The compilation of Yuefu poems began very early, and some temple music songs in the suburbs of Han Dynasty have been recorded in History of Rites and Music, which can be said to be the origin of the compilation work. Unfortunately, the feudal historian was limited to elegance and vulgarity, and only kept the number of folk songs in the Han Dynasty in Yi Wen Zhi, and all the songs were eliminated and not recorded. Since then, the official revision of history has been similar to Hanshu. Only the Book of Songs in the Song Dynasty, "Since the temple, all actions are detailed without obscene words", recorded a large number of China's chorus. Today, most Han Yuefu folk songs are handed down by Song Le Shu. Private compilation began in the Jin Dynasty and flourished in the Southern Dynasties. A large number of Yuefu poems appeared in this period, and more than 30 Yuefu poems were found in Sui Shu, New and Old Tang Books and Yiwenzhi. However, almost all these books have disappeared. The earliest collection of Yuefu poems that we can see today is Guo Maoqian's Yuefu poems.
We know little about Guo Maoqian's life. According to the Summary of Sikuquanshu, Mao Qian is the grandson of Staff Sergeant Guo Shou, and his official career is unknown. He was a programmer in Hunzhou (now Dongping, Shandong Province). When Yuefu Poetry was published, it was Guo Maoqian in Taiyuan, generally referring to the county as a general rule. Other life experiences are unknown. It can be said that the book Yuefu Poetry made his fame immortal.
Yuefu Poetry, with a total volume of 100, is a voluminous and valuable work on Yuefu studies. It searches for great wealth and classifies it accurately. Poems of Jiaomiao 12, poems 3, songs of worship 5, songs of cross blowing 5, songs of harmony 18, songs of Qing Dynasty 8, songs of dancing music 5, Qin Ge 4 and miscellaneous songs/kloc. Yuefu poems before the Five Dynasties were properly divided into twelve categories and recorded, including aristocratic music songs such as suburban temples, and a large number of folk songs, such as Yuefu folk songs in the Southern and Northern Dynasties, which have been handed down to this day in Yuefu Poems. Although folk songs only account for about one tenth of all the songs in Yuefu poetry collections, they are a rare and precious heritage in the history of poetry.
There are poems in every volume of the reference website, I hope it is what you want:)
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Respondents: Xing Huaqi-Apprentice Magician Grade 3-23 18: 16.
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A collection of movements and ballads from ancient times to the Tang and Five Dynasties. The collected works are mainly Yuefu poems from Han Wei to Sui and Tang Dynasties, with a total volume of *** 100. Editor Guo Maoqian. People in the early Southern Song Dynasty. His ancestral home is Yunzhou Procedure (now Dongping, Shandong). It is difficult to confirm the year of birth and death and experience.
Yuefu Poetry Collection divides Yuefu poetry into 12 categories, such as Jiaomiao Ci, Ci, Advocacy Ci, Transverse Blowing Ci, Harmony Ci, Dance Ci, Qin Ci, Miscellaneous Ci, Modern Ci, Miscellaneous Ci and New Yuefu Ci. It is divided into several subclasses. For example, poems with horizontal blows can be divided into two parts: Korean horizontal blows and beam-drum blows. Xianghe songs are divided into six quotations: Xianghe songs, Yintan songs, Pingdiao songs, Qingdiao songs, Hudiao songs, Chudiao songs and Daqu songs. The lyrics of Qing merchants are divided into wusheng songs and western songs. Among these different musical works, Symphony and Sheyan belong to the movements used by the court, and their ideological content and artistic skills are not satisfactory. There are also some works with poor artistic value in advocacy songs and dance songs. But on the whole, most of the poems it collected are excellent folk songs and poems written by literati with Yuefu as the old theme. Among the existing collections of poems, Yuefu Poetry is an important collection that was created earlier and brought together all kinds of Yuefu poems in past dynasties.
The important contribution of Yuefu Poetry Collection is to collect and classify the songs of past dynasties according to their tunes, so that many works can be written into books. This provides great convenience for the collation and research of Yuefu poems. For example, some excellent folk songs of the Han dynasty, such as Shang Mo Sang and Dongmenxing, can be found in Song Shu? Lezhi and Peacock Flying to the Southeast can be found in Yu Tai Xin Yong, and some of them are scattered in ancient books such as Literary Lei Ju, which are collected and sorted by editors. In particular, some ancient folk songs and proverbs are generally scattered in various historical books and some academic works, and most of them are ignored by the former. As for Du Fu's later works, such as Old Proverbs, they are much later than this book, and are obviously compiled on this basis.
Its arrangement is to put the "archaic poems" of each tune (the earlier poems written by anonymous) or the earlier poems in front, and list the later works later, so that readers can understand that some literati poems are influenced by folk songs or previous generations of literati. For example, the songs of harmony, autumn dew and Hao Li are in Song Shu? There are only Cao Cao's sketches in the book Le Zhi, but there are ancient poems of Han Dynasty in this book. Although Cao Cao's proposed work is higher than "Ancient Ci" in ideological content and artistic skills, it is far from obvious to explain the origin and original intention of this piece. Another example is Shang Mo Sang, which was originally the "tune" in the "harmony song" of the Han Dynasty. Only the drafts of Cao Cao and Cao Pi and Jin Yue's rewriting of Qu Yuan's nine songs are recorded in the Book of Music. Shan Gui's poems; As for Sang's ancient ci, it belongs to the category of "Daqu". In Yuefu Poems, ancient words are recorded first, which makes readers understand that Cao Cao and others' works are just new words based on the tunes of ancient words. This book also includes various poems written by later generations to Shang Mosang, such as Picking Mulberry Seeds, Beautiful Songs, Journey to Luofu, Journey to the Southeast at Sunrise, Journey in the Day, etc. This shows the influence of Sang on later literati. Another example is that Lu Ji's poem Ode to the East and Bao Zhao's Ode to the East are arranged together, which shows that the same tune can form all kinds of poems with completely different contents.
Poems in Yuefu poems are classified by musical tunes, and some tunes have influenced the music of later generations. For example, Plum Blossom Fall in Han Kua Chui Ge and Difficult to Go in Miscellaneous Songs are only the earliest songs put forward by Bao Zhao, but the editor still classifies Plum Blossom Fall as Han Kua Chui Ge, and quotes Chen Wu Biezhuan in the explanation of Difficult to Go, pointing out that this song was popular among northern herders before Wei and Jin Dynasties, indicating that it was early. It reflects the influence of folk songs on literati poetry and the relationship between music and poetry, and points out the inheritance relationship between the music of the previous generation and the music of the later generations for the same theme of all kinds of music. For example, Huang Dansi in "Blowing Across the Drum and Beam", the editor quoted Chen Shizhi's "Ancient and Modern Music Record" as "blowing across the Yellow River".
Yuefu Poetry Collection gives a detailed introduction and explanation of the origin, nature and musical instruments used in singing. These explanations in the book quoted many lost articles, such as Liu Song and Zhang Yong's Yuan Jia Zheng Sheng Lu, Wang Sengqian's Nanqi Ci Lu and Chen Shizhi's Ancient and Modern Music Lu. Many precious historical materials have been preserved. This is of great value to the study of the history of literature and music. But some of them may be hearsay and unreliable.
There are also some shortcomings in Yuefu Poetry Collection. In the Qing Dynasty, Ji Yun pointed out in the Catalogue of Sikuquanshu that it was not appropriate to include some literati poems in Yuefu. In addition, because it focuses on the melody, the recorded lyrics are often inconsistent with the narrative about the melody. For example, the editor of Shuiduige in Modern Lyrics thinks that it is the time when Emperor Yang Di visited Jiangdu, but the author is not indicated in Tangqu. In fact, I'm afraid these lyrics are all mixed from the works of the Tang Dynasty. For example, the second poem "Rupo" is obviously a poem by Du Fu.
Modern scholars have also argued about the classification of the book, such as the boundary between the harmony songs in the book and the Qing business songs. In The Beauty of China and Its History, Liang Qichao thought that Qing Shang was the three tunes of Qing Shang in the Han and Wei Dynasties, while Guo Maoqian called Wu Shengge and Xi Quge "Qing Shang Songs" and regarded them as Qing Shang songs in the Han and Wei Dynasties. I don't agree with Liang's view that the songs of the Han Dynasty have been lost, and there are eleven "harmony songs" in the three tunes of Wei and Jin Dynasties. As for the tunes of Shangqing songs in Wei and Jin Dynasties after Sui and Tang Dynasties, they are no longer circulated, so Zheng Qiao listed Shangqing as only recording southern folk songs after Jin Dynasty (The Source of Three Sounds of Song Xianghe and Song Xianghe and Answer to Mr. Zhu Peixian's On Qing Merchants).
Yuefu poems include chicken bone pavilion edition in the late Ming Dynasty, Qing Dynasty edition and four photocopies. The Literature and Ancient Books Publishing Office photocopied the residual copies of Song periodicals, and the missing volumes supplemented the old manuscripts of Yuan periodicals. Today's General Punctuation Collation by Zhonghua Book Company (1980).
Respondent: cm 089- Qian Zong Grade 4 3-23 18: 16.
/book_4809.html
If you need the passwords of the books on this website, it is usually www.52ebook.com, and some early books are 52 e-books.
Respondent: HJFHHQ-1Grade 4 3-23 18: 18.
Cao Cao stepped out of Xiamen to see the sea. Jieshi watches the sea in the east. The sea is so vast that the islands stand high on the sea. Trees and paraquat are very lush. Autumn wind makes trees make sad sounds, and the sea is surging. The movement of the sun and the moon seems to come from the vast ocean. Journey to the sun and the moon, if you go out. Han is a talented star, if you take him by surprise. Fortunately, even! Sing with ambition.
Respondent: Loveqy34-Assistant Level 2 3-23 18: 18.