Who knows Dai Wangshu's Rain Lane?

Rain Lane-Dai Wangshu Rain Lane

Holding an oil-paper umbrella, I wandered alone in a long, lonely rain lane, hoping to meet a girl with a lilac knot. She is lilac-like color, lilac-like fragrance, lilac-like sadness, sadness in the rain, sadness and hesitation; She wanders in this lonely rain lane, holding an oil-paper umbrella, just like me, indifferent, sad and melancholy. She approached silently, and when she approached, she took a breath. She is floating like a dream, and she is sad and confused like a dream. Like a lilac field in a dream, this girl floats by me; She walked away silently, walked away, walked towards the decaying fence, and walked through the rainy path. In the elegy of the rain, her color faded, her fragrance dispersed, even her sighing eyes and the melancholy of lilacs. Holding an oil-paper umbrella, a person lingers in a long, long, long, long rain lane, hoping to float past a girl with a clove knot.

Edit the introduction of the author of this paragraph.

Dai Wangshu (1905.3.5 ——1950.2.28) is a modern poet. Formerly known as Dai Menggou. Pen names Ai Anfu, Jiang Si, etc. Known as the "Poet in Rain Lane", Ye Shengtao commented that he "opened a new era for the syllables of new poetry". A native of Hangzhou County, Zhejiang Province, his ancestral home is Nanjing. His pen name comes from Qu Yuan's Li Sao: "Wang Shu was the pioneer before, and Fei Lian was the subordinate later." Qu Yuan wandered in the sky, searched underground and sat in a car pulled by a dragon horse, with Wang Shu, the moon god, leading the way, followed by Fei Lian, the wind god. Wang Shu is the god who drives away the moon in myths and legends. She is beautiful, gentle, pure and elegant. Born in a staff family. When I was studying in Hangzhou Wenzhong Middle School, I loved literature. Du Heng and Shi Zhecun and I studied the art of poetry and ran literary publications together. 1

1923 joined the China Literature Department of Shanghai University, and 1925 joined Fudan University in Shanghai to study French and law the following year. At this time, Dai Wangshu was close to French symbolist poetry in his literary hobby, such as the works of Wei Erlun and others, which had a great influence on his future poetry creation. /kloc-in the spring of 0/926, he began to publish poems in Lu Lu badminton magazine co-edited with Shi Zhecun. He joined the Chinese Communist Youth League during the first revolutionary civil war and was arrested by the French Concession authorities for participating in revolutionary propaganda work. After the "April 12th" counter-revolutionary coup, he left Shanghai and went to Songjiang, Jiangsu. Later, he went to Beijing, met Li and others, and published his poems in Mangyuan. /kloc-returned to Shanghai in October, 1928, and then devoted himself to literary creation and compilation, creating an important milestone in his poetry creation. My memory, poetry anthology, published in 1929. When the proletarian revolutionary literature movement rose, it translated and introduced Soviet works and papers. Among them, Historical Materialism Literary Theory is one of the series of scientific literary theory edited by Lu Xun and Feng Xuefeng. The Chinese Left-wing Writers' Union was a member when it was founded in March 1930. But later, his views on some literary and artistic issues were different from those of left-wing writers. Modern was founded in 1932, where he published many works and translations. In June of the same year 165438+ 10, he went to France, studied in Paris University and China-France University in Lyon, and continued to engage in translation activities. At this time, Wang Shucao's poems (including some poems in my memory and new works published since then, with Poems on Zero Zagreb) were edited and published in August 1933. He went to Spain on 1934 and returned from France on 1935. 1937, 1 published poetry anthology in June. After the outbreak of War of Resistance against Japanese Aggression, he continued to translate in the "isolated island" in Shanghai, and then went to Hong Kong on May 1938. Together with Xu Dishan and others, he organized the Hong Kong branch of the All-China Federation of Literary and Art Circles to resist the enemy. 194 1 After Japan occupied Hong Kong, it was arrested, imprisoned, injured and disabled, and wrote "I used a damaged palm". After the victory of the Anti-Japanese War, he returned to Shanghai and taught at Shanghai Normal University, engaged in translation and research. 1948 was wanted by the Kuomintang government for participating in the pro-democracy movement and went to Hong Kong again. From 65438 to 0949, he arrived in Beiping to attend the first congress of China writers and artists. After People's Republic of China (PRC) was founded, he worked in the International Information Bureau of the General Administration of Press. 1950 died of asthma on February 28th. Known as "a talented lyric poet determined to serve the people" (Hu Qiaomu's Mourning Shu, People's Daily, March 1950). Dai Wangshu's creative development can be divided into three stages. The first stage of creation is mainly collected in my memory, Old Sharp, Rain Lane and other collections. At this time, the poetry kept traces of China's classical poetry tradition and European romantic poetry in art, and was obviously influenced by the French symbolist poet Wei Erlun. Rain Lane is a masterpiece of this period, and its poems not only express Jiang Nanyu's feelings of getting into the alley, but also reflect the depression of some young people after the failure of the Great Revolution, which has attracted people's attention. When published in Novel Monthly, Ye Shengtao praised the author for "opening up a new era for the syllables of new poetry" and thus won the title of "Poet in Rain Lane". The second stage of creation includes the first few songs of My Memory, Wang Cao Shu Quan and Disaster Years. At this time, he was more influenced by the late French symbolist poets Meyer and Paul Foer, and established his own views on the art of poetry through his own creative practice. Zero Zagreb Poems reflects his understanding of poetry at this time. If we think that "poetry can't rely on music, it should lose the elements of music", that is, it is different from his early creation, different from Welland, and close to the concept of symbolic poets in the later period; Another example is the treatment of rhythm and form. He opposes "cutting feet to fit shoes" or "choosing shoes", but advocates "making shoes that suit your feet best", that is, emphasizing originality. In a word, there are a lot of poems in this stage, and they are mature in art, which is the most representative in his creation, making him the representative of "modernism" in the development of China's new poetry (referring to some poets who are mainly based on "Modern" and form similar artistic tendencies). China's symbolism poetry creation, which appeared earlier, has gone from mystery to being understood or appreciated, and has made great achievements. However, the life content, thoughts and feelings expressed in these two stages of poetry still have obvious limitations. Some critics, including his friends, pointed out the negative, narrow-minded, disillusioned and intoxicated factors in his works. This not only reflects the personal misfortune, wandering and melancholy of some smart young people in society at that time, but also shows the influence of French symbolism poetry. The third stage of creation refers to most of the collections "The Years of Disaster". Since the beginning of the Anti-Japanese War, his poems have undergone positive and clear changes in life, artistic conception and artistic style. The poem "New Year's Day Blessing" from 65438 to 0939 blessed the motherland and people and longed for freedom and liberation. On the wall in 194 1 prison and later, I used my broken palm to show my loyalty to the nation and individuals and my deep affection for the liberated areas of the motherland. The last poem I have seen now, Occasionally Cheng, has placed a good hope on life, calling for "the spring of life is coming again" and "blooming like a flower again". The development of these three creative stages reflects the true and hard life track of an upright and highly educated intellectual. As an accomplished poet, Dai Wangshu has a vast field of literary and artistic practice. Not only write poetry, but also write essays, papers and so on. The scope of research and discussion includes not only a large number of foreign literature, but also China's classical novels and operas. At the same time, we have done a lot of translation and introduction of foreign literature.

Edit the writing background of this paragraph.

Rain Lane is Dai Wangshu's famous work and early masterpiece, so he got the nickname "Rain Lane Poet". This poem was written in the summer of 1927. At that time, the whole country was in a state of white terror Because Dai Wangshu participated in progressive activities, he had to take refuge in a friend's house in Songjiang, chewing the disillusionment and pain after the failure of the Great Revolution in loneliness, and his heart was always full of lost emotions and hazy hopes. The poem "Rain Lane" is an expression of his state of mind, which is intertwined with the dual emotional appeal of disappointment and hope, disillusionment and pursuit. This feeling was common at that time. Musicality is another outstanding artistic feature of Rain Lane. In the poem, repetition of sounds, repetition of sentences, repetition of singing and other techniques are used, resulting in the cycle of melody and pleasant sense of music. Therefore, Mr. Ye Shengtao praised this poem for opening a "new era" for the syllables of China's new poems. 1923 entered the China Literature Department of Shanghai University, 1925 entered Shanghai Fudan University to study French, and studied law at school the following year. At this time, Dai Wangshu was close to French symbolist poetry in his literary hobby, such as the works of Wei Erlun and others, which had a great influence on his future poetry creation. /kloc-in the spring of 0/926, he began to publish poems in Lu Lu badminton magazine co-edited with Shi Zhecun. He joined the Chinese Communist Youth League during the first revolutionary civil war and was arrested by the French Concession authorities for participating in revolutionary propaganda work. After the "April 12th" counter-revolutionary coup, he left Shanghai and went to Songjiang, Jiangsu. Later, he went to Beijing, met Li and others, and published his poems in Mangyuan. /kloc-returned to Shanghai in October, 1928, and then devoted himself to literary creation and compilation, creating an important milestone in his poetry creation. My memory, poetry anthology, published in 1929. When the proletarian revolutionary literature movement rose, it translated and introduced Soviet works and papers. Among them, Historical Materialism Literary Theory is one of the series of scientific literary theory edited by Lu Xun and Feng Xuefeng. The Chinese Left-wing Writers' Union was a member when it was founded in March 1930. But later, his views on some literary and artistic issues were different from those of left-wing writers. Modern was founded in 1932, where he published many works and translations. In June of the same year 165438+ 10, he went to France, studied in Paris University and China-France University in Lyon, and continued to engage in translation activities. At this time, Wang Shucao's poems (including some poems in my memory and new works published since then, with Poems on Zero Zagreb) were edited and published in August 1933. He went to Spain on 1934 and returned from France on 1935. 1937, 1 published poetry anthology in June. After the outbreak of War of Resistance against Japanese Aggression, he continued to translate in the "isolated island" in Shanghai, and then went to Hong Kong on May 1938. Organized the All-China Federation with Xu Dishan and others, and organized the Hong Kong Branch of the All-China Anti-Enemy Association of Literary and Art Circles with Xu Dishan and others. 194 1 After Japan occupied Hong Kong, it was arrested, imprisoned, injured and disabled, and wrote "I used a damaged palm". After the victory of the Anti-Japanese War, he returned to Shanghai and taught at Shanghai Normal University, engaged in translation and research. 1948 was wanted by the Kuomintang government for participating in the pro-democracy movement and went to Hong Kong again. From 65438 to 0949, he arrived in Beiping to attend the first congress of China writers and artists. After People's Republic of China (PRC) was founded, he worked in the International Information Bureau of the General Administration of Press. 1950 died of asthma on February 28th. Known as "a talented lyric poet determined to serve the people" (Hu Qiaomu's Mourning Shu, People's Daily, March 1950). Dai Wangshu's creative development can be divided into three stages. The first stage of creation is mainly collected in my memory, Old Sharp, Rain Lane and other collections. At this time, the poetry kept traces of China's classical poetry tradition and European romantic poetry in art, and was obviously influenced by the French symbolist poet Wei Erlun. Rain Lane is a masterpiece of this period, and its poems reflect the depression of some young people after the failure of the Great Revolution, which has attracted people's attention. When published in Novel Monthly, Ye Shengtao praised the author for "opening up a new era for the syllables of new poetry" and thus won the title of "Poet in Rain Lane". The second stage of creation includes the first few songs of My Memory, Wang Cao Shu Quan and Disaster Years. At this time, he was more influenced by the late French symbolist poets Meyer and Paul Foer, and established his own views on the art of poetry through his own creative practice. Zero Zagreb Poems reflects his understanding of poetry at this time. If we think that "poetry can't rely on music, it should lose the elements of music", that is, it is different from his early creation, different from Welland, and close to the concept of symbolic poets in the later period; Another example is the treatment of rhythm and form. He opposes "cutting feet to fit shoes" or "choosing shoes", but advocates "making shoes that suit your feet best", that is, emphasizing originality. In a word, there are a lot of poems in this stage, and they are mature in art, which is the most representative in his creation, making him the representative of "modernism" in the development of China's new poetry (referring to some poets who are mainly based on "Modern" and form similar artistic tendencies). China's symbolism poetry creation, which appeared earlier, has gone from mystery to being understood or appreciated, and has made great achievements. However, the life content, thoughts and feelings expressed in these two stages of poetry still have obvious limitations. Some critics, including his friends, pointed out the negative, narrow-minded, disillusioned and intoxicated factors in his works. This not only reflects the personal misfortune, wandering and melancholy of some smart young people in society at that time, but also shows the influence of French symbolism poetry. The third stage of creation refers to most of the collections "The Years of Disaster". Since the beginning of the Anti-Japanese War, his poems have undergone positive and clear changes in life, artistic conception and artistic style. The poem "New Year's Day Blessing" from 65438 to 0939 blessed the motherland and people and longed for freedom and liberation. On the wall in 194 1 prison and later, I used my broken palm to show my loyalty to the nation and individuals and my deep affection for the liberated areas of the motherland. The last poem I have seen now, Occasionally Cheng, has placed a good hope on life, calling for "the spring of life is coming again" and "blooming like a flower again". The development of these three creative stages reflects the true and hard life track of an upright and highly educated intellectual. As an accomplished poet, Dai Wangshu has a vast field of literary and artistic practice. Not only write poetry, but also write essays, papers and so on. The scope of research and discussion includes not only a large number of foreign literature, but also China's classical novels and operas. At the same time, we have done a lot of translation and introduction of foreign literature.

Edit the appreciation of this poem

1927 rainy lane in summer, it has been written for almost a year, and the author posted it in the novel monthly. Ye Shengtao, the editor of Novel Monthly at that time, liked this poem very much as soon as he saw it, calling it "a new era of new poetry syllables" and giving the author the title of "Poet in Rain Lane". This year, the author was only 22 years old. A good lyric poem should be the crystallization of artistic beauty. It will transcend the limitation of time and space and arouse people's aesthetic feelings. However, for many years, Dai Wangshu's poems such as Rain Lane have been regarded as the moans of symbolism and modernism, and have been excluded from the vision of literary history. Only recently did people dig these works out of the forgotten dust like unearthed cultural relics and see their artistic brilliance again. Dai Wangshu left us only more than 90 lyric short poems on the bumpy and tortuous creative road for more than 20 years. Rain Lane is one of his early famous works. Dai Wangshu's poems have won the charm of graceful and restrained poetic style in China's classical poems, and influenced by the French symbolism poetry school, so his early poems generally show the characteristics of loneliness, melancholy and depression. This is the case in the rainy lane. This poem is about a scene in an alley in the south of the Yangtze River during the rainy season. In the drizzle, "I" walked alone in a long remote alley with a lonely and melancholy mood and a faint hope. "I hope to meet a lilac-like/sad girl." Sure enough, the dream girl appeared. She has "lilac-like color", "lilac-like fragrance" and "lilac-like sadness", holding an oil-paper umbrella like "I" and "wandering in this lonely rain lane". As I approached, "I" saw that she was so sad and sad, and her eyes were "sad and confused like a dream". She didn't stop, but "like a lilac in a dream" drifted by me. The girl finally disappeared next to the "fallen fence" at the end of the rain lane. I am the only one left in the rainy lane, walking alone, continuing my vague hopes and expectations ... This poem is both true and empty, hazy and trance. "I" seems to be full of worries and infinite worries, but I don't want to make it clear or say it. "I" seems to be looking forward to something and pursuing something, but the goal of looking forward to and pursuing seems so distant and slim. "She" appeared, maybe it was an illusion, or it could be true, but "she" appeared so quickly and passed away so quickly, flashed by and disappeared in front of her eyes, "as sad and confused as a dream". "I" only feel sorry for myself and feel sorry for myself. The "girl" in the poem can be regarded as a real reference, a beautiful, noble and melancholy girl that the poet has been waiting for for a long time. But we can also regard this "girl" as a hazy ideal and pursuit in the poet's heart, which represents the poet's hazy vision for the future when his life is depressed.

Edit the artistic features of this passage.

Rain Lane was written in the summer of 1927. First published in Novel Monthly, Volume 19, No.8, published in August, 1928. Du Heng, a close friend of Dai Wangshu, wrote in 1933: Speaking of Rain Lane, we can't ignore Mr. Ye Shengtao's award. Rain Lane has been written for almost 1 year. When Mr. Ye Shengtao was editing the Novel Monthly, Wang Shucai suddenly posted it. As soon as Mr. Shengtao saw this poem, he sent a letter praising him for opening a new era for the syllables of the new poem. ..... strongly recommended by Mr. Shengtao, Dai Wangshu has the title of "Poet in Rain Lane" until now. (Introduction to Wang Shucao) Rain Lane creates a lyrical artistic conception with strong symbolic color. Here, the poet metaphorically described the dark and dreary social reality at that time as a narrow and lonely "rain lane". There is no sound, no joy, no sunshine here. The poet himself is such a lonely person wandering in the rain lane. He has good hopes in loneliness. I hope there is a beautiful ideal in front of me. The "lilac-like" girl described by the poet is a symbol of this beautiful ideal. However, the poet knows that this beautiful ideal is difficult to realize. She is as full of sadness and melancholy as herself, fleeting and drifting away like a dream. What is left is only the poet himself who is still wandering in the dark reality, and the hope that the dream that cannot be realized generally floats away! Some critics say that Rain Lane is the poet's self-liberation by covering up the ugly truth with beautiful imagination, and it is "deceiving himself and readers with some gorgeous fantasies like soap bubbles". Apart from the artistic beauty of harmonious melody, it "has no merit in content". (Fanny: On Dai Wangshu's Poems, Literature Review1980,4), these questions and conclusions are too simple and harsh for Yuxiang. The summer of 1927 produced by Rain Lane was the darkest time in the history of China. The bloody slaughter of revolutionaries by reactionaries caused a white terror that enveloped the whole country. Young people who enthusiastically responded to the revolution suddenly fell from the climax of the fire into the abyss of the night. Some of them can't find the future of revolution. They are lost in pain, they long for new hope in disappointment, and they expect beautiful rainbows floating in the haze. Rain Lane reflects the mentality of some progressive young people. Dai Wangshu was only twenty-one or twenty-two years old when he wrote this poem. 1927 In March, he was arrested and detained by the reactionary authorities for propagating the revolution. After the "April 12th" coup, he lived in seclusion in Songjiang, Jiangsu Province, chewing "China people's distress in this era" in loneliness. (Preface to Wang Shucao) His poems such as Rain Lane at this time are naturally full of feelings of hesitation, disappointment, sadness and pain. This feeling of hesitation and sadness can't be said to be a pure personal lament, but a projection of the darkness of reality and the disillusionment of ideals in the poet's heart. Rain Lane reproduces the typical voices in the hearts of these young people with short lyrical singing. Here we really can't hear the description of real suffering, and we can't hear the cry against the darkness. This is a deep confession, a confession of disappointment. However, from this kind of reflection and introspection, can't we clearly see the pain and pursuit of some young people after their disillusionment? The pain of losing good hope flows in the poem. Even the young people at that time were not so easily deceived. People don't want to wander in the rain lane forever after watching Rain Lane. People will hate this rainy lane and long to get out of it and go to a wide and bright place without rain and sadness. An important artistic feature of Rain Lane is the use of symbolism to express emotions. Symbolism is an art school that rose in French poetry at the end of19th century. They used the decadence of the end of the world to resist the capitalist order. In the way of expression, it emphasizes the use of implicit metaphor and other means to express the inner feelings. This school of art was introduced into China at the ebb of the May 4th Movement. Li Jinfa was the first person to write poems with a lot of symbolism. Dai Wangshu's early works were obviously influenced by French symbolism. An important feature of his creation is that he pays attention to the ability of excavating implied metaphors in poetry and expresses his feelings with symbolic images and artistic conception. Rain Lane embodies this artistic feature. The poet with an oil-paper umbrella in his poem, the lonely and long rain lane, and the girl with lilac-like sadness and dreams are not the concrete portrayal of real life itself, but the lyrical images full of symbolic significance. We may not be able to describe all the contents of these images in detail, but we can appreciate the vague poetry expressed by these images. The atmosphere of social reality, the lonely and wandering mood, the pursuit and the unattainable hope are both clear and hazy in the image described in Rain Lane, which is both certain and erratic. Imagination creates symbols, and symbols expand imagination. As the result of expressing emotions by symbolic means, the poet's emotional state of mind is more subtle, which also leaves readers with a broad imagination world and feels the fragrance and aftertaste of the poem. Mr. Zhu Ziqing said: "The Dai Wangshu family also adopted the symbolism of law. He translated the poems of this school. He also pays attention to the neatness of syllables, but it is not sonorous but light and clear; It is also a bit embarrassing, but it is understandable. " "He wants to grasp the delicate place." (Introduction to China's New Literature Series Poems) Rain Lane is hazy but not obscure, low but not decadent, affectionate but not frivolous, which really captures the subtlety of symbolism poetry art, and Dai Wangshu's poetry creation is also deeply influenced by the nutrition of classical poetry art. In Rain Lane, the poet created a symbolic lyrical image, a girl with a lilac-like sad heart. This is obviously inspired by some works in ancient poetry. It is a traditional expression in ancient Chinese poetry to use lilac knots, that is, lilac buds, to symbolize people's worries. For example, there is a poem in Li Shangyin's "Gifts for Generations" that says "bananas don't show lilac knots, but they are worried about the spring breeze in the same direction". Li Jing in the Southern Tang Dynasty even associated lilac knots with melancholy in the rain. His "Huanxisha": the jade hook rolls the real pearl, and the heavy building locks up the spring resentment. The fallen flower in the wind is so haggard, who is its owner? Think long term! The messenger didn't bring news to the pedestrians far away. The lilacs in the rain reminded me of sadness. I looked back at the Three Gorges at dusk and saw the river falling from the sky. In this poem, the lilac knot in the rain is used as a symbol of people's sadness. Obviously, Dai Wangshu absorbed the artistic conception and methods of describing sadness from these poems and applied them to form the artistic conception and imagination of Rain Lane. This kind of absorption and reference is obvious. However, can we say that the artistic conception and image of the rainy lane are the expansion and dilution of the famous Tang poem "Lilacs are sad in the rain" in the modern vernacular version? I thought I couldn't see it that way. When the poet conceived the artistic conception and image of Rain Lane, he not only absorbed the juice of his predecessors, but also created his own. First, the ancients used the lilac knot itself as a symbol of sadness in poetry. Imagine a girl as sad as a lilac in a rainy lane. She has lilac-like sadness and lilac-like beauty and fragrance. In this way, from a simple metaphor of sadness to expressing a beautiful ideal with sadness. This new image contains the author's pursuit of beauty. It contains the pain of disillusionment of the author's beautiful ideal. Secondly, the poet used vivid modern language in Rain Lane to describe the image of a Dingxi girl who died suddenly in the rain, which is full of old poetic meaning with the old classical poems and other works created by the poet in his early days, showing more new era breath. "Lilacs are sad in the rain", and nothing can arouse people's hope and disillusionment more than "girls as sad as lilacs". This image is a rare creation in expressing the sorrow of the times. Thirdly, in ancient poetry, the lilac knot in the rain entrusted the poet's feelings about real life scenes. The lilac-like girl image floating in the rain in Rain Lane brings more elements of the poet's imagination. It is not only a possible scene in life, but also the crystallization of the writer's artistic imagination, and an artistic real image produced by the combination of truth and imagination. Dai Wangshu said: "Poetry comes from reality through imagination, not only from reality, but also from imagination." We say that the artistic conception image of Rain Lane is a reference and transcendence of classical poetry, mainly because it was created by the poet according to his own life experience and imagination. It is the product of artistic imagination, more beautiful than life. Rain Lane was first praised by people, and an important aspect is its beautiful syllables. Ye Shengtao praised this poem as "opening a new era for the syllables of new poetry". Although he was somewhat praised, he was insightful when he first saw the beautiful syllables of this poem. Rain Lane consists of seven poems. The first section and the last section are exactly the same except that "meet" is changed to "float". In this way, the ending is repeated, and the same theme appears repeatedly in the poem, which strengthens the musical sense of the whole poem and also increases the expressive force of the poet's hesitation and disillusionment. There are six lines in each section of the whole poem, and the number of words in each line is different and uneven, and the rhyme is generally repeated in the lines not far apart. Bet two or three times per quarter, and there is no rhyme change from beginning to end. The whole poem is very short, and some short sentences also cut off the connection between words. However, some of the same words appear many times in rhyme, such as "Rain Lane", "Girl", "Fragrance", "Melancholy" and "Longing", which intentionally make a sound repeat in people's hearing. This creates a resounding melody and a smooth rhythm. It reads like a gentle and considerate serenade. A lonely and painful recitation melody echoed repeatedly in the whole song, haunting people. In order to strengthen the musicality of the whole poem, the poet also absorbed some skills from foreign poems and made the same words meet alternately in the same poem. The repetition and repetition of this language, like the repetition of intertwined lyric phrases, sounds pleasant and harmonious, adding more lyrical color to the poem. When romantic free poetry and "crescent school" tofu dry wind prevailed, Dai Wangshu published "Beautiful Rain Lane", which opened up a new world of musical expression of new poetry. Dai Wangshu's pursuit of the musicality of new poetry reached its peak and end in Rain Lane. From then on, he began to "courageously resist what he called' the musical composition at the end of poetry'" and (Du) to pursue the inner emotional rhythm of poetry. His other famous poem My Memory is a new milestone in this pursuit. Dai Wangshu's transformation reflects his new aesthetic viewpoint and artistic pursuit, but it can't deny the significance of Rain Lane's attempt at the musical beauty of new poetry. Preference is the companion of art appreciation. This poem "Rain Lane" is a shining pearl in the new poem, and it is worth reading! Dai Wangshu's poems have won the charm of graceful and restrained poetic style in China's classical poems, and influenced by the French symbolism poetry school, so his early poems generally show the characteristics of loneliness, melancholy and depression. This is the case in the rainy lane. This poem is about a scene in an alley in the south of the Yangtze River during the rainy season. In the drizzle, "I" walked alone in a long remote alley with a lonely and melancholy mood and a faint hope.

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