What is the previous sentence of "keeping orderly"?

The previous sentence of "keeping orderly": being disciplined and measured.

The previous sentence of "keeping orderly": being disciplined and measured. Title of the poem: "Jizha Guanlei of the Zhou Dynasty/Jizha Guanlei". Real name: Zuo Qiuming. Era: Pre-Qin. Birthplace: Junzhuang, the capital of the State of Lu (now Feicheng, Shandong). Main works: "The Debate on Cao GUI", "Zhu Zhiwu Retreats the Qin Army", "Zheng Burke Duan Yu Yan/Doing More Unrighteousness Will Destroy Yourself", "Confrontation between Zhou and Zheng", "Shi_Admonishing Favoring Zhouxu", etc. Main achievements: authored the chronological history book "Zuo Zhuan" and China's first national style history book "Guoyu". Belief: Confucianism.

We provide you with a detailed introduction to "keeping order" from the following aspects:

1. For the full text of "Jizha Guanlei/Jizha Guanle", click here View the details of "Ji Zha Guanlei/Ji Zha Guanle"

Master Wu came to hire Zha. Please watch Yu Zhoule.

Shi Gongwei's songs "Zhou Nan" and "Zhao Nan" said:

"How beautiful! The foundation has been laid,

It's not yet done, but Be diligent but not resentful.

He sang "Bei", "_" and "Wei" for him and said:

"It's so beautiful!

He who is worried but not sleepy. I heard that Wei Kangshu and Wu Gong were so virtuous.

Is this their "Wei Feng"? "The song "King" for him said:

"How beautiful! Think without fear,

It is as far as the east of the Zhou Dynasty! "He sang "Zheng" for it and said: "How beautiful!

It is so detailed that the people cannot tolerate it.

He died first! "He sang "Qi" for it,

and said: "How beautiful,

so magnificent! It's windy!

Who represents the East China Sea, who is the Grand Duke?

A country cannot be measured. "I sang "Bin" for it,

and said: "It's so beautiful,

it's so swaying! Happy but not licentious,

Is this the east of Zhou Gong? "The song "Qin" for him said: "This is called Xia Sheng.

If you can do it in the summer, it will be great, and it will be great.

It is as old as the Zhou Dynasty! "He sang "Wei" for it,

saying: "How beautiful,

____! Big and gentle,

dangerous but easy to do, if you supplement it with virtue,

it will be a clear master! "He sang "Tang" for it,

saying: "What a profound thought!

Are there any survivors of the Tao Tang clan? Otherwise,

Why worry so far? After Fei Lingde, who can be like this?

Who can be like this? "The song "Chen" for.

says: "The country has no master, how long can it last! "There is no ridicule since "鐐"!

For the song "Xiaoya", he said.

"How beautiful! If you think without hesitation, if you complain without speaking, is your moral character declining?

There are still remnants of the former king! "He sang "Daya" for it and said: "Guangzai!

Hehe! It is curved but has a straight body. Is it the virtue of King Wen? "Sing "Ode" to it,

say: "It's the end!

/p>

Sad but not sad, happy but not desolate;

Use without depletion, spread without publicity;

Give without spending, take without being greedy;

Stay at the top but not at the bottom, move without flowing.

The five tones are harmonious and the eight winds are calm;

Be measured and orderly.

Shengde is the same! "When I saw the dance of "Xiang_" and "Nanqi", I said: "It's beautiful, but I still have regrets! "Seeing the dancer of "Da Wu",

said: "It's beautiful.

The Zhou Dynasty was prosperous. How could it be like this?

" Seeing a person dancing "Shao_", he said:

"The sage's magnificence is great, but he still has shameful virtue.

The sage's difficulty is also there! "When someone saw the dance of "Da Xia", they said: "How beautiful!

Diligence but no virtue. Who but Yu could cultivate it? "Seeing the dancer of "Shao_",

he said: "How great is the virtue!

It is great, just like the heaven's all-embracing rooster,

such Although the land is very virtuous, I would like to express my disdain here!

If there is any other joy, I would not dare to ask for it! >

2. Zuo Qiuming's other poems

"Cao GUI's Debate", "Uncle Jian Cries for the Master", "Zhu Zhiwu Retreats the Qin Master", "Zheng Bo Duan Yu Yan/Anyone who does unrighteousness will be killed" ", "Zhou Zheng's Conversation". 3. Appreciation

"Ji Zha's View of Zhou Le" is a special article in "Zuo Zhuan", which contains many elements of literary criticism. It is a comment on Zhou Yu, which is actually a comment on "Poetry", because at that time "Poetry" was included in music. Ma Ruichen said: "There are three hundred poems, and there are none that cannot be included in music." Zuo Zhuan: Wu Jizha invited Zhou Yue to watch, and made the workers sing the song "Zhou Nan" and "Zhao Nan", which spread to the twelve countries. If it is not incorporated into music, the poetry of the Fourteen Kingdoms cannot be unified into Zhou music." ① Although poetry separated from music may lack the inspirational effect, and the dance in Zhou music cannot be reproduced, after all, the Zhou music commented on by Ji Zha , the main body of the text can also be seen in the "Book of Songs", so we can summarize some characteristics of traditional literary criticism from "Ji Zha Guan Zhou Le".

Literature and Politics and Religion Chinese literature has attached great importance to the relationship with politics and religion from the beginning. This was especially true in the early days when literature had not yet achieved an independent status and had achieved conscious development. The Book of Songs did not first appear as a purely literary work. On the contrary, it had specific and practical uses. For example, "In the Spring and Autumn Period, it was quite popular for officials and officials to "compose poems to express their aspirations" in political and diplomatic situations. Poetry writers borrowed ready-made poems out of context to hint at their own emotions. When officials and officials talked, they often quoted certain poems." ② Moreover, the collection of poems consciously serves political and religious purposes. "In ancient times, the emperor ordered the history to collect poems and ballads to observe the folk customs." ③ "In the Mengchun month, the people who lived in groups were about to disperse, and the passers-by used wooden boards to pick up poems on the road, and presented them to the imperial master to compare their music and rhythm, so that the emperor could hear them. . Therefore, it is said: The king knows the world without looking into the house." ④Since literature attaches great importance to its social function, literary criticism naturally also emphasizes political enlightenment. This is reflected in the "Analects of Confucius": Confucius said: Why shouldn't I learn from my husband's poetry? Poems can be exciting, can be viewed, can be grouped, and can be complained. Those who are near serve the father, those who are far away serve the king; they are more familiar with the names of birds, beasts, grass and trees. "Literary works have infectious power and can 'inspire will'. This is Xing. Readers can 'see gains and losses' and 'observe the rise and fall of customs' from literary works. This is Guan. Group refers to 'living in groups and learning from each other'. Inspire each other and strengthen each other. Resentment refers to 'resentment in politics' to promote political improvement." 5 Judging from Jizha's comments on Zhou Le, he just combined music (literature) with politics and religion. He believes that political chaos will have an impact on music (literature), which means that music (literature) can be used to "examine gains and losses" and "observe the rise and fall of customs." Because political chaos will affect people, and people's thoughts and feelings will be reflected in music (literature). Therefore, Jizha can hear "diligence but not resentment" from "Zhou Nan" and "Zhao Nan", and "worry but not sleepiness" from "Bei", "_" and "Wei". Music (literature) also has a counter-effect on politics. They can "live in groups and learn from each other" and inspire each other; they can "go into politics with grievances" to promote political improvement. Of course, bad music (literature) will also accelerate the corruption of politics, so Confucius wanted to play Zheng. Ji Zha also heard from "Zheng" that "it is too detailed, and the people are not worthy", and thought that "it died first" "Huh?" But it must be pointed out that there is not really the so-called voice of national subjugation, but the sound of decadence encourages the social atmosphere of debauchery and enjoyment, thereby corrupting politics and leading to the subjugation of the country. Some people have one-sidedly exaggerated the reaction of music (literature) on politics, believing that music (literature) can subjugate a country, thereby introducing comments on music (literature) into mysticism.

The Beauty of Harmony in Literature Confucius’s discussion of poetry emphasized the poetic teaching of “gentleness and honesty”. He said: "Three Hundred Poems" can be summed up in one sentence, saying: thinking is innocent ("Wei Zheng"), and he also said: "Guanyong" is happy but not obscene, sad but not sad ("Bayi"). Ji Zha's discussion of poetry is very close to that of Confucius, focusing on the beauty of harmony in literature. He called "Zhou Nan" and "Zhao Nan" "diligent but not resentful", "Bei", "Yu" and "Wei" "worried but not sleepy", "Bin" "happy but not lewd", and "Wei" "big and generous". "Elegant, dangerous but easy to do", "Xiaoya" "Thinking without hesitation, complaining without speaking", "Daya" "quick yet straight". A more prominent expression is his comment on "Ode": "Straight but not arrogant, crooked but not yielding, close but not forcing, far but not carrying, moving but not lustful, returning but not tired, sad but not sad, happy but not 14 words were used to describe it: use it without scarcity, spread it widely without publicizing it, give without spending money, take without being greedy, be at the right place but not at the bottom, and go with it without flowing. The exclamation he made was "It's great", because "the five tones are harmonious, the eight tones are flat, the rhythm is measured, and the order is maintained", so it is "the same as the great virtues". It can be seen that Jizha's admiration for China and beauty is indeed extremely high. The so-called beauty of harmony is the aesthetic reflection of Confucianism’s doctrine of the mean. Confucius realized that anything less than or too much is not good, and things will decline when they reach their peak, so he "allowed to hold on to the middle". You cannot be overjoyed or sad personally. Gong Zizhen's "young man's sorrow and joy are beyond human's, and his singing and weeping are true and unprovoked" does not meet Confucius' standard of moderation. "Shishuo Xinyu" When Xie An of Yaliangmen heard the news of the Jin army's victory in the "Battle of Feishui", he was so overjoyed that he broke his clogs⑥. When Gu Yong lost his son, he was very sad, but he restrained himself and said: "It is no longer as high as Yanling, so how can we have the responsibility of mourning Ming?" ⑦ This is reflected in literary criticism, which advocates suppressing overly strong emotions in order to be consistent with the situation. Etiquette requires "joy but not obscenity, sadness but not sadness". This has a direct impact on the formation of the implicit and euphemistic style of classical poetry. Because of the need to suppress emotions, one often sings and sighs instead of expressing everything. The artistic conception of literature is therefore profound and interesting, and is quite chewable. But this is also one of the reasons why China did not have a tragedy like ancient Greece.

Impressionistic literary criticism. Traditional Chinese literary criticism lacks systematic theory and rigorous logic, and is often written in the form of impromptu insights. A large number of poems and poems fall into this category, while the more systematic ones such as "Wen Xin Diao Long" and "Yuan Shi" are outliers. As Mr. Ye Jiaying said, traditional Chinese literary criticism is designed for people with weak roots, while Western literary criticism takes care of people with weak roots. To put it this way, it seems that China’s form of literary criticism is more advanced. For example, Sikong Tu's "Shi Pin" is simply written in the language of poetry, and Lu Ji's "Wen Fu" is also exquisite and beautiful. However, this impressionistic literary criticism also has its drawbacks. Because Ligen people are in the minority after all, although the author writes for further study and gain insights, the readers are often angry and confused. For example, although Mr. Wang Jing'an's "Human Words" is recognized as a masterpiece, there are still disputes over the "realm of self", "the realm of no self", and what is "separation" and "non-separation".

On the one hand, it is a limitation of readers. As mentioned above, Ligen people are in the minority after all. On the other hand, it is also due to the vagueness and unclearness of concepts and the ambiguity of expressions. But there are indeed some sparse poems and words that make people enlightened by their faintness. Just like some koans in Zen Buddhism, some monks claim to be enlightened and say some specious things. But whether it is enlightened or not, only the genius knows. Because there is no standard by which to judge. Regardless of the quality of this method of criticism, just look at its roots, which originated in the pre-Qin Dynasty. There is such a record in "The Analects": Zigong said: "How about being poor without flattery, and being rich without arrogance?" Confucius said: "Yes; if you are not poor, you are happy with the Tao, and if you are rich, you are good at courtesy." Zigong said Said: "The "Poetry" says: 'It's like cutting, like sparring, like plowing, like grinding'. What do you mean by giving?" Confucius said: "Give it, only then can we talk about it. The "Poetry" is already done. Tell everyone who has gone and know what's coming." "("Xueer") Zi Xia asked: "'The beautiful smile is beautiful, the beautiful eyes are always beautiful'. What does it mean?" Zi said: "After the ceremony, it is plain. "Huh?" Confucius said: "It's time to talk about "Shi"." , "As beautiful as it is, it is not perfect." ("Eight Yi") From the first two articles, we can see that the criticism of literature is quite flexible, especially the use of association. Just like Wang Guowei excerpted three sentences to summarize the three realms of scholarship, this is also an impressionistic criticism. Although the author may not, the reader may not. This is different from Zhang Huiyan's rigid assertion that the author must have such intentions. The third comment is very similar to Jizha's comment. Jizha commented like this: "When I saw someone dancing "Da Wu", he said: 'How beautiful! How can it be like this when the Zhou Dynasty was prosperous?' When I saw someone dancing "Shao_", he said: 'How great is the virtue! It is as big as the sky. It's like everything in the land. Although it's very virtuous, it's just a shame. If there is any other music, I wouldn't dare to invite him." "Da Wu" is a dance performed by King Wu of Zhou Dynasty. There is irony in Jizha's praise, which is what Confucius said: "It is perfect, but it is not perfect." "Shao_" is Shun's dance, and Ji Zha's praise cannot be improved, which is what Confucius said: "It is perfect, but it is not perfect." "Here, Ji Zha's comment is both a criticism of impression and a criticism of image. Because Confucius and Jizha have similar viewpoints, stances, and commentaries, I use The Analects to compare and illustrate the criticism method of this article.

Let’s take a few more examples of Ji Zha’s comments on Zhou Yu: “I sang Qi for it. He said: ‘It’s beautiful, it’s so vast, and it’s so windy! Who represents the East China Sea, is he a great prince?’” "I sang "Wei" for him and said: 'How beautiful, __! It's big and graceful, dangerous and easy to do. If you supplement it with virtue, you will understand the master.'" "I sang "Xiaoya" for me. He said:' How beautiful! If you think without complaining, how can the Zhou Dynasty still be like the remnants of the previous kings? "What is the virtue of King Wen?" are both criticisms of impressions and images. With the wings of association and synaesthesia, people can naturally do anything.

Notes ① Volume 1 of the General Explanation of Mao’s Poems: Poetry into Music ② Volume 1 of "History of Ancient Chinese Literature" edited by Guo Yuheng ③ Kong Congzi’s Hunting Tour ④ Hanshu Food and Merchandising Chronicles ⑤ Selected Literary Theories of the Past Dynasties ⑥⑦ Yu Jiaxi's "Shishuo Xinyu Jianshu"

4. Translation

Wu Gongzi Zha came to hire. Please watch Yu Zhoule. He made Gongwei sing "Zhou Nan" and "Zhao Nan" and said: "How beautiful! It is the beginning of the foundation, but it is still incomplete, but he is diligent and not resentful. He also sang "Bei", "_" and "Wei", Said: "How beautiful, Yuanhu! Those who are worried but not sleepy. I heard that Wei Kangshu and Wu Gong were so virtuous. Is this their "Wei Feng"? He sang "King" for it and said: "How beautiful!" Think about it without fear, it is as far as the east of the Zhou Dynasty! He sang "Zheng" for it and said: "How beautiful!" It is so detailed that the people cannot tolerate it. It was him who died first! He sang "Qi" for it and said: "How beautiful and magnificent!" It's windy! Who represents the East China Sea, who is the Grand Duke? The country cannot be measured. "He sang "Bin" for it and said: "It's so beautiful! Happy but not licentious, what is the east of Zhou Gong? He wrote the song "Qin" for it and said: "This is called Xia Sheng." If you can do it in the summer, it will be great. If it is great, it will be as old as the Zhou Dynasty! "He sang "Wei" for it and said: "It's so beautiful, so __! Big yet graceful, dangerous yet easy to travel. If you supplement this with virtue, you will be enlightened! He sang "Tang" for it and said: "What a profound thought!" Are there any remnants of the Tao Tang clan? Otherwise, why worry about it? Who can be like this without Ling De? "We wrote the song "Chen", saying: "How long will it last if the country has no master? "There is no ridicule since "鐐"!

Jizha, the prince of the state of Wu, came to the state of Lu to visit and asked to watch the music and dance of the Zhou Dynasty. The people of the state of Lu asked the musicians to sing "Zhou Nan" and "Zhao" for him. South". Jizha said: "How wonderful! The foundation for enlightenment has been laid, but it has not yet been completed. However, the people have worked hard without resentment. "The musicians sang "Bei Feng", "Yong Feng" and "Wei Feng" for him. Jizha said: "How beautiful, how profound! Although I am worried, I am not embarrassed. I heard that the virtues of Uncle Kang and Duke Wu of Wei were like this. This is probably "Wei Feng"! "The musicians sang "Wang Feng" for him. Jizha said: "How wonderful! There is worry but no fear. This is probably the song after the Zhou Dynasty moved eastward! "The musicians sang "Zheng Feng" for him. Jizha said: "It's wonderful! But it was too cumbersome and the people couldn't stand it. This will probably be the first to perish. "The musicians sang "Qifeng" for him. Jizha said: "It's beautiful, grand and far-reaching. This is the song of a great country! The country that can set an example for the countries in the East China Sea is probably Taigong's country, right? The national destiny is truly unlimited! "The musicians sang "South Wind" for him.

Jizha said: "It's beautiful, broad and magnanimous! It's joyful but not indulgent. It's probably the song of Zhou Gong's Eastern Campaign!" The musicians sang "Qin Feng" for him. Jizha said: "This song is called Zhengsheng. If it can be used in Zhengsheng, it will naturally be grand. It is grand to the extreme. It is probably the song of Zhou's hometown!" The musicians sang "Wei Feng" for him. Jizha said: "It's beautiful, it's light and airy! It's rough and tactful, it's twisty and easy to flow, and with the help of virtue, you can become a wise monarch." The musicians sang "Tang Feng" for him. Jizha said: "My thoughts are profound! He must be a descendant of Emperor Yao! If not, why are my worries so profound? If not the descendants of virtuous people, who can be like this?" The musicians sang for him. "Chen Feng". Jizha said: "If a country has no master, how can it last long?" When he sang the following songs from "Haifeng", Jizha did not comment.

For the song "Xiaoya", he said. "How beautiful! If you think without hesitation and complain without speaking, how has Zhou's virtue declined? Are there still people who are the remnants of the previous kings?" He wrote the song "Daya" and said: "How great! How Xixi! It is curved but has a straight body. How virtuous is King Wen?"

The musicians sang "Xiaoya" for Jizha. Jizha said: "How beautiful! There are worries but no second thoughts, and there are resentments but no words. This is probably the song of the Zhou Dynasty when its virtues declined? There are still remnants of the late kings!"

He sang "Ode" for it and said: "It's the end! Straight but not arrogant, crooked but not yielding; close but not forcing, far away but not carrying; moving but not lustful, returning but not tired; sad but not worried, happy but not Waste; use without shortage, spread widely without publicity; give without spending, take without being greedy; be in a place without being bottomless, move without flowing, the five sounds are harmonious, the eight winds are calm; be restrained and orderly. The same thing!"

The musicians sang "Daya" for him. Jizha said: "How vast! The musicians sang "Ode" for him. Jizha said: "It's extremely good! Be upright without being arrogant, suffer without being tired, be sad without being sad, be happy without being dissolute, use without being lacking, be broad without being ostentatious, give without wasting, receive without being greedy, be stable without being stagnant, be popular without being popular. flood. The five tones are harmonious and the eight tones are harmonious; the beats are measured and the instruments are in order. These are the characteristics of people with great virtues! "

When I saw the dancers "Xiang_" and "Nanhu", I said: "It's beautiful, but I still have regrets!" "Seeing the person dancing "Da Wu", he said: "It's beautiful. The Zhou Dynasty was prosperous. Is it like this? "When I saw someone dancing "Shao_", he said: "It's so great to be a saint, but you still have a shameful virtue, and that's the difficulty of being a saint! When he saw someone dancing "Da Xia", he said, "How beautiful!" Diligence but no virtue. Who but Yu could cultivate it? "I saw a person dancing "Shao_" and said: "What a great virtue! It's so great, like everything in the sky, and everything in the earth! Although it is very virtuous, its contempt is added to it. Watch and stop. ! If there is other music, I won’t dare to invite you!”

After seeing the two dances of “Xiang Xiao” and “Nanhu”, Ji Zha said: “It’s beautiful, but there are flaws in it!” When he danced "Da Wu", he said: "It's wonderful. When the Zhou Dynasty was prosperous, it was probably like this." When he watched the dance "Zou", he said: "A saint is so great, but there are still shortcomings. It is not easy to be a saint. Ah!" When he saw the dance of "Da Xia", he said: "How wonderful! Who else can perform such music and dance except Xia Yu! : "Virtue has reached its peak! How great, just like heaven covering everything, just like the earth holding everything! Although there are those who surpass great virtues and great deeds, I'm afraid they can't surpass this. The appreciation has reached its end! If you still There are other music and dances, and I don’t dare to ask for them anymore.”

5. Notes

Wu Gongzi Zha: Ji Zha, the youngest son of King Shoumeng of Wu.

Zhou Le: Music and dance of the Zhou royal family.

Gong: Musician.

"Zhou Nan" and "Zhao Nan": the two styles at the beginning of the fifteen national styles in "The Book of Songs". The following mentioned are poems from various countries in the national style.

The beginning laid the foundation.

Diligence: hard work, hard work.

Resentment: Resentment.

Bei: a vassal state in the Zhou Dynasty, located south of Tangyin in present-day Henan. The vassal states of the Zhou Dynasty were located in the south of Xinxiang City, Henan Province today.

Wei: A vassal state in the Zhou Dynasty, located in Qixian County, Henan Province today.

Uncle Kang: The younger brother of Duke Zhou and the founding monarch of the Wei Kingdom.

Wu Gong: Uncle Kang’s ninth generation grandson.

"Wang": that is, "Wang Feng", a song written after King Ping of Zhou moved eastward to Luoyi.

Zheng: A vassal state in the Zhou Dynasty, located in the present-day Xinzheng area of ??Henan Province.

Thin: trivial. Music is used here to symbolize government orders.

Yangyang: grand appearance.

Behave in the East China Sea: Set an example for the vassal states in the East China Sea.

大公: Taigong refers to Lu Shang, the founding king of the country, who is also Jiang Taigong.

Bin: The old capital of the Western Zhou Dynasty, located in the northeast of Bin County, Shaanxi Province.

Dang: A broad look.

Zhou Gongzhidong: refers to Zhou Gong’s eastward expedition.

Xia: The area around Wangqi of the Western Zhou Dynasty. In today's Shaanxi and Gansu areas. Right voice, elegant voice.

Wei: The name of the vassal state, located in the north of Ruixian County, Shanxi Province. The look of floating lightly.

Danger: uneven, here refers to the changes in the music.

Tang: In present-day Taiyuan, Shanxi. The founding king of Jin State, Shu Yuchu, was granted the title of Tang Dynasty.

Tao Tangshi: refers to Emperor Yao. The Kingdom of Jin was the old land of the Tao and Tang clan.

After Lingde: the descendants of virtuous people, referring to the descendants of Tao Tang.

Chen: Wanqiu, the capital of the country, is in Huaiyang, Henan today.

鐐: In the south of Zhengzhou in present-day Henan, it was destroyed by the State of Zheng.

Criticism: criticism.

"Xiaoya": refers to the poems in "Poetry·Xiaoya".

Previous kings: refers to the kings Wen, Wu, Cheng, Kang and others of the Zhou Dynasty.

"Daya": refers to the poems in "Poem·Daya".

Xixi: He looks harmonious and harmonious.

"Song": refers to "Zhou Song", "Lu Song" and "Shang Song" in "The Book of Songs".

Arrogance: arrogance. Same as "force", invade and force.

Carry: free.

Desolate: excessive. Stay safe.

Bottom: pause, stagnation.

Five tones: refers to Gong, Shang, Jiao, Wei and Yu.

Harmony: Harmony.

Eight styles: refers to the eight types of musical instruments made of gold, stone, silk, bamboo, Han, soil, leather and original materials.

Stanza: beat.

Degree: scale.

Be orderly: There is a certain order in playing musical instruments. The name of the dance is Wuwu. The name of the dance is Wen Wu.

"Da Wu": the music and dance of King Wu of Zhou. The music and dance of Shangtang.

Shade: Regret, shortcoming.

"Great Xia": Xia Yu's music and dance.

Immoral: Do not boast about your merits.

Repair: Make. The music and dance of Yu and Shun.

帱: Cover.

Contempt: None, no.

Poems of the same dynasty

"Song of Picking Wei", "The First Month of the Spring King", "Song People and Chu People Ping", "Wuzi Envoys Come to Appoint", "Yu" "Shi Jin Shi destroyed Xia Yang", "Zheng Beke Duan Yu Yan", "Zeng Shen Cooked Pigs", "Zhizi Suspicious Neighbors", "Shi Kuang Collision with Jin Ping Gong", "Indiscriminate use of Yu to fill the number".

Click here to view more detailed information about Jizha Guanle/Jizha Guanle