What does the wind in ancient poetry mean?

Question 1: What does the word "wind" in the ancient poem "Fengya" mean? "Feng", "Ya" and "Song"

The Book of Songs is divided into three categories: Feng, Ya and Song according to the different musical tones.

Wind is the local music of different regions. "Wind" poems are folk songs collected from 15 regions including Zhounan, Zhaonan, Bei, {, Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Hui, Cao, and Bin. ***160 articles. Most of them are folk songs.

Ya is the music of the areas directly under the Zhou Dynasty, which is the so-called formal music. "Ya" poems are songs for palace banquets or court meetings. According to different music, they are divided into 31 poems in "Daya", 74 poems in "Xiaoya" and 105 poems in "Xiaoya". Except for a small number of folk songs in "Xiaoya", most of them are works by aristocratic literati.

Songs are dance songs and lyrics used in ancestral temple sacrifices, and their contents are mostly about praising ancestors’ achievements. The "Song" poems are divided into 31 "Zhou Songs", 4 "Lu Songs", 5 "Shang Songs", and 40 *** poems. All are works by aristocratic literati. From a time point of view, most of "Song of Zhou" and "Daya" were produced in the early Western Zhou Dynasty; a small part of "Daya" and most of "Xiaoya" were produced in the late Western Zhou Dynasty to the time of the Eastward Movement; the large part of "Guofeng" Part of it and "Song of Lu" and "Song of Shang" were produced in the Spring and Autumn Period.

Question 2: What does "wind" in the ancient poem "Wind, Ya, Ode" refer to? Answer: National style.

Question 3: The system of ancient poetry is called "Ode to Fengya". What does "wind" refer to? Guofeng

"The Book of Songs" is the earliest poetry collection in China. The Book of Songs was originally called "Poems" and contains 305 poems (another 6 have titles but no content, that is, they have goals but no words, and are called Sheng poems), so it is also called "Three Hundred Poems". Since the Han Dynasty, Confucianism has regarded it as a classic, so it is called "The Book of Songs". Mao Heng and Mao Chang in the Han Dynasty once commented on the Book of Songs, so it is also called "Mao Shi". The authors of most of the poems in the Book of Songs cannot be verified.

Regarding the classification of poems in the Book of Songs, there is a theory of "Four Beginnings and Six Meanings". "Four Beginnings" refers to the four first poems of "Wind", "Daya", "Xiaoya" and "Song". The "six meanings" refer to "wind, elegance, praise, fu, bi, and xing". "Feng, Ya, and Song" are the classifications of the Book of Songs according to different music, and "Fu, Bi, and Xing" are the expression techniques of the Book of Songs.

Feng, Ya, Song

"Wind" is also called "Guo Feng". There are 15 groups in one song. "Wind" is the general name of music. The 15 sets of national styles are not music from 15 countries, but music from more than a dozen regions. The national style includes the music and songs of Zhou Nan, Zhao Nan, Bei, {, Wei, Wang, Zheng, Hui, Qi, Wei, Tang, Qin, Bin, Chen and Cao, totaling 160 pieces. Guofeng was a popular local song at that time, with local flavor. In terms of content, most of them are folk songs. Most of the authors are folk singers, but there are also some nobles.

There are various views on the understanding of "Ya". One view is that it refers to the music in the areas directly ruled by the Zhou Dynasty. "Ya" means "righteousness", and this kind of music is regarded as "zhengsheng", which is intended to show the difference from music in other places. Some people also say that "Ya" is connected with "Xia", and Xia is the name of the area directly ruled by the Zhou Dynasty. There is also a view that "Ya" refers to elegant music that everyone can understand. There are 105 chapters in "Ya", divided into 31 chapters in "Daya" and 74 chapters in "Xiaoya". Most of "Ya" are works by court officials and officials, and a small part are folk songs. The contents are almost all about politics, some praising good people and good governance, and some satirizing bad governance. There are only a few poems expressing personal feelings. But there are no love poems.

"Ode" is a piece of music used by nobles to worship ghosts and gods in their family temples and praise the merits of rulers. It is accompanied by dance when played. It is divided into "Zhou Song", "Lu Song" and "Shang Song", with a total of 40 chapters. Among them, 31 "Songs of Zhou" are believed to be works of the Western Zhou Dynasty, and most were written before King Zhao and King Mu of Zhou; 4 "Songs of Lu" are believed to be works of the reign of Duke Xi of Lu; "Songs of Shang" are believed to be Works from the Song Dynasty before the Spring and Autumn Period.

Question 4: What does the "wind" in "***" refer to in the Book of Songs? Wind refers to the national style in the Book of Songs, and Sao refers to Qu Yuan's Li Sao

*** Refers to the status and influence of the work in the literary world.

In the history of Chinese literature, "***" represents the "Guofeng" in the "Book of Songs" and the "Li Sao" in the "Chu Ci" Together. The "***" tradition is two fine traditions of ancient Chinese poetry developed under the influence of "The Book of Songs" and "Chu Ci", that is, the "wind" poetry formed by the "Guofeng" representing the "Book of Songs" The tradition and the "Sao" poetry tradition formed by "Li Sao" which represents "Chu Ci".

The so-called "wind" poetry tradition is the spirit of realism passed down from generation to generation. The basic principle of realism is to reproduce life according to its actual style, and to express the author's thoughts and emotions through a true, concrete and vivid description of life, and to reflect the essence or some aspects of the essence of social life. The folk songs in "Guofeng" and the political allegorical poems about officials and officials in Erya embody this spirit of realism.

In terms of content, they face reality, describe reality, expose reality, and criticize reality; in terms of artistic expression techniques, they are good at using simple writing style, concise language, and clever metaphors to create real, natural and vivid images and depict Create intimate and touching pictures of life to express feelings and reflect reality. And this is the main feature of the "wind" poetry tradition, that is, the realistic poetry tradition. The literature of later generations that inherited and developed the realist spirit of the "wind" poetry tradition mainly includes: Yuefu folk songs of the Han Dynasty, literati poems of the Jian'an and Cao Wei eras, folk songs of the Northern Dynasties, Du Fu's "History of Poetry" works of the Tang Dynasty, and "New Yuefu" advocated by Bai Juyi of the Middle Tang Dynasty. Movement", "Bai Juyi style" poetry represented by Wang Yu's works in the Song Dynasty, Yuan Haowen's poetry during the Jin and Yuan Dynasties, etc. Although Guan Hanqing's Zaju in the Yuan Dynasty and Cao Xueqin's novel "A Dream of Red Mansions" in the Qing Dynasty are not poems, they also inherit the fine tradition of realist literature.

Question 5: How to modify the user name? (It seems not possible) 1. Press "Ctrl + Alt + Del" on the keyboard at the same time, and then select Change Password.

2. Click Start Run and enter "lusrmgr.msc", and click on the user on the right Change your password.

If not, please tell me that a message indicating that it cannot be changed will pop up.

Question 6: What does the ancient poem Fengyaozi mean? Fifteen national styles

< p> The Fifteen Guofengs are fifteen kinds of local folk songs, each with different tones and styles. They are the most important components of the Book of Songs and are divided into Zhounan, Zhaonan, Beifeng, {feng, and Weifeng. , Wang Feng, Zheng Feng, Qi Feng, Wei Feng, Tang Feng, Qin Feng, Chen Feng, Hui Feng, Cao Feng, Bin Feng

Question 7: What does wind refer to in the Book of Songs? "Wind" is a folk song collected from 15 regions including Zhounan, Zhaonan, Bei, Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Hui, Cao and Bin. ***160 Most of them are folk songs.

Ya music is the so-called Zhengsheng Ya music in the areas directly under the Zhou Dynasty. The poems in Ya are divided into different types according to the music. There are 31 articles in "Daya", 74 articles in "Xiaoya", and 105 articles in "Xiaoya". Except for a few folk songs in "Xiaoya", most of them are the works of noble literati.

The songs are sung by ancestral temples. Most of the dance lyrics are about praising the achievements of ancestors. The "Ode" poems are divided into 31 "Zhou Songs", 4 "Lu Songs", 5 "Shang Songs", and 40 poems.