one can escape. But people in the world are still awake, still fighting with each other, like a noisy stage, making endless noise. This is the basic idea of the annotation of Good Songs. Like Song of Goodness, it belongs to the product of serving the world and being vulgar. Because of its vivid contrast everywhere, it is cloudy and sunny, hot and cold, sometimes laughing and cursing, sometimes singing and crying, which makes it popular and smooth, making it have strong appeal. For the characters in Vanity Fair in feudal society at that time, it was like a pot of cold water, which was completely refreshing; It also has certain cognitive significance for people today to understand the corruption and darkness of feudal society.
The annotation of this "good song" creates a sinister atmosphere of "glory and decline, beauty and decline" at the beginning of the book, and also summarizes and predicts the rise and fall of Rong Ning Fannie and Freddie.
This generalization and prediction is based on the whole, and it is difficult to say which person or persons a sentence refers to. If someone thinks that "all beggars are slandered in an instant" refers to Zhen Baoyu and Jia Baoyu; "Green yarn is pasted on the screen window" refers to Jia Yucun and others; "Because the gauze cap is too small, the lock is lifted" refers to Jia Yucun, Jia She and others; "I felt sorry for my coat yesterday, but now I think the purple python is too long" refers to Jia Lan, Jia Jun and others, and so on. At first glance, it seems a bit like it, but it may not be the author's intention. Since it is a general description of the contents of the book, some seem natural, but if you simply correspond each sentence with the characters in the book, you can't explain it. If you think that "well-trained, you can't be a girder in the future" refers to Liu Xianglian, what is the basis? This book doesn't tell who Liu Xianglian's father is, or how to teach his children well, or predict that Liu Xianglian will become a robber. How can we be sure that Liu Xianglian is referring to him? Some people even say that Liu Xianglian participated in the peasant uprising and so on, which is almost crazy. The researchers who hold the above views are based on the "A cost". Zhi Yanzhai's comment on writing is of great value to the study of A Dream of Red Mansions, but it should not be credulous and superstitious. Lipid criticism is a very complicated problem, and it is definitely not from one person at a time. There are many mistakes and mistakes, so it is obviously absurd to take them and discard them from the original work of A Dream of Red Mansions. You shouldn't blindly believe it.