Qiu Ge.
Generally speaking, its technique is to say the situation first, then the emotion, and the situation always blends. "A bright moon hanging high in the capital" is a seasonal feature that closely combines writing about scenery and writing about "bright autumn moon". Looking at the moon and cherishing people is the traditional expression of classical poetry. In addition, Qiu Lai is catching up with the season of recruiting clothes, so writing about the moon is also tangible. In addition, the moon is as bright as day, just to beat clothes. The moonlight that "can't be rolled in the curtain of Yuhu, but blows back on the anvil of beating clothes" is a provocation to Sifu! The cloth must be put on the anvil first and tamped with a pestle, which is called "smashing clothes". On this clear moonlit night, Chang 'an City is immersed in the sound of anvil pestle. This special "autumn sound" is a provocation to Sifu! "One Piece" and "Ten Thousand Households" seem to be right or wrong, with natural wording and full of sighs. The autumn wind is also stirring. "Autumn wind enters the window, flying high", which is the third provocation to thinking about women. The moon is clear and the breeze is clear, the wind sends the anvil, and the sound is the deep feeling of missing Yuguan. With the word "forever", you can learn more from your feelings. Here, the autumn moon and autumn wind are woven into a muddy landscape, and the scenery is not seen, but the characters are there, and the "jade customs" are strong. No wonder Wang Fuzhi said, "The first four sentences are good sentences made in the world, which are too white to pick up." (Selected Readings of Tang Poems) This feeling is so strong that I can't stop, so at last two sentences directly express my yearning for women: "Oh, when will the Tatar army be conquered? My husband has come back from a long battle! ? "Readers who are too reserved blame me:" I stole the last two sentences as quatrains, which made me even more confused. " (Tian Tongzhi's Poems of xipu) is actually not inevitable. "I don't know the beauty of ballads, but speak of them" ("Midnight Song"), which is generous and natural, is the true color of folk songs, and there is no need to pretend to mumble. From the content point of view, as Shen Deqian pointed out: "My boudoir is sentimental and suddenly wants to go on strike" ("Talking about Poetry"), which greatly deepens the ideological content of the poem and has more social significance, showing the beautiful wishes of the ancient working people for a peaceful life. The whole poem is like a movie, with pictures and "voiceover" of the moon shining on every household in Chang 'an. The wind sends the anvil. Walking into the desolate and cold moonlight outside Yumenguan. Episode: "Oh, when the Tatar army was conquered, my husband came back from a long battle!" . "... what a meaningful poetic scene! It should be noted that this "interlude" of female chorus is by no means unnecessary, it is an organic part of the picture, and it is also thrilling outside the painting. Therefore, it can be said that Qiu Ge is full of thoughts and feelings, but there are endless feelings.
The ancients had different opinions on the two sentences at the end of this poem. Comrade A Qing Rentian said: "I stole the last two sentences as quatrains, which made me feel even more ambiguous." Shen Deqian said the last two sentences of this poem, "Don't say the arrogance of the imperial court, Land Rover is not flat, he is gentle."