From the perspective of image-building, the image thinking of Mo Ruo's poems has the characteristics of divergence and radiation: "Climbing high is full of emotion, and watching the sea is full of meaning"; Most of his imagination methods are to break the free association of time and space, which is unconstrained, eclectic and jumping; His method of creating image beauty is to directly impact with full and rich burning passion, drive the image with emotion, and express emotion with image. Magnificence, strangeness and flying are its characteristics. Ai Qingshi's poetic imagery thinking is characterized by emotional sublimation, suggesting major events with small things, slender and broad writing, gorgeous and extensive writing, delicate and heroic writing; Its imaginative way is metaphorical association, and "abandoning, picking up and piecing together" in Vientiane chooses to treat one's emotions and thoughts gently and shape the body. "Multi-level association is produced in the fusion of external feelings and their own feelings and thoughts; His method of creating the beauty of images is to grasp the fresh impression obtained instantly with the eyes of poets and philosophers, and to render and melt it with his own mind, so that it can leap and sublimate into a brand-new image, while the fresh image with a real sense of life and the new image with a wide range of symbolic meanings can exist independently and have their own lives, so as to achieve the harmony between emotion and scene, the connection between meaning and image, and the harmony between emotion and emotion. It is characterized by fluidity, symbolism and philosophy.