The first level (paragraph 1): establish the topic and clarify the argument.
1 puts forward a topic and makes it clear that the love for the specific image of "Muye" in poetry is reasonable.
The second level (second to fifth paragraphs): positive argument.
The second paragraph: Taking the alternate use of "wood leaf" and "fallen wood" in Qu Yuan's works as an example, it is pointed out that "wood leaf" is a substitute for "leaf".
The third paragraph: It is further pointed out that the "slight yellow" of "wood" is consistent with the "slight yellow" of "fallen leaves".
The fourth paragraph: Taking Cao Zhi's Picture of Beauty as an example, it is pointed out that "leaves" can be replaced by "leaves of wood" and vice versa.
The fifth paragraph: It is concluded that "wood" can represent "tree" in image, and the yellow color of "wood" further highlights the breath of "autumn".
The third level (paragraph 6 to 12): negative argument.
Paragraphs 6, 7, 8 and 9 are demonstrated from the opposite side.
The sixth paragraph: Taking "falling wood" in Nine Songs as an example, it is pointed out that this usage is different from "wood leaf" and "leaf".
The seventh paragraph: Taking Du Fu's "Climbing the Mountain" as an example, it is pointed out that the "falling wood" here is purely "leaves".
The eighth and ninth paragraphs: By analyzing Lin Geng's dialogue with others, it is pointed out that "konoha" and "fallen wood" are both "leaves", but "leaves" do not necessarily mean "konoha" and "fallen wood".
Paragraphs 10, 1 1: Quote the sentence in Lin Geng's Talking about Leaves of Wood, and point out that "wood" has the feeling of falling leaves, while "tree" has no such feeling.
Paragraph 12: Taking Cao Zhi's Beauty as an example, it is pointed out that "leaves" can be replaced by "leaves", but "leaves" cannot be replaced by "leaves".
Summary: The full text expounds that it is reasonable to love the specific image of "Mu Ye" in poetry through positive and negative examples.