In our daily study, work or life, we often have new ideas because of certain things or people, so we can record them in our speeches. So how to write a speech is more infectious? The following is my literature acceptance speech, for reference only, I hope it will help you.
Literature Prize Speech 1 Good morning, teachers and students!
I am very happy to win this award and stand on the flag-raising platform. But I didn't achieve this achievement alone. He can't do without everyone's help. Here, I sincerely thank my teachers, my classmates, my parents, and all the people who helped me in writing.
Someone asked me: What is the secret of writing? I don't know anything about it But so far, the works of famous writers I know are all under seemingly simple words, and they all have a layer of connotation embodied by years of solid literary foundation. This layer of connotation makes the words have aura. Therefore, the literary foundation is still the most important. Actually, it is the word "true". Besides novels, isn't real writing the best? Just like my Talking about Goose, my trip to Shaoxing and the flock of geese downstairs all came from my life. I want to be a person who loves life and then express my feelings through words. With the encouragement of this award, I will definitely continue to write.
Finally, I thank all the people who helped me again. Thank you.
Speech 2: It's a great honor to win this year's Chinese Literature Media Award and Critics of the Year Award. Previously, many of my respected colleagues and friends stood here to accept this award, and I feel very honored to be able to win this honor with them. I must thank the recommending judges and the final judges. I also want to thank my friends. Without their friendship and encouragement, I would have accomplished nothing.
After entering the new century, the discussion on literary criticism has never been so intense. No matter ordinary readers, professional researchers or critics themselves, the voices of dissatisfaction and even disgust are strong and lasting. On the surface, this dissatisfaction or disgust seems to be caused by problems such as commercialization and media. Or because of "historical fracture" or incomplete social configuration. However, the problem may be far from simple. Without commercialization and the existence of media, how can we achieve the "multiculturalism" we expect? Where or under what conditions will the freedom of creation and criticism we expect be set? In fact, the real problem is that we still lack the theoretical ability to penetrate all the problems brought about by the current social changes in China, and the ability to profoundly explain the current situation of cultural production and literary practice. Therefore, more people only see the red dust of social life, the cross-flow of desire and the mess of spiritual life, and enlarge it in a simple way of criticism and repetition, while ignoring the historical and purposeful side of the changes in cultural production and communication methods during the reform period.
What I want to say is that blaming all the puzzles of literary criticism only on commercialization or so-called "media" and "marketization" has not yet constituted a real literary criticism. Because that is never the whole of literary criticism. On the one hand, indignant negation is particularly easy to get applause and applause, which is the easiest way for critics to get rewards in the workshop or "within the system"; On the other hand, the homesickness implied by taking the past as a reference also obscures all the complexities of present life. It is relatively easy to prove the past, but it is much more difficult to explain the present. When you lose the ability to explain your present life, the easiest way is to go back to the past in an imaginary way.
The difficulty of the new critical practice conditions lies in the huge problems of academic system and academic evaluation mechanism. Its irrationality is obvious and there is no obstacle, and we have no ability to change it. Internally, the weapon or knowledge of criticism is particularly challenging for us. That's true.
Facing the era and historical environment in which we live, our criticism activities are always hesitant and full of contradictions. It is probably this mentality that makes literary criticism fall into an unprecedented "credibility crisis" and become irrelevant. Arnold said in The Role of Contemporary Criticism: Criticism means "only knowing the best things that have been recognized and thought in the world, and then making it known to everyone, thus producing a pure and fresh trend of thought." But our literary criticism has not created this "fresh trend of thought"; Susan sontag said in The Aesthetics of Silence: "Every era must create its own unique spirituality." However, we haven't created "strategies, terms and concepts that try to solve the painful structural contradictions in human existence, try to improve people's thinking, and act with the goal of transcendence". This is something that we are deeply confused and embarrassed about.
"Inner confusion" is the potential real reason behind the dilemma of literary criticism. I believe this is not just my personal experience. If so, should we consider whether the speed of literary criticism is too fast? We didn't grasp the "best thing" to tell everyone, so we couldn't "create our own unique spirituality". We must have the courage to face the reality of this criticism, and then try to do our things better. Besides, what can I say?
Speech on winning the literary prize 3 Walking on the plain all the year round, I gradually developed the habit of reading county annals wherever I went.
I remember, in an ancient county annals, I once read a record. It is said that there are three scenic spots here: a tower, a temple and a bridge, which are regarded as historical sites. I went to visit if I was interested. The pagoda was in the Qing Dynasty, as evidenced by the Qianlong Imperial Monument. The temple is a Confucius temple dedicated to Confucius, Laozi and Sakyamuni, also known as the integration of the three religions; Only that bridge, no. The bridge is only recorded in the county annals. It is said that there is a scene called Blue Moon in Gao Qiao. How high is that bridge? Nobody knows. According to folklore, in ancient times, a child climbed into bridge opening to dig eggs. Inadvertently, the egg fell from bridge opening. The egg fell, fell, fell, and miraculously completed the incubation process in the process of falling. At this time, the bird took off its shell before landing. So, in my dream, I saw a bridge, and the moon could reach the bridge in the sky. I became a naughty boy trying to climb into bridge opening to dig eggs.
Thank my plain. Thanks to the wind on the plain. Thanks to the trees on the plain.
Feel Xinghua. Think about Shi Naian. Feel sorry for the judges.
The Swedish Academy Literature Award was announced on June 5438+00, awarding the Nobel Prize in Literature of XX to the 82-year-old Canadian woman writer Alice Munro. She is also the 13 woman writer who won this honor.
Peter Elende, Permanent Secretary of Literature of Swedish Academy, announced the winners in Swedish and English at noon that day, and called Munro "the master of contemporary short stories".
In a statement issued on the same day, the Faculty of Literature of Swedish College said that Munro's works are famous for their delicate plot, thorough style and psychological realism, and have the reputation of "Chekhov of Canada". Her novels are mostly set in small towns, describing the protagonist's efforts to win social recognition, but often caught in tense relations and moral conflicts.
Munro, who lives in Canada, said in an interview after learning of the award that when he was happy, he felt "flattered". "I knew I was on the shortlist, but I never thought I would win," Munro told the Canadian media. Munro said that he has always regarded winning the Nobel Prize as "a daydream that may happen, but probably won't come true". She hopes that her award "will make people regard short stories as an important art, not something you write for fun".
Earlier this year, she said that she would stop writing. In an interview on June 5438+00, she said that winning the Nobel Prize would not change this decision.
I haven't been to Xinghua, but it's strange, but it's written in my novel. This may be a metaphor of Shi Naian's narrative literature prize, which encourages people to imagine the existence beyond experience. My most direct description of it is the novel Fuping. Fuping's grandmother's house is in Xinghua, and his uncle Sun Daliang came out of Xinghua to work as a dung boat in Shanghai, and slowly gained a foothold. I learned from a family of three generations of sanitation workers that there are many people in this industry, and relatives came to Shanghai with their relatives during the famine year. In this book Tianxiang issued by Xinghua, there is a guest Ruanlang from Yangzhou who participated in the life of Tianxiang Garden to a great extent.
On the map, Yangzhou and Xinghua are located on the water systems of gaoyou lake and the Grand Canal. Yangzhou is in the south, which is also the artery of land and water. There are merchants, wealth and splendor, and there are 24 bright moon bridges. Xinghua goes north, but it is barren. It is a legend of loyalty and righteousness, two customs, or there is a connection between them. Fuping also wrote about Liuhe, which is also on the north bank of the Yangtze River, where the canal flows. My wet nurse is Liuhe. According to adults, she always coaxes me-I'll take you to Liuhe when I grow up. It seems that I have been waiting for this award for a long time. Thank you Xinghua!
Speech on winning the literary prize 6 Dear literary friends, hello!
It is an honor for me to win the third Qinling literature prize, and I am even more fearful. Why?
Yan Li, Sha Yi, Sun Xiaojie and Ma Fei are poets I admire and love. They all have their own creative tendency and unique aesthetic pursuit. Their poems are atmospheric, heavy, profound and beautiful, reaching deep into our hearts, standing in the new highland of contemporary poetry creation like Qinling, setting a new benchmark for the poetry evaluation level of Qinling Literature Award. Faced with such evaluation criteria, I am obviously a little uneasy, embarrassed and uneasy. I clearly realize that as the backbone of Baoji poetry group, I personally have a lot of artistic space to be improved. Undoubtedly, Yan Li, Sha Yi, Sun Xiaojie, Ma Fei and other outstanding poets supported, disseminated and promoted the Qinling Prize for Literature with their independent and noble personality and artistic practice of poetry creation, which had a positive and far-reaching impact.
If it is accidental to fall in love with poetry many years ago, it is a necessity of life and psychology to accompany poetry for 20 years.
For a long time, I dared not pretend to be a poet. I still maintain my original sacred and lofty views on poetry, and my eyes on poetry have always looked up and admired.
The best poets are those who are ashamed to be poets. Someone once said this, and I agree.
Poets are good at discovering the wisdom of human existence and the secrets of the soul. Poetry comes from the soul and is also consumed by it. Our heart is the beginning and end of poetry. Poetry must be artistic and beautiful in the process of expression, showing the rose-like color and fragrance of outstanding ideas. I don't object to the colloquialism of poetry creation, but it is meaningless if we blindly stay away from people's inner and emotional understanding and can't reveal the inner truth of life and nature. Poetry should be another name for beauty, wisdom and truth. Everything from language to poetry should be unified in this law.
Only those who are noble in spirit, pure in soul, noble in heart and full of compassion can be worthy of the sacred duty of poetry creators.
Those who only pay attention to fame and fortune, clamoring and selling language in an impetuous life are doomed to be blocked by fame and fortune, and can't see the gorgeous and profound inner essence of poetry.
Writing is a spiritual labor process of constantly denying and surpassing oneself, and the breakthrough of works is the result of the writer's own overall breakthrough, so the writer's cultivation is very important and needs lifelong cultivation and efforts.
It is dangerous for a writer to ignore the present situation of life and existence. Being in the Jedi may make the writer persist in inspiring and create good works, but how can a writer who can't even take care of his own life maintain a good creative state and mental state for a long time? Taking care of life is also a mature ability and symbol of a writer. As a social person, writers must restore their corresponding roles in life and society, and turn their creative advantages into advantages in life and work, which requires both ability and wisdom.
Whether to choose to look up permanently or climb the mountain of poetry alone is a problem that every creator interested in poetry must face. Twenty years of continuous reading and uninterrupted creation have made my heart rich and powerful. Let me look at life, society and nature with an independent eye, let me calmly and indifferently face the people and things in the world, willingly walk into the loneliness preset for myself, indulge in my heart, listen to my inner voice, talk to God and write down my own lines.
I want to be grateful for literary creation and poetry. She made me change everything about myself.
Now is the Millennium, and we in Baoji have the best literary creation environment and the best poetry writing ecology. I'm ready and looking forward to it. I want to witness the new awakening and prosperity of our poetry group in Baoji.
So many excellent poets and works, just like step by step, let us step by step to the heights, the heights of thought, spirit and soul.
Thank you!
Speech on winning the literary prize 7. We should use our own literary works to convey many basic truths to people: for example, a house is for living, not for speculation; If a house cannot be built, it is not a house. We should remind people that before human beings invented air conditioning, there would not be more people dying of heat than now. Before the invention of electric light, myopia was far worse than it is now. Before television appeared, people's spare time life was still very rich. With the internet, people's minds do not store more useful information than before; Before the internet, there seemed to be fewer fools than now. We should let people know through literary works that the convenience of transportation makes people lose the joy of traveling, the speed of communication makes people lose the joy of communication, the excessive food makes people lose the taste of eating, and the easy availability of sex makes people lose the ability to fall in love.
We should tell people through literary works that there is no need to develop at such a fast speed, and there is no need to make animals and plants grow so fast, because animals and plants grow so fast that they are not delicious, have no nutrition and contain hormones and other poisons. We want to tell people through literary works that under the stimulation of capital, greed and power, the morbid development of science has made human life lose a lot of interest and full of crisis. We want to tell people through literary works that we should take it easy, slow down, use five points wisely and leave five points for future generations.
A short article with shallow philosophy. But it is very enlightening, especially for older people, whose tastes must be understood. Jobs, who gets Apple for four or five thousand dollars, can be said to be omnipotent, but he can't do anything in the face of illness! Joe is going to the west, and I want to inform you:
1, don't always work under pressure, you are exhausted, you are so stupid!
2, don't forget that the body is everything, without health, you can't enjoy all the fun of life, which is a special loss!
3, don't think that it is the doctor who saves lives, but actually it is himself. Health is more important than saving lives, especially right!
4, don't think that there is a reward for paying, everything only pays off if you don't pay, Trane!
5. Don't neglect the people who are related to you. When the prosperity is exhausted, you will understand how difficult it is to find a bosom friend, especially regretting it! Let it be! Enjoy life slowly and enjoy life every day happily!
I talked to a classmate many years ago. Shortly after his wife died, he told me that when he was sorting out his wife's things, he found a silk scarf, which they bought in a famous brand shop when they traveled to new york. It's an elegant and beautiful brand-name scarf with a high price tag on it. His wife has been reluctant to use it. She wants to wait until a special day to use it. At this point, he stopped and I didn't answer. After a while, he said, "Never save good things for a special day. Every day you live is a special day. "
In the future, whenever I think of these words, I will often put down my chores, find a novel, turn on the stereo, lie on the sofa and seize some time of my own. I will enjoy the scenery of Danshui River from the French window, regardless of the dust on the glass. I will take my family out for dinner, regardless of the food at home. Life should be an experience we cherish, not a past life.
I once shared this conversation with a lady. Later, when we met, she told me that she didn't put beautiful porcelain in the wine cabinet as before. Before, she thought she would stay for a special day, but later she found that day never came. "Future" and "one day" no longer exist in her dictionary. If there is anything to be happy and proud of, she needs to hear and see it now.
We often want to get together with old friends, but we always say "looking for opportunities".
We often want to hug grown-up children, but we are always waiting for the right time.
We often want to write to the other half to express our strong feelings, or to let him know that you appreciate him, but we always tell ourselves that we are in no hurry.
In fact, every morning when we open our eyes, we have to tell ourselves that this is a special day. Every day and every minute is so precious.
Some people say: you can dance as you like, just pretend no one is watching.
Love as many people as you want, as if you will never get hurt.
I want to dance and love as much as possible.
What about you? The first thing is to share this idea with your good friends?
After reading this essay, you can get up immediately to clean the table or wash the dishes; You can put the newspaper aside and close your eyes for a while; You can also copy this essay and pass it on to many friends.
Speech on winning the literary prize 8 Dear teachers and colleagues:
Hello, everyone. I'm very happy to be here today to accept the annual newcomer award of the China Prize for Literature. It's my pleasure and a great encouragement to my writing. First of all, I would like to thank the Organizing Committee of the Chinese Literature Award, all the judges and teachers, and all the teachers and predecessors who have been helping me. I have been writing novels since I was 16 or 17 years old, and now I have won this newcomer award, which may just explain my late maturity and dullness in literature-and I always thought that my late maturity and dullness made me such a writer now; At the same time, this newcomer award is also an encouragement, encouraging me to keep a fresh attitude of exploration and write as an apprentice.
Last year, I wrote a novel called "Duan Yixing's Home" (the single book is called "Our Home"), which is only my fresh exploration, and it is also part of my fictional story of pingle town, a small town in western Sichuan. Duan Yixing's Family is about a middle-aged man, who is the "father" of Duan Yixing, the narrator of the novel. Here, I want to tell you the story of me and my father.
My father will celebrate his 59th birthday next month. In the past, he was young and thin, but now he is a fat man with a Hong Zhong voice and an iron waist. In Pitong Town, Pixian County, my family are all young artists. Everyone should always care about my creation: my grandfather often teaches me to write something useful to the country and the people; Grandma likes to emphasize that literature must embody truth, goodness and beauty; And my father said, "use the right place, don't type wrong." It's been almost fifteen years. In the past, my father always helped me input the composition in my weekly diary into the computer. Later, he printed my article from the computer and corrected the typo with a red pen. He has been "Dad Dai Yue" for 28 years, and even "Dad Yan Ge" for 10 years. He is really good at correcting typos.
I wrote about Yixing's family in America, and I was sneaking around all the time. My father asked me on the phone several times how my new novel was written, and asked me to send it to him. I faltered-but he still saw the first chapter of the story. So he sent me a long letter. First, he told me something about his family, saying that the melon he planted on the balcony had grown up. At last he said, "I read your novel. How can you write such a thing now? I think you should delete all the sexual descriptions in it. " This is the first time in many years that he has made comments on my novel other than typos.
In fact, I have to admit that I can't write pingle town without my father. I always like to call him and ask some ridiculous questions, such as: Did the rape blossom in March? What kind of cigarettes have you smoked in the past nine years? Wait a minute. Dad always sighs that I am too lacking in common sense and too solid as a writer-but he doesn't know that no matter how far and how long I am away, as long as I hear his voice, everything in our town will reappear immediately.
For many years, my father was my best friend and my first reader. So when I write a novel, I often think of him and think about his possible reaction to reading this novel-"Duan Yixing Family" is the first time I haven't done this. As a novelist, I had to betray him, completely ignoring his feelings as a father-as a novelist, my rebellious period actually came a little late.
I wrote a letter to my father, trying to explain to him why I wrote this novel. Most importantly, as a novelist and novelist, I exist as a neutral and abbreviated "person". As a novelist, I am not a woman, a teenager, a woman, a young woman, an elegant and beautiful woman, a vulgar and despicable woman, and of course, my daughter.
As a novelist, I completed a family in Yixing in the United States, and as a daughter, I imagined that my father would eventually see the whole work, which inevitably made me uneasy. Before returning to China, the full text of the novel was published in Harvest. I dare not ask my father if he has bought magazines or read them. After getting off the plane, I bought him two cigarettes at the duty-free shop.
My father, who is waiting for me outside the exit, looks chubby with glasses as usual. When we got home, we had dinner and sat on the sofa drinking tea. Suddenly, he said, "I read your novel."
To my surprise, he smoked a cigarette and said that the novel was not bad except for some inappropriate dialect usage. Dad began to correct typos again, so I quickly asked him to mark the wrong places and tell me. After that, he took me to see his vegetable garden, picking vegetables and cooking boiled water, as if all the previous unhappiness had passed. When he came home after the National Day, he happily told me that someone called him "Shengqiang"-"Shengqiang" is the name of the protagonist in Duan Yixing's "Home"-I was shocked, but he still smiled and said, "Xue Shengqiang is a bit interesting."
In this way, my father and I miraculously reconciled, even more harmonious than the previous twenty years.
Knowing that the novel won the prize, I naturally called my father immediately. I specifically asked him to say, "Shengqiang, I won the prize." He said absently, "Really? I am playing mahjong. I'll call you when I'm done. "
When I was in junior high school, my father sorted out the composition I wrote in my weekly diary and submitted it to different magazines. In college, he bought dozens of novels published by me in the local area as souvenirs for our family. After drinking wine, I walked on the road in Pixian County and opened my mouth to sing "Three Cars". Touch your stomach, recite some poems and eat a watermelon on a hot day; Such a father is my best friend, my first reader and the most energetic person I know. It is because of him that I decided to write about my hometown, Pitong Town, Pixian County, the fictional town "Pingle", a fat man who sneezed across East Street, and Xue Shengqiang, the director of Douban Factory, and his fellow villagers in the story.
When Grandpa was still alive, I often went to Zhu Lin Teahouse to have tea with him. All the neighbors sitting in the courtyard dam are our old south street. When they heard that I was a writer, they all came to tell me about them. Grandpa said, "One day, you will write about our town."
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