I gallop alone in the original poem

Holding an oil-paper umbrella alone

Wandering in the long, long

Lonely rain lane,

I hope to see

Like cloves.

A girl with a grudge.

She does.

Clove-like color,

Lilac-like fragrance,

Sad as cloves,

Mourning in the rain,

Sadness and hesitation;

She lingers in this lonely rain lane,

Hold an oil-paper umbrella

Like me,

Like me.

voicelessly

Cold, sadness and melancholy.

She approached quietly,

Get close and throw again.

Breathing eyes

She floated by.

Like a dream,

As sad and confused as a dream.

Floating like a dream

A lilac field,

I passed this girl by;

She left silently, left,

A crumbling fence,

Walk through this rainy path.

In the lamentation of the rain,

Remove her color,

Spread her fragrance,

Disappeared, even hers

Breathing eyes

Lilac is melancholy.

Holding an oil-paper umbrella alone

Wandering in the long, long

Lonely rain lane,

I hope to float over.

Like cloves.

A girl with a grudge.

Rain Lane is Dai Wangshu's famous work and his early masterpiece, which earned him the nickname "Rain Lane Poet". This poem was written in the summer of 1927. At that time, the whole country was in a state of white terror Because Dai Wangshu participated in progressive activities, he had to take refuge in a friend's house in Songjiang, chewing the disillusionment and pain after the failure of the Great Revolution in loneliness, and his heart was full of lost emotions and hazy hopes. The poem "Rain Lane" is an expression of his state of mind, which is intertwined with the dual emotional appeal of disappointment and hope, disillusionment and pursuit. This feeling was common at that time. Rain Lane adopts symbolic lyrical techniques. The narrow and gloomy rain lane in the poem, the lonely traveler wandering in the rain lane, and the girl as sad as lilac are all symbolic images. These images constitute a symbolic artistic conception, which implicitly implies the author's confusion, sadness and expectation, giving people a hazy and profound aesthetic feeling. Musicality is another outstanding artistic feature of Rain Lane. In the poem, repetition of sounds, repetition of sentences, repetition of singing and other techniques are used, resulting in the cycle of melody and pleasant sense of music. Therefore, Mr. Ye Shengtao praised this poem for opening a "new era" for the syllables of China's new poems.

In Rain Lane, the poet created a girl with a lilac knot. Although this is inspired by some works in ancient poetry. It is a traditional expression in ancient Chinese poetry to use lilac knots, that is, lilac buds, to symbolize people's worries. For example, there is a poem in Li Shangyin's "Gifts for Generations" that says "bananas don't show lilac knots, but they are worried about the spring breeze in the same direction". In the Southern Tang Dynasty, Li Jing tied a lilac knot with me in the rain. He has a song "Huanxisha"

Roll up pearls to make curtains and hang hooks. In the tall building, I look like before, and my depression is still locked. Who is the Lord in the wind? Take it easy!

The messenger didn't bring news to the pedestrians far away. The lilacs in the rain reminded me of sadness. I looked back at the Three Gorges at dusk and saw the river falling from the sky.

In this poem, the lilac knot in the rain is used as a symbol of people's sadness. Obviously, Dai Wangshu absorbed the artistic conception and methods of describing sadness from these poems and applied them to form the artistic conception and image of Rain Lane. This kind of absorption and reference is obvious, but can we say that the artistic conception and image of Rain Lane are the expansion and desalination of the modern vernacular version of the old poem "Lilacs are sad in the rain"? I don't think so. When the poet conceived the artistic conception and image of the rain lane, he not only absorbed the juice of his predecessors, but also created his own. First, the ancients used the lilac knot itself as a symbol of sadness in their poems, while Yuxiang imagined a girl who was as sad as lilac. She has the image of lilacs disappearing in an instant, which is different from the old classical poems and other works created by the poet in his early days. She is full of the tone of the old poems and shows more flavor of the new era. "Lilacs in the rain bear sorrow" can arouse people's hope and disillusionment more than "girls who are as sad as lilacs", and this image is a rare creation in the field of expressing the sorrow of the times. Secondly, in ancient poetry, the lilac knot in the rain is based on the real life scene to pin the poet's feelings. The poet added his imagination to his life experience. It is the product of artistic imagination, more beautiful than life.